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Best movie of this year hands down!

I love this movie so much

Just perfect...

This story has more twists and turns than a second-rate soap opera.

I'm getting bored with this plot now. A bunch of Mexican bandidos are terrorizing a Western frontier town with the aid of a local banker. A mysterious wonky-faced stranger (Klaus Kinski) turns up. He's got loads of books with guns in them and seems to be some sort of lawyer. Another more normal faced stranger turns up and after killing some bandidos, finds himself the new sheriff. This in turn causes the bandidos to go and murder his brother and gang-rape his sister in law. You know the drill.This one tries to bring the old tired plot in line with the increasing excesses of the seventies by including nudity (hilariously random when it happens and nothing to do with anything!) and more violence and bloodshed. The rather bloody killing of the first sheriff aside, most of the first half of the film kind of wanders round in circles while they try and establish a reason for the gunslinger to get revenge on the bandits.That said, they do also have the sister-in-law go on the rampage too – which also makes this some kind of half-arsed rape revenge flick too, but this plot has been driven into the ground and in being more extreme Black Killer ignores the tongue-in-cheek elements that make Guiliano Carnimeo's films of the same year more enjoyable.I'm guessing though that Klaus Kinski fans would like it though. He's quite substantial here instead of the usual cameo, and is dubbed with a rather strange voice.*Pulls up chair* You know, years ago, I said to the missus I said "I like Italian horror films, and the Mad Max rip offs, so I'm just gonna collect them" I said, saying in a speaking voice "I'll never collect Spaghetti Westerns…that way lies madness." I intoned in a sexy, breathy voice to the empty room I was addressing as the missus has already left by that point.And I never did. In fact, I just made up the plots to all these reviews.

Klaus Kinski plays a mysterious attorney named James Webb who dresses like a tenderfoot but conceals firearms in his law books. He rides into Tombstone and finds himself caught in the middle of a war between trigger-happy Mexican brothers improbably named the O'Hara and two American brothers, Peter and Burt Collins, and Peter's pretty Indian wife Sarah. Webb serves as a catalyst to see that the O'Hara brothers are wiped out by Burt Collins and the Indian girl after the O'Haras kill his younger brother Peter and rape Sarah. After she recovers, Sarah wields her bow and arrow and she joins Burt to hit the warpath. Director Carlo Croccolo's Spaghetti western is sadistic, violent, and indulges in gratuitous nudity. One character, Consuelo, is constantly being interrupted when she is undressing, so full frontal nudity is seen. The Kinski character--James Webb--lurks on the periphery, implicating a corrupt town official, Judge Wilson who is in cahoots with the O'Hara clan. The murder of the sheriff as the film unfolds is particularly brutal. The villains bomb his office with a bundle of dynamite, shoot him several times when he rushes out and then impale him with knives and hang his corpse up as a message for everybody to see. This low-budget Italian western contains heroes who don't catch on quickly enough, and many people have to die before they go into action in the final quarter-hour to clean out the villains. Blond leading man Fred Robsahm of "Barbarella" makes a competent enough hero. He bears a vague resemblance to Franco Nero. Croccolo and co-scenarist Luigi Angelo of "Judge Roy Bean" (1971) spring a last minute surprise on Webb when Burt disarms him and takes him into custody for killing Wilson. The color cinematography of "Wipe Out" lenser Franco Villa and the choice of camera setups heightens the action and generates a modicum of atmosphere.

Man, if I wouldn't be a 100% heterosexual (and if he wouldn't be dead for more than 15 years already), I swear I would instantly send a love-letter to Klaus Kinski to state that he is the greatest and absolute coolest icon of European cult-cinema who ever lived! Kinski was an amazing actor! His on screen charisma has yet to be equaled, his bright blue eyes and grimaces were almost naturally petrifying and somehow he always managed to make even the crappiest movies worthwhile viewing. He appeared in many Spaghetti Westerns, some of which are widely acclaimed masterpieces by now ("The Great Silence", "Bullet for the General"...) and others still are very obscure and nearly impossible to trace down, like "Black Killer". This ultra-low budget gem can hardly be called a masterpiece, but it's nevertheless a tremendously fun and action-packed gunslinger adventure. The title doesn't refer to a cowboy with a dark skin color, but to Mr. Kinski himself, and he doesn't even play the lead role. That's how proud the creators must have been for being able to cast the Klaus Kinski, ha! Klaus plays a mysterious and freaky lawyer, entirely dressed in black and always carrying around books that contain guns instead of knowledge, and he's temporarily hanging around in the little town of Tombstone. The remote town is under the constant siege of terror of the five Mexican O'Hara brothers, who killed no less than NINE Sheriffs in only a couple of weeks time. The local authorities assign lone traveler Burt Collins as the new Sheriff, but the murderous O'Hara clan immediately kill his brother and rape his Indian sister-in-law. Collins teams up with the awkward lawyer to terminate the reign of the O'Hara's once and for all. The plot of "Black Killer" is a little too confusing and convoluted for its own good sometimes, but director Croccolo easily forces you to look past the script's incoherence and focus on the outrageous sequences of explicit violence as well as the awesomely ingenious gimmicks. The lawyer's method of killing people is original, to say the least, and the O'Hara brothers too come up with inventive ways to viciously entertain themselves. The gunfights and executions are quite nasty, and particularly the rape-scene is unsettling to watch, as it seems to last for several whole minutes. Tiziana Dini provides the film with an overload of gratuitous – but welcome – nudity, while the rest of the cast delivers more than adequate acting performances Daniele Patucchi's musical score is very enchanting and the filming locations are overall convincing. There's a very pointless and totally implausible plot-twist near the end, which perfectly summarizes the overall awkwardness of this unconventional Spaghetti Western. In conclusion, "Black Killer" certainly lacks the quality and competence to rank among Italy's best Westerns, but there's more than enough stuff to recommend if you're an open-minded admirer of the genre. And, for the record, Kinski is a cinematic deity!

This spaghetti western has a very good music score and a great performance by Klaus Kinski as a strange lawyer who kills with books that have guns inside of them. He's really a natural for the role. His look and mannerisms fit the character perfectly.Not only does this western have Kinski, it also has a family of Mexican thugs named O'Hara! There's definitely nothing like a good old Italian western.This is one of those movies that will have you scratching your head a lot if you try to make perfect sense of everything that happens. It's best not to think about it too hard. Just sit back and enjoy it for what it is. It's got style, action, violence, weirdness, and an interesting though somewhat vague storyline.All in all, it's pretty good stuff for the spaghetti western fan.