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Never Forever

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Never Forever

When an American woman begins a dangerous relationship with an attractive immigrant worker, in order to save her marriage, she finds her true self.

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Release : 2007
Rating : 6.4
Studio : Vox3 Films,  NOWFILM, 
Crew : Art Direction,  Production Design, 
Cast : Vera Farmiga Ha Jung-woo David Lee McInnis Shirley Roeca Marceline Hugot
Genre : Drama Romance

Cast List

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Reviews

FeistyUpper
2018/08/30

If you don't like this, we can't be friends.

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Frances Chung
2018/08/30

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

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Mathilde the Guild
2018/08/30

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

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Quiet Muffin
2018/08/30

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

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neeza03
2016/08/21

Never Forever was a great movie. I was not sure what to expect since I do not recall the film ever being promoted even as an Indie; and I was pleasantly surprised with how much I enjoyed this film. I really love Vera Farmiga's acting and I truly enjoyed the diversity of the actors. I have started to really appreciate more diversity in the sex appeal Asian actors in general. This is the second film I have seen in the last month with Korean and other Asian actors and I find the quality of their acting superb and I find the actors very sexy, attractive and appealing. I am somewhat shock that more people have not seen this movie or appreciated what this movie bring to the table. Sophie was desperate to help her husband fight his "demons" and attempted to give him something to hold on to. This movie is a must watch. I truly loved this film!

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Michael O'Keefe
2015/08/03

This heartbreaking drama stars Vera Farmiga as Sophie Lee, a woman utterly devoted to her upper-crust Korean Catholic husband Andrew(David McInnis)that finds herself in a depressive situation; when she finds she's unable to get pregnant. This predicament seems to cause dishonor toward her husband and Sophie feels her marriage is in grave danger. She decides to entertain an affair with a Korean immigrant(Jung-woo Ha). She is willing to pay the young man for his services; with even a bigger payday upon her pregnancy. This fateful decision soon threatens to bring about emotional and mental anxiety nearing total despair.The story line is touching, but I was not so happy with Farmiga's hairstyle and wardrobe. Why make such a beautiful woman appear so bland? Other players include: Marceline Hugot, Kari Swenson Riley, Joseph Y. Kim and Shirley Roeca.

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Danusha_Goska Save Send Delete
2009/01/29

"Never Forever" is a deeply flawed movie replete with missed opportunities that whiz right past like rush hour buses in front of a motionless commuter. It is also well worth seeing, for a riveting performance by Vera Farmiga, a suggestive plot, and its treatment of unusual topics.Sophie (Vera Farmiga), a beautiful, blonde, trophy wife, is determined to give Andrew (David McGinnis) her "master-of-the-universe," very wealthy and successful husband, the child he cannot father himself. He is infertile. Her husband is Korean, so she chases down Jihah, (Jung-Woo Ha) an illegal Korean immigrant, and offers him three hundred dollars for every time he has sex with her, and thirty thousand dollars once she gets pregnant. The two perform the act with complete alienation, but eventually develop feelings for each other. The plot, is, of course, implausible. It reaches its height of silliness when Sophie tells Jihah she will pay him the bonus of $30,000 if she gets pregnant. Why the bonus? Would he really not have sex with this beautiful woman for three hundred dollars if he did not get the bonus? Are there other beautiful women out there offering bonuses of $25,000, and does Sophie need to remain competitive? Further, Sophie reveals no knowledge that a woman is fertile for a short window every month. Is she having sex with Jihah outside of that window of opportunity? Apparently so, because no seasons pass; all the action seems to take place during the same month. Finally, why not just go to a sperm bank, or use a turkey baster? Indeed, why does Sophie remove every stitch of clothing? You really don't need to remove everything you've got on in order to perform the act necessary for pregnancy. The film's marketers show a healthy respect for the market appeal of nude Vera Farmiga.Most of the action takes place in Sophie and Andrew's rich, cold, white, empty house and Jihah's squalid, lurid, red-and-green walled tenement. The director did not create enough atmosphere with these two sets. I never get a sense of Jihah's room. In one scene, it rains. That scene should have been milked for all it was worth: two strangers, separated by race and class, united for a moment, in a tiny apartment, as rain falls outside. Sigh.Also, so much more could have been done with the sex scenes, which are rather flat and unimaginative. Sophie and Jihah connect, and transcend barriers of race and class, through this one act. I wish that they had been depicted with more eloquence.In spite of the criticisms, this movie is well worth seeing. It isn't prurient. It's really a fairy tale about connection in spite of distance. Like a fairy tale, the film suggests and evokes more than it depicts, and the viewer's imagination is left to fill in the blanks. "Never Forever" is also worth seeing because it is unusual. This is the only American film with a Korean-born Korean lead with a thick Korean accent that many viewers may ever see. Finally, the film is worth seeing for Vera Farmiga's riveting performance. She conveys volumes with a glance. Sophie is not very bright, and has limited strength. She sits around her gilded cage all day, while her maid cleans her house and her husband works. She's, simply, not very likable, but Farmiga makes Sophie very watchable. Jung-Woo Ha as Jihah is also fascinating. He's not particularly good looking. He makes for a convincing illegal immigrant. He is short, slight, and wears stained t-shirts. As the film draws closer to him and spends more time with him, though, the viewer can see what is special about him, and comes to care about him – this process parallels the experience of falling in love. At first the other may come across as not that special, but as two people get closer together, they see what is special about the other.

