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Hard Men

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Hard Men

British Gangster film with a tongue-in-cheek approach to the genre, including a part played by 'Mad' Frankie Fraser. When Tone's ex girlfriend resurfaces with a daughter he never knew he had, he moves from the world of blackmail, extortion and the occasional hit into the realm of nappies and lullabies. His pals, Speed and Bear, feel let down, but his employer Pops Den is furious and decides the best thing to do is wipe Tone out...but who will do it...and at what price?

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Release : 1996
Rating : 5.7
Studio :
Crew : Director,  Writer, 
Cast : Vincent Regan Lee Ross Ross Boatman Frankie Fraser Ken Campbell
Genre : Action Crime

Cast List

Reviews

Raetsonwe
2018/08/30

Redundant and unnecessary.

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Senteur
2018/08/30

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

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Anoushka Slater
2018/08/30

While it doesn't offer any answers, it both thrills and makes you think.

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Gary
2018/08/30

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

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Stuart Wright
2009/01/21

Here's an OK film with some good scenes, but an atrocious story. Everything you need to know is established in 15 minutes and when they step back from it to create the gangsters they end up too wooden and sentimental to be believable. Pockets of imagination are squashed with regularity. Other brit gangster films are much better! Frankie Fraser, a real gangster, is included to give the film some authenticity, but he only succeeds in hamming up the scenes he appears in. The protoganist gets a call during a hold up that involves listening to his new born daughter gurgle at him. Cue a confirmed ex-gangster trying to then break free from the shackles of crime. Frankie Fraser says the son I never had; humour among thieves nonsense and his two partners after displaying strong affections for each other gladly accept to do the hit on him... only he susses and here's the only twist worth mentioning. It even ends with redemption too. Everyone dies except him and he's goes to costs del crime and becomes a free man. Phew!

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bob the moo
2004/04/10

Tone, Bear and John are three hard men in the employee of London underworld boss Pops Den. They are collectors of money, threateners of people and removers of competition. However, with the birth of his first child, Tone decides that he has had enough and that he needs to turn his life around, starting with getting out of the life. When Bear tells Pops this, he orders them to kill Tone and bring him his severed hand by nine o'clock the next morning.It is to be expected that, when one genre suddenly spawns a bit film, that many others will jump on the bandwagon - some being good and some being rubbish. We saw it with Scream when it relaunched the teen horror genre and spawned a tonne of copies. So it was no surprise to anyone (even if it was still depressing) that the success of a few British cockney gangster films with dark comedy spawned a raft of copies - most of which were average at best and ended up flopping.Hard Men is one of these films and it deserved every penny it failed to get at the box office. The plot is almost none existent and centres on one night in the lives of these three. It would better if the events in the lives of the characters had mattered or been engaging but, because they aren't, then the plot just falls to pieces (not that it was ever really together). Instead it seems to revel in the grim of it's characters - but doesn't have the decency to make them people. One scene sees a prostitute talk about her years of abuse, but even that is just a scene to add shock value rather than depth. The film even has the nerve to look back fondly to the days of `civilised' gangsters (giving a cameo to Frankie Fraser for that reason) as if all the violence on display here is in some way admirable or a curiosity.The cast are roundly bad but it is not really their fault - they simply have no material to work with. The cameo for a violent criminal is just pure bad taste and adds nothing to the film. As director and writer Amalou seems to have just fluked his way into the job on the basis of seeing better films and ripping them off. Certainly he brings no wit or style to his script even if his direction is actually quite good considering the budget he had to work with.Overall this is a very poor film that will only appeal to fans of the genre - all others need to avoid it. I was surprised by just how rough I found the whole thing was - it lacked originality, revelled in uninvolving and seemed under the impression that the word `f*ck' is the height of clever writing.

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Afracious
2000/04/07

I always try and write encouraging comments on English films, after all, there are many things they have going against them. But this film is appallingly awful. I can't say anything positive for it. The three stooges, sorry, so-called actors, are not hard at all. Three old women would provide more menace. One of the characters is most absurd. He wears different coloured strange shaped glasses every day, hardly what you'd see a tough gangster doing. The acting is extremely amateur as well. This is just so mediocre and unacceptable. Everything about it stinks to high heaven. Don't waste any money watching this film, you will deeply regret it.

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kcfan-3
1999/08/03

One of the reviewers on the Imdb page was right...you will either love this film or hate it. I loved it.J K Amalou's directorial debut is a very underrated piece of filmmaking. He pays homage to various similar films of the same genre, and delivers a thought provoking, funny and dark film that, for me, gives hope to the future of British cinema. The main character is Tone, who wants to leave "the life" for domestic tranquility after 15 years of cracking heads and busting jaws for Pops Den, the underworld boss who is "past it". Along for the ride are his two colleagues and friends, Bear and Speed (the latter brilliantly played by the versatile Lee Ross).Of course, the powers that be decide that Tone should be killed, and it's up to Bear and Speed to do it. As proof, Pops Den wants Tone's severed hand on his desk by 9am the following morning. And so, we are taken on a whirlwind of a night through East London with the boys struggling against their moral consciences, while Tone looks forward to a life with his girlfriend and new baby.There are pieces of genius in this movie. There is a memorable scene in a brothel where a disillusioned twenty year old prostitute tells her life story with violent consequences, and one can't help but be touched when, in front of his macho colleagues, Tone sings a gentle lullaby to his baby daughter over his mobile phone.All in all, Hard Men was overlooked and ignored by the British filmgoing public. This is a shame because, while not in the same class as The Long Good Friday, it definitely gives the likes of Lock Stock and Two Smoking Barrels a good run for its money.

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