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Threshold
Le Grice no longer simply uses the printer as a reflexive mechanism, but utilises the possibilities of colour-shift and permutation of imagery as the film progresses from simplicity to complexity… With the film’s culmination in representational, photographic imagery, one would anticipate a culminating “richness” of image; yet the insistent evidence of splice bars and the loop and repetition of the short piece of found footage and the conflicting superimposition of filtered loops all reiterate the work which is necessary to decipher that cinematic image. - Deke Dusinberre
| Release : | 1972 |
| Rating : | 6.3 |
| Studio : | Arts Council of Great Britain, Malcolm le Grice, |
| Crew : | Cinematography, Director, |
| Cast : | |
| Genre : | Documentary |
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Don't listen to the negative reviews
If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