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lion_and_boar
2008/03/17

Vera Farmiga is one of those rare actors that is emotionally present in roles that require vulnerability and honesty. I remember seeing her first in that short-lived TV series "Roar." She alone among all the actors in the cast that included a young Heath Ledger seemed to project real emotions in a series that was flirting close to "Xena" territory.So Director Gina Kim could not have found a better actor to play the role of Sophie, a woman who must make difficult choices involving two men and their respective worlds. Much will be made in Asian American circles about the intimate scenes Farmiga has with men of Asian descent. Beyond the novelty of such pairings in film, these scenes underscore one of the peculiar aspects of the movie: while the men in these scenes go through the (ahem) motions, Farmiga actually acts.That disparity is apparent in almost every scene Farmiga has with the Asian actors. While the male leads, Jung-woo Ha and David McInnis, are dutiful journeymen in their roles, they don't reach the honesty that Farmiga is able to bare. Against Farmiga's acting, Ha's and McInnis's performances come across almost as recitation.I can see Ha's delivery fitting seamlessly in a cutesy Korean miniseries. Someone should tell male actors not to grip their hair with both hands when the scene calls for inner turmoil. It comes off as pantomime. That "someone" should have been the director. While plot and composition worked well, I found Kim's direction of the acting lacking. Perhaps she was working within the limitations of the acting abilities of the male leads. In that particular case, she should have recast those roles.The lapses in the direction of the actors are apparent when lines are spoken by the male leads. There is an odd stiffness to the delivery that sounds "off" to native-speakers and those of us who immigrated to the States at a young age. Something in the cadence and intonation that distinguishes someone reading Shakespeare and someone speaking as Hamlet. Ha may have had an English tutor in Korea that spent too much time in-country, because he actually does a fine job with lines he speaks in Korean. I marvel at actors who can truly act in two different languages. Sidow and Streep easily come to mind.Kim isn't a native speaker and so she will have to develop a sensitivity to the sound of spoken English as other non-native directors have had to do. That "ear" is what she will have to develop if she is going to be casting less-gifted or less-experienced talent. Ang Lee had the same problem in his early English language movies and those actors fresh out of Juilliard. It's the difference between Jean-Pierre Jeunet directing Dominique Pinon in French and Jeunet and Pinon, respectively, in English. "Alien: Resurrection" was a just an action movie and the weird delivery by Pinon and some of the supporting cast was noticeable. (Sigourney Weaver made out on her acting chops alone.) Thankfully, this movie is centered around Sophie and so Farmiga binds the narrative with her honest performance. The role of Sophie really could have been played by an Asian actor and the story could have been a Korean-language movie about a Korean American woman. Perhaps Kim wanted to give emphasis to Sophie's isolation and to that central dilemma of the story.There are certain elements of Korean and Korean American culture that are played to near-caricature: the cold, oppressive mother-in-law and the zealous pastor, for instance. So, I must wonder if the story came from Kim's own deliberation about her relationships and choices she has had to make as a Korean and a Korean American. For Farmiga, it is another remarkable performance to add to her growing body of work.

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