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Purely Joyful Movie!

everything you have heard about this movie is true.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

The first entry in the Bowery Boys series for Monogram. The Boys, led by Leo Gorcey, previously went by other names and even worked on some major movies for studios like Warner Bros. before landing at Poverty Row. This series of movies is my favorite of theirs, with Gorcey and Huntz Hall shining and none of that Billy Halop nonsense. The humor with these guys is not everybody's cup of tea. I've always found them very funny, albeit simple and silly, but there are many who find them grating and stupid. The plot in this one is that little tough guy Terrance Aloysius 'Slip' Mahoney (Gorcey) has trouble keeping a job because he's always punching people. He lands a job working as a repo man with his friend Sach (Hall) and winds up tangling with gangsters. In addition to Gorcey and Hall, the gang includes Bobby Jordan and William Benedict. Leo Gorcey's father, Bernard, also appears in this one. He would become a regular character, Louie, in the next entry in the series. It's a funny movie but not the Boys' best. Gorcey's hilarious malapropisms provide many of the laughs. The scene in the fancy restaurant is a riot. Short runtime certainly helps. A good time-passer that should put a smile on most faces.

Learning that this was the first film in the Bowery Boys series explains a lot. I was mystified for example when Bernard Gorcey appeared on screen as a customer instead of the proprietor of Louie's Sweet Shop. As bookie Jack Kane, he was obviously not as likable as the character he portrayed in later pictures in the series. At the same time, Leo Gorcey's 'Slip' Mahoney also seemed like an unsavory character who couldn't hold a job because of his volatile temper and quick fisted nature. Perhaps the biggest surprise was seeing Huntz Hall as the mature member of the group, to the point of giving Slip some advice on how to hold a job and not be a disappointment to his sister Mary (Pamela Blake), who was more like a mother to him than a sister. Oh well, things would change.Otherwise, the picture does have that Bowery Boys flavor with it's cool New York City street scenes and situations calling for Slip and Sach (Hall) to get out of one scrape after another. As a fan of former pro wrestler Mike Mazurki, I never realized just how big he was until I saw him manhandle Slip from pillar to post the way he did here. I don't know if it was for real or a camera trick, but he lifted Slip and Sach off the floor with one hand in separate scenes; I don't believe I'd like to get in the guy's way for any reason.The one constant that I enjoyed in the film was Slip's malapropisms just about every time he opened his mouth. Seeing him in a tux on the way to the High Hat Club was a trip in itself, about the best he ever looked outside of a military uniform which he wore as an East Side Kid in 1942's "Let's Get Tough" or later on in 1951's "Bowery Batallion".The other cool element in the picture for me was Earle Hodgins as a snake oil salesman, a role he played with some frequency in old time Westerns of the Thirties and Forties. That he showed up in a Bowery Boys flick seemed only natural, leading me to consider that had he been born a little bit later, he might have been right at home as part of the gang.

The Bowery Boys made their screen debut after being revamped from the East Side Kids in Live Wires. As this was Gorcey family affair the other kids with the exception of Huntz Hall were gradually reduced to being little more than extras. You'll see Bernard Gorcey, but not in his familiar role as Louie Dumbrowski owner of the Sweet Shop where they hang out.Leo Gorcey in his usual pugnacious manner loses the job he has with a construction company. His patient sister Pamela Blake who also works there gets him a job with the District Attorney as a process server. It's a job where Gorcey's kind of aggressiveness comes in handy as do his pals when he needs them.He certainly does need them when he tries to serve Mike Mazurki who's a triggerman for the city racket's Mr. Big. There's a great scene with Mazurki and Gorcey with Gorcey getting sloshed as he tries to serve Mazurki. The help he needs to get out of that fix is somewhat tardy in arriving.The Bowery Boys series gets off to a fine start with Live Wires.

Well, this one opens with Slip Mahoney (Leo Gorcey) losing his job as a taxi driver, and coming home to his sister Mary (Pamela Blake) and friends... check out that dolled up, rolled-up 1940s hair-do on Blake! Huntz Hall is "Sach Jones", Slip's sidekick; Acc to IMDb, they would work or appear together 69 times! Keep an eye out for Bernard Gorcey (Leo's real dad) as Jack Kane at the soda fountain. Also keep an eye out for Bill Benedict, the blond-haired tall skinny guy in all those films from the 1940s.. he was called "Whitie" in most of the roles he played. Slip tries various schemes to earn some money, with mixed results along the way... mostly bad. This post- WW II film shows life on the gritty side of town, and the difficulty in getting work, with some humor thrown in along the way. Not bad. A film that's short & sweet, mostly a more mature version of the "Muggs Maloney" characters Gorcey had played in the early 1940s. A bit more slapstick right at the end than I like, but they got some mile-age out of real-life wrestler Mike Mazurki. Also a pleasant number "The Right Kind of Man" sung by Claudia Drake in the nightclub. Phil Karlson directed this 65 minute shortie from Monogram Pictures.