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Crips and Bloods: Made in America

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Crips and Bloods: Made in America

With a first-person look at the notorious Crips and Bloods, this film examines the conditions that have lead to decades of devastating gang violence among young African Americans growing up in South Los Angeles.

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Release : 2009
Rating : 6.8
Studio :
Crew : Director,  Producer, 
Cast : Forest Whitaker Jim Brown
Genre : Documentary

Cast List

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Reviews

VividSimon
2018/08/30

Simply Perfect

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FeistyUpper
2018/08/30

If you don't like this, we can't be friends.

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XoWizIama
2018/08/30

Excellent adaptation.

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Isbel
2018/08/30

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

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Seymour Asses
2009/10/26

This documentary is about how white people are evil, and responsible for all black problems. Every word spoken in this film is complete and utter garbage.Throughout the film we learn how white people manipulated the poor, innocent blacks into creating the Bloods and Crips. We are taught how the evil white people forced the gangs to go to war with each other and sell drugs. Everything is white people's fault. Everything.This "documentary" is quite possibly the greatest work of fiction of all time. Only militant blacks, or guilty white people will derive anything but anger and disgust from this bravo sierra.

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Jason VanMason
2009/09/22

Here is what I got out of the film: cops kept the residents of this area bottled up because the surrounding neighborhoods feared what would happen if poor black people began to spread out. In doing this the cops proved to be arrogant, unfeeling and cruel. Eventually, the people in this ghetto formed gangs. At first the idea was safety and self-defense. But somehow this evolved into rival gangs fighting and killing each other. The irony is that the residents of the ghetto became exactly what they feared and despised: an organized force that kept people behind geographical barriers, held power through fear and intimidation and was respected because the members were devoid of compassion and feeling. The gangs used the cops as role models. While it is alleged in this film that cops beat up people simply because they were black, the black gangsters beat up people because of the color of the bandanna in their pocket. Whats the solution? Who says there is a solution?A riot is shown as a major turning point. All it showed me was that pushing people too far makes them do crazy things. In one scene we see rioters destroying a car. Later they pass a car turned upside-down. So whose cars were they? Some white slum landlord who fled on foot? I doubt it. I think some hapless resident of this neighborhood woke up the next day to find he didn't have a car anymore. And all so rioters could break something. What can you say about people who loot and burn down their own neighborhood? Wouldn't YOU want to contain them? Whats the answer? To me the moral was "get out of the area and don't come back", not "Join a gang and fight".This film was difficult for me to watch because of the overuse of visual effects. Motion sequences were sped up or run backwards and forwards. Stills used "camera shake" or unnecessary zooms. And everywhere was the "old film" effect where phony edge flare, scratches, jumpy picture and even the effect of the film jamming in the projector and catching fire. This stuff is OK if used very sparingly. When applied to every sequence, it get really tedious. And less hip-hop scratch on the soundtrack would have helped.Since I have never lived in this neighborhood, I can only guess how non-gang members feel. But somehow I think that a lot of folks who live in the neighborhood shown in the film wish the gang guys would just go away. To me, this film shows that the gangs hurt their own friends and neighbors a lot more than they help.

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Christian Strevy
2008/09/28

I recently saw this at Birmingham, Alabama's Sidewalk Film Festival. Stacey spoke afterward the screening about how the movie was shown many times to people in LA to make sure that he was getting the right angle. Also, that he spent months WITHOUT a camera getting to know the people that were featured in the film.Living in Birmingham, being one the nation's most dangerous and racially-divided cities, I can see how this film is relatable to all oppression-linked crime.I think that this issue is extremely too large for Stacey to have adjusted his focus any wider. To ask the director to squeeze more information into this documentary would be asking too much of him. I thought that it was, over-all, very interesting visually and in meaning which can be hard to come by in today's documentaries. I really hope HBO or some other distributer picks this doc up. It needs to be seen, not only by LA natives, but all of America.

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philtron2002
2008/07/02

I was lucky enough to be part of a select crowd last week to see the Los Angeles premier of "Made In America" in the center of downtown LA. The atmosphere was charged with excitement as many of the characters who appeared in the film were there to see it, many for the first time. Though there were were sound issues early, the power and integrity of the film could not be masked. This is such an important film. It is so easy to live in this city, sitting back in condos in Sherman Oaks or fancy houses in Brentwood, and have no idea that a whole other city exists just south of the 10 freeway. Early on in the movie a number is thrown out; fifteen thousand gang related homicides in the past twenty years. Think about that for a moment. If that was happening in any other country, to any other race of people, there would be an out cry to the UN. In Los Angeles, it's just another day. Turn the page and see what Britney did this time. This is a story that needs to be told. The people of Los Angeles need to hear this. I heard some talk at the end of the film that they may try to show this in the LA school system. I hope that this happens. Knowledge is power. And, there is a message in here that needs to be shouted from the roof tops.I have seen some critics try to attack Stacy Peralta, suggesting that a white, former surfer/skate boarder does not have the right to tell this tale. I would ask, if not him, then whom? Who else has stepped up to put their reputation on the line, to go into these neighborhoods with an open mind and open heart, and sacrificed years of their life to give a voice to this condemned segment of society? This has been Stacy's most ambitious project to date. I applaud his efforts and congratulate him on shedding light on a subject that most of America would rather ignore.Please go see this film. Please tell your friends. It's not a romantic comedy. You will feel it in your guts for the next week or so. But, it's worth it, I promise.

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