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Strong and Moving!

Redundant and unnecessary.

Am i the only one who thinks........Average?

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Released two months before '2001: A Space Odyssey', and on a soap opera scale compared to that, 'Countdown' comes from a time when movies didn't have to have huge budgets, big stars or auteur directors to get national distribution: I saw it as a second feature (remember them? - to 'Ice Station Zebra', I think, a far worse movie) in one of the now defunct three small cinemas in my home town. It's pretty formulaic, with a 'time clock' plot, a little bit of character play, a fair bit of topicality, and for its time and budget, a reasonable stab at gritty space realism, compared to the stagey, squeaky 'Star Trek' universe that had boldly gone on TV only two years before, and Kubrick's tour de force that was to follow shortly. Interesting as a snapshot of cinema history, with a director and lead actor (and Robert Duvall) who went on to join the A-list, which nobody knew about then. They don't make 'em like this any more; or if they do, they go straight to DVD.

Although this movie was made back in the 1960's, tonight was the first time that I ever saw it. My wife and I found it to be an enjoyable Friday night offering. This movie was not about special effects, meteors hurling through space, etc. Rather, it was about the people who comprise the team that organizes and develops the US Space program. As always, Robert Duvall was excellent, this time as an Astronaut who, because of political considerations, was removed as the person who was scheduled to become the first to land on the moon. Duvall played his character with just the right amount of anger and disappointment before becoming the instructor and motivator to the man who replaced him, also well played by James Caan. I wish the ending had been a bit longer but that is a mere quibble with what I feel is a fine movie

It's interesting that I initially had the same reaction as "anonymous" did to the lunar lander depicted in the movie. Sure, it looks like a Gemini capsule stuck on top of a descent stage, but guess what? When Altman made this movie, NASA actually had already planned the "Countdown" mission AND the Gemini lunar lander, although it was never used. BTW, I read Hank Searl's book "The Pilgrim Project" while I was in eighth grade and loved it.

This film is not particularly noteworthy in itself, but as a benchmark in the development of science-fiction on the big screen. It marks one of the last gasps of the low-budget, hardware-driven (Rockets and Rayguns, if you like) school of sci-fi and falls well short of its contemporary "Marooned", much less merit any comparison with "2001" and other later high concept films. Altman's direction is sufficient to keep the picture moving along and the overlapping dialogue is a refreshingly sophisticated stuff. The ego clashes of the two pilot candidates for the moon flight seems a bit stilted (Duvall seems at home in the role, but Caan's not up to it), the anti-Soviet rhetoric is a bit grating at times and the female roles are essentially throw-aways. When it's time to put together a retrospective on the sci-fi genre (as has been done for war films) this one might get 15 seconds during the moonshot segment; it hardly deserves more. This film's biggest problem was (apparently) budget -- it's rare to see a film depict the props and procedures of its own era so poorly.