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Good Morning, Michelangelo
The film challenges the aura of the artwork, pushing it towards performance in urban space. During the exhibition Con-temp-l’azione (1967–68), at the three galleries Stein, Sperone and Il punto, two works by Michelangelo Pistoletto are taken out into the street. The film marks the beginning of a more militant and performative phase in Pistoletto’s career, opening up possible references to Situationism, Fluxus and nouveau réalisme. The film starts with Pistoletto shaving in front of one of his ‘mirrors’: the codes of everyday life and advertising burst into the scene. The large ball of newspapers roams Turin in a convertible automobile. The music of The Beatles accompanies the exploration of different filming and editing techniques. Intense, amused and brilliant, Buongiorno Michelangelo suggests a performative, cooperative and perhaps also playful aspect of the attitude of this short and intense period. —Tate Modern
| Release : | 1968 |
| Rating : | 5.5 |
| Studio : | |
| Crew : | Director, |
| Cast : | |
| Genre : |
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Reviews
It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.
a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
Mostly, the movie is committed to the value of a good time.
.Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
