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Phoenix 2772

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Phoenix 2772

Phoenix 2772 starts with twelve minutes without dialogue, much like a silent film, recalling the birth and education of Godo. In this brave new world, children are born in test tubes and are raised by computers and robots. Godo learns the skills that will make him into a great pilot, assisted by the robotic wonder Olga. Everything that Godo needs is provided for him until he eventually goes for training with his automaton companion. He soon realizes that the world is not what he expected...

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Release : 1980
Rating : 6.8
Studio : TOHO,  Tezuka Productions, 
Crew : Camera Department Manager,  Director, 
Cast : Kaneto Shiozawa Katsue Miwa Shuichi Ikeda Kazue Takahashi Kazuo Kumakura
Genre : Animation Drama Science Fiction Mystery

Cast List

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Reviews

Matialth
2018/08/30

Good concept, poorly executed.

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Stevecorp
2018/08/30

Don't listen to the negative reviews

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Sexyloutak
2018/08/30

Absolutely the worst movie.

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Kien Navarro
2018/08/30

Exactly the movie you think it is, but not the movie you want it to be.

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dandbone
2015/06/18

Despite it's obvious flaws, this movie accomplishes what it was meant to. The movie is built around the metaphor of Phoenix, the bird that rises again from its own ashes. The hero Godoh is trained from his childhood as a pilot and ends up on a mission searching for a mysterious space monster who can destroy any battle ship sent after him. The hero is helped under way by his surrogate mother, a female robot guardian and the friends he acquires on his previous adventures. As the action of the movie unfolds, the meaning of the metaphor becomes clearer. The Phoenix is actually God himself who gives life to those who love and death to those who hate.While I didn't particularly care for animation or fight sequences and the fire bird really looks dated I liked a lot the mythological quality of the movie. Compared to that, all its failings seem minor.

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lvd_orders
2006/07/29

Apparently 2772 has suffered much the same way that Nausicaa suffered in translation, further add the dilemma of context and we have something that no doubt has justifiably earned some low scores from reviewers. I haven't seen the old dub, but now with its Region 4 reissue on DVD (and I assume an R1 to follow), what we get is something truly magnificent. Not perfect by any means, but definitely Tezuka working at the peak of his animating ability. For those who have seen his experimental short films, this film seems to be much from that same vein. Here is where context comes in, because as a stand alone film, 2772 may seem weird and hard to appreciate. Taken as a whole--with Tezuka's other work under your belt--well, then you have something truly special.The story does not seem a direct adaptation of any of the phoenix stories, but many familiar characters (both from Phoenix and elsewhere) appear. The story line will feel familiar and at home with anyone who has read the phoenix books, but it is something new (it is sort of a new twist on the book 'future'.) The real treat here though is the animation. With what is seemingly more funds than Tezuka knew what to do with, virtually every scene is fertile with new ideas. Shots are rarely 'flat' the way they are in TV shows like Astroboy and Kimba. Instead, we have fluid perspective where not only are the characters moving, but so is the 'camera'. There are numerous multi-layered scenes using various psychedelic textures and cloud patterns. Much effort is put into making every scene feel important. When all these techniques are not enough, Tezuka resorts to what he knows best, and just starts drawing the most surreal space creatures you could imagine. For instance, on a planet that seems to be run by Mustachio, we see every possible alien design, most of which are ridiculous (reminiscient of the surreal encounters in 'Nostalgia'.) From the perspective of a fan of animation and a fan of Tezuka, Phoenix 2772 (I'm not sure why it is translated 'space fire bird') is a 10/10. This is in so many ways the culmination of Tezuka's studies in animation, a celebration of new possibilities (and also of animation in general.) The flavor of the original Phoenix stories are also captured with perfection in this film despite 2772 being a new story.For outsiders however; those who don't know Tezuka's works and may not have interest in pre-90's anime, 2772 could be a difficult work that at times seems pointless, and with an end that makes little sense. I think the original language with subtitles should help tremendously, but the film is still quite surreal and takes some chances (that may be seen as faults by some.) With that in mind, I've given the film an 8/10 (but fans will know it deserves more.)

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RapunzelK
2004/09/15

This film can be summed up in one word: Retro. Ah the late 70s/early 80s when voice acting was bad and dubbing worse. Because of the age of this film, a subbed version is difficult to find and it isn't available at all on DVD. If you snoop about the online market places, however, you can usually find an old video rental copy of the horrendous English dub on VHS for around $10-$8.00. The painful English voice acting aside, and the rather groovy character design (bell-bottoms, big shoes and bad hair- hey it was 1979, NOBODY had good hair) the movie is actually quite enjoyable. Be aware that this film definitely falls under the category of "experimental film". It employs some unusual animation techniques for the time. Anyone familiar with Osamu Tezuka's "star system" will be amused to see whom he casts in what part. Kenichi and Sapphire take starring roles as Godo and Lena and Rock- as per usual- plays himself as the villainous but not necessarily evil minister of science. The movie centers primarily around two intertwining plot lines: the love triangle between Godo, his robot nursemaid Olga, and Rock's fiancé Lena as well as the more obvious contention between Rock and Godo over the fate of their home planet (which is rapidly deteriorating) and who will win Lena's affections. It's a long movie, a solid two hours, and begins to drag a bit right around the part where Godo and Co. must battle the Phoenix. However things get interesting again and Tezuka takes an extra 20min or so to wrap up the film with his usual "harm not the earth" message. All in all, the voice acting is forgivable due to the trippy animation, weird storyline, and back-handed Star Wars references. I give it an 8 out of 10. I'd probably like the subbed version even more.

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StlBlade
2000/07/27

This movie is for anyone that thinks all Japanese Anime is good anime. There are parts of this 'movie' that make me think it was cut down from a series, but other parts that look like loss on the sides from the transition from widescreen. Too bad they couldn't lose the whole movie while they were at it.It is far too convoluted, unevenly paced. characters drop dead in ways that suggest that we should care more than we do (Hence the 'cut from a series' theory) and the ending made about as much sense of the rest of the movie.As a brief outline; The hero gets sent to space school to be a pilot. How he qualifies for this is not explained, but he musta been good, 'cos he already had a uniform on. Within 15 minutes, he attends school, gets in trouble with the law about visiting a garden, falls in love with a politician's daughter, is caught with said daughter and is sent to a labor prison. The plot picks up from there (Sort of). He then escapes and goes off into outer space to find the Firebird after stopping to pick up some really lame friends. When you're on the run, I guess you can't be too choosy.I made a copy from a local late night tv broadcast and like to show it to my friends now and then as an example of what bad anime looks like.Steelblade

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