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The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

This film is brilliant, flawless performances and beautifully told story, coupled with the beautiful soundtrack. Unfortunately Brazilian films still suffer discrimination even here.I would love people to disclose this marvelous work.When I see the potential of this movie, seriously believe that would be worthy of an Oscar, two or three Oscar's. Not that Oscar is so important to the quality of a film if the film did not win is not a sign that he is not good.Briefly, this movie demonstrates what happens when people are prejudiced, and prefer to push the issue to another, than face it. And still today, because it shows that you treat marijuana like crazy, can only worsen things.

"Bicho de sete cabeças" is based on a true story, but it somehow resembles an overlong advertising spot with documentary posturing. Director Laís Bodanzky tries to make it look harsh and real, but few situations ring true, not the least those related to the young. This is quite obvious when the filmmakers try to find a cinematic equivalent to the perceptive alterations of a person under the influence of drugs. Back in the 1960's one could pass such naiveté as a Roger Corman joke in the face of lack of budget, but today it seems rather clumsy. Although he is too old for the leading role of Neto, Rodrigo Santoro gives a startling performance. As a matter of fact, it is his work that holds the movie together. Unfortunately, he has to deal with a weak script that opts for stereotypes: this is not a bad option per se, but it clashes with the film's intention to create a documentary climate. When the family visits Santoro in the sanatorium, for example, incoherence reigns, sister makes dumb remarks, mother smokes, while father bursts into his usual rhetoric. Poor Othon Bastos does his best to bring a bit of humanity out of his role as the father, loaded with clichéd dialogues. Hugo Kovensky's cinematography is also outstanding but in the end the script and the direction betray the intentions of the rest concerned. 6/10

A wonderful film which pulls at the heartstrings. Rodrigo Santaro as Neto portrays the tormented soul of a teenage boy locked up in a mental asylum so well.This is a film that completely draws you in and makes you question the intentions of those who are supposed to be helping people. The doctors told Neto's parents that they were looking out for his best interests and kept prolonging his stay there. They knew that he was not mentally ill, but tried to create a situation in which he would end up that way, so that they could continue to collect money from his parents.Film highlights the evils that people will do all in name of the money.

Shocking. This is how I felt when watching this movie. It is a raw picture of the mental institutions system of Brazil and the ignorance by the parents and relatives about dealing with the subject of drugs. Is the act of putting someone in public mental institution the best solution or the easiest ? The madness of our society leads the family to take the easiest solutions instead of giving love. Medicine instead of friendship. This astonishing movie shows us all these kind of conflicts. Conducted by a fantastic music composed by Arnaldo Antunes.