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Kazimir Malevich
In 1915 the Russian artist Malevich declared a Black Square on a White Background an icon of his times and thus founded a new form of art, liberated from objects – Suprematism. Supported by the Bolsheviks at first, his ‘formalistic’ art was soon considered counterrevolutionary. 50 years later, in 1989, the first comprehensive Malevich retrospective outside Russia was held in Amsterdam’s Stedelijk Museum. It is here that Barrie Gavin outlines the artist’s creative phases and his life story. In doing so, he discovers the most diverse ‘isms’ of the 20th century and one of the most significant pioneers of abstract art.
| Release : | 1990 |
| Rating : | 5.5 |
| Studio : | |
| Crew : | Director, |
| Cast : | Barrie Gavin |
| Genre : | Documentary |
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Too much about the plot just didn't add up, the writing was bad, some of the scenes were cringey and awkward,
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
