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Best movie ever!

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

This movie feels like it was made purely to piss off people who want good shows

"Naked Killer" is one of my favorite guilty pleasures to come out of the Hong Kong film industry, so when I came across "Body Weapon" - which was made by the same people - I of course thought I would be getting more of the same. Unfortunately, this effort is a real disappointment. It somehow manages to be even cheaper than "Naked Weapon", with few "wide" shots and endless shots with the characters' faces jammed close to the camera. Much worse, however, is that the movie isn't that much fun. While "Naked Killer" was crazy, hilarious, and somewhat upbeat, this movie is slow (especially the first 30 minutes), mostly sombre, and kind of downbeat. There's not much entertainment in seeing a woman brutalized sexually and getting an STD in the process. The only real entertainment comes from a few sequences involving martial arts duels, though they are just okay and not exceptional. Stick with "Naked Killer" instead.

YUEN CHI MIU HEI (or BODY WEAPON) contains such humiliating and extremely degrading depictions of rape that it makes the rape scenes in the Charles Bronson movies of the 1980's appear to be innocent Charlie Brown cartoons by comparison.It seems that Hong Kong police officers are trained to arrest perpetrators by standing close to them face-to-face and holding out a gun in easy reach. It seems that Hong Kong police officers are not allowed to use weapons in their homes. It seems that Hong Kong police officers are trained to not use weapons when they are outnumbered by the bad guys. Sick rape scenes are mixed together with light comedy. The plot is confused and muddy. Very little makes sense.

Misleadingly (but cannily) titled and packaged as an action thriller with a tough female lead (she only gets to use her body as a "weapon" twice in the entire film, and even then not in the way you probably imagine), "Body Weapon" is a total disappointment. I wonder if the filmmakers knew what they were going for, because they try lots of different things, none of them done well; the movie is by turns hokey (those sound effects!), sleazy, plodding and sentimental, never finding its tone. The heroine says at one point that she wants to transform herself into "a woman that any man would die for"; she never gets there. (**)

Aman Chang's Body Weapon (1999) stars Angie Cheung as an attractive and incredibly sexy police woman, who gets married with one of her colleagues only to find herself almost beaten to death and her husband killed on their wedding night. She becomes remorseless vigilante chick with the help of a homosexual freak (played memorably by film maker Clarence Ford, the director of many classics like Naked Killer and Iceman Cometh), who teaches her the secrets of "the body as a weapon", and another cop in the station, who was also a close friend with the killed cop and likes Angie very much, too. What follows is violence, revenge and murder with huge speed, but in the end, it all means nothing.The moral of this film seems to be that revenge if you have been wronged and revenge good. No more about this film's philosophical levels since this is just exploitation in the form of sex and violence. The plot and script are often very bad and almost amateurish, as things just happen without any explanation (i.e. the girl finds the killers by just going to the street etc.) and it is all there just to show many fight scenes and action packed chases. The sex/rape scenes are pretty explicit and also S/M oriented and this film is pretty full of sleaze all the way. The UK video release has been cut over 3 minutes to tone down the sex and rape scenes, but I watched the uncut Hong Kong version which has these scenes intact. Some even say that the cut UK version makes the film actually more enjoyable and noteworthy compared to the uncut version!The film is pretty close to Naked Killer in its tone and style, but Naked Killer is much more "restrained" and enjoyable and all the camera angles are there for purpose and are used more cleverly than in Body Weapon, which sow them all the time everywhere so they become totally gratuitous and lose their impact. There aren't any segments or images in this film that camera would be in normal position and not twisted or behind some glass, filter etc. Still this technique creates pretty bizarre atmosphere with the very dark lightning of the film. Especially the breath takingly fast last segment in the store house and the chase before it is very dark and without any real light, and so pretty nightmarish. The ending is also very manic and almost unbelievable in its rage and speed. Forget the plot, story or some deeper level in the film and screenplay, just try to enjoy and understand the visual sides and stylish elements of the film, but still this isn't as "cool" as it wanted to be.Body Weapon gets 5/10 from me and the director could probably do better. He definitely can MOVE and use camera; if he only had better screenplay and sense of real stylish cinema, which doesn't mean that camera is twisted and moving all the time; he could ask Clarence for help for the start I think. For fans of Asian hyper insane cinema only.