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Alma punk
Part-improvised and starring a cast of nonactors led by real-life punk Ana Hernandez (as Alma, which also means “soul”), ALMA PUNK traces the tortuous path of a young riot grrl from the Mexico City punk scene as she moves north to Tijuana and, eventually, towards the United States. It confidently breaks with the rules of staging docudrama with an unsparing look at Alma’s love life, unfakeable scene bohemianism and extensive location footage of Mexico before NAFTA and after the 1985 earthquake. “I feel like no one is supporting me,” Alma says. “Guys want everything and give nothing in return. Isn’t that so?” Like NADIE ES INOCENTE, this film uses the intimacy and flexibility of video (this time, 3/4″) to wring innovation in the editing room, this time to give Alma a similarly alienated and jittery headspace.
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It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
This film is so real. It treats its characters with so much care and sensitivity.
Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.
