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Zoe
Two colleagues at a revolutionary research lab design technology to improve and perfect romantic relationships. As their work progresses, their discoveries become more profound.
Release : | 2018 |
Rating : | 6.1 |
Studio : | IM Global, Global Road Entertainment, HLCG Media, |
Crew : | Art Department Assistant, Art Department Assistant, |
Cast : | Léa Seydoux Ewan McGregor Rashida Jones Theo James Matthew Gray Gubler |
Genre : | Thriller Science Fiction Romance |
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Reviews
Best movie of this year hands down!
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Exactly the movie you think it is, but not the movie you want it to be.
Worth seeing just to witness how winsome it is.
This is sci-fi the way it should be. Thought provoking. The acting is great and it is visually and musically appealing. But most of all, it has some great new ideas about humanities possible future (it feels really close to what could happen in the next century, even though it might be impossible) and it explores some of the more well known dilemmas about AI's in an emotional and beautiful way. I would definitely recommend watching this. Complaints about the pace are probably by people who are more accustomed to the action side of sci-fi, it's just the right pace the make things sink in but not get bored.
I've opened this flick with trepidation since mixing genres with Sci-Fi is by and large means disaster or pretense (huge number of westerns, masquerading as SciFi - a piece with shooting and singing - you know hat I mean :-)But this one is not just totally real, it's superior. Asimov and his "I Robot" are little kids compared to this and yes supreme philosophical dilemmas do need the "romance" aspect to drive the point. "What is human" can't be answered without answering "what is love for a human". Forget "3 laws". Loving a woman is our biological prime directive - the only way to continue our species. Can you transcend it ?Sci-Fi is the genre of ideas, not "action", horror (the porn of the gore), "characters" etc. - ideas. And this flick is the quintessential ideas movie. It manages to drive the timeless "what is human" on the ultimate personal level. Remember the Diogenes mocking Plato by bringing a plucked chicken and yelling first "Ecce Homo" (before the term was invented :-) because the bozo defined human as a "featherless biped"? Well both would go "beeeee" in front of dilemma this film manages to pose in so concrete, human form. So romance movies do have a purpose - occasionally :-)Now if only "distinguished members" of "the Academy" could stop sniffing anuses and jerking off on LGBT crap and start growing some brains they just might realize how much shame will they bring on themselves buy not even seeing, let alone understanding this film. And the core of this philosophical debate will be very real and burning in about 100 years.On the down side, this flick lacks the budget and much better casting. Yes I do know why, in theory, plain looking female lead "worked for the story" in order to "create bigger surprise" but it really didn't. This is a philosophical flick, it doesn't live by "surprises" (which get spent in an instant anyway) and lead actress has to be able to capture the audience in the first frame - or she's not the lead.Proverbial "Jane Eyre" fixations are self-destructive. I still remember how crazy "book fans" disparaged Ruth Wilson for not being "plain by the book" while delivering the best Jane Eyre - ever.It's called "knowing your trade". So OK, you can't have "Mia", but "Humans" didn't get Mia from Santa Claus either. They worked hard to find an unknown actress who does capture the audience from the first frame. That would have easily made enough difference to get at least an art-house release after Tribeca. Salute to Amazon for supporting it but this has to go to actual, physical, theaters, and if they really, really don't know "why", they are in the wrong business.
First off the movie is long and slow but it's gorgeous and thoughtful and posits a number of ideas related to AI and human/machine relationships once we've figured out how to surpass the uncanny valley and create unmistakably human like androids. How will they feel? Will they love, can we love them? What is love anyway? Both Ewan Macgregor and Lea Seydoux are stellar as they explore love, jealousy and loss between human and sentient machine. If you're patient and thoughtful, a very rewarding film.
The slow pacing will turn off many, but the story and implications of the subject matter fascinated me so much that I watched it a second time, this time through the eyes of knowing what was going to happen.