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Slow pace in the most part of the movie.

Sadly Over-hyped

A movie that not only functions as a solid scarefest but a razor-sharp satire.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Certainly not a western in the usual sense. In fact, horses aren't seen til the end, while there're many more suits than Stetsons. The programmer does manage a good flying fists sequence, but fast-shooting and hard-riding are at a bare minimum. There's little scenery, except for some familiar LA area locations. And likely, wartime restrictions discouraged shooting in Technicolor so we get b&w instead.It's 1943, and I guess Republic wanted something contemporary having to do with the scheming Axis powers. But reviewer Plankton is right. The script is very poorly done, so it's hard to know who exactly who is up to what and why. There are some good moments such as action on the train trestle and some snappy audience lines during Mohr's psychic act. And that's along with a pretty good selection of western tunes, like Red River Valley. Of course, Mohr makes a first-rate baddie, and it's unusual to see short, stubby Corrigan in a serious part, a departure from his usual addle-pated comedic parts. In my little book, it's a lesser Rogers entry, apparently before he met up with the sparkling Dale Evans or the golden stallion Trigger. But it should do for Rogers fans if you're not too insistent about your traditional westerns.

Roy Rogers is a cowboy working for a rodeo who is asked by the Governor of Texas to help him track down a band of saboteurs operating in the United States during World War 2. In order to do that he has to quit his job and go undercover as a singing cowboy at a carnival. What he doesn't know is that these saboteurs have an elaborate system and a spy in a very high capacity who quickly become suspicious of anybody who ventures too close to their operation. Anyway, rather than reveal any more of the film and risk spoiling it for those who haven't seen it, I will just say that while I don't especially care for "singing cowboy" movies this one wasn't too bad. Although it's filmed in black and white and lasts only 67 minutes, it still has some decent action which keeps the film moving along. Not only that, but the songs aren't too bad either. In any case, I rate this movie as about average and recommend it to those who enjoy movies of this type and produced during this era.

Roy Rogers tangles with Axis sympathizers in director Joseph Kane's "King of the Cowboys," a contemporary Republic Pictures western set during World War II. You won't find any Fifth Columnists wielding firearms, but the American traitors mean business. Roy sings "I'm an Old Cowhand," "Ride, Ranger, Ride," "Red River Valley," and "Roll Along Prairie Moon." Basically, "King of the Cowboys" is an espionage western. Roy has several interesting scenes, including his escape from a warehouse set to blow up. One of the Sons of the Pioneers is none other than Pat Brady who utters a line of dialogue that I always thought was first used in the 1982 movie "Conan the Barbarian": "What's the matter with you? Do you want to live forever?" Most of the physical action involves the kind of derring-do that was the bread and butter of Republic's serials. Smiley Burnette plays Roy's sidekick Frog Millhouse and serves as comic relief. One of the gimmicks the villains deploy to wreck the car that the good guys are riding in predates the gimmick that the villains used against James Bond when he infiltrated Goldfinger's headquarters.A sabotage ring is raising havoc in Texas, and the dastards are destroying warehouses. Texas Governor Shuville (Russell Hicks of "Captain America") wants to see Roy and Frog Millhouse about an incident that occurred when they pursued the Wilson gang to Arkansas. They confronted the outlaws in a saloon that straddled the border between Arkansas and Texas. One of them is Duke Wilson (Stuart Hamblen) who robbed the rodeo where Roy worked. Predictably, the Arkansas sheriff (Herbert Heyes of "New York Confidential") isn't happy about Roy's decision and lodges a formal complaint with Governor Shuville. "Rogers," Shuville observes, "I like the way you work. I like your nerve. I can use a fast-thinking man like you. In fact, I need you for an assignment." The Governor wants Roy to infiltrate a group that has exposed all his operatives. He wants Roy because "the fellows after you wouldn't mistake you for anything but a cowboy." The Governor explains, "There is a wave of sabotage sweeping through this territory with the precision of a well-organized gang. All my efforts to apprehend them have failed." The Governor warns Roy that his predecessor died making his report by telephone. The only available clues are the words: "following Mary." Roy volunteers to work for the Governor. The chief executive asks Roy to memorize a secret phone number. This will be the only way they will communicate until they close the case. The Governor is the only man who knows about Roy's mission. What the Governor has no way of knowing is that his personal secretary, William Kraley (Lloyd Corrigan of "Son of Paleface"), is the leader of the saboteurs. Kraley warns his henchmen to be on the look-out for Roy Rogers.Later, while Roy is singing and strumming his guitar in the back of a cafe, two actresses from The Merry Makers Carnival and Tent Show enter and order lunch. Roy serves them coffee, and they converse. "Every town we play has an explosion or a fire," Judy Mason (Peggy Moran of "Horror Island") points out. Roy explains he is looking for a job, and Judy agrees to notify her stepbrother Dave (James Bush of "Massacre River") about Roy needing employment. The comments about the explosions arouse Roy's suspicions after the Ruby uses the words "following Mary." He visits the carnival in the town of Rawhide with Frog. Roy decides to join the carnival to learn first-hand what is really happening. The carnival features a mind-reading act with Maurice the Mental Marvel. The act is rather sophisticated. A cowgirl with a microphone in her ring which is she calls 'the mystic stone" asks the audience to address their problems to the stone. Actually, the stone serves as a microphone. A man behind the stage with a receiving set relays the information to a man in a turban and a robe. Roy and Frog disrupt Maurice's show and their commotion compels Mason to give Roy a chance to sing. Roy has a run-in with Maurice and they tie him up and leave him in a warehouse about to be blown to smithereens. Afterward, Roy contacts Shuville, and the Governor and his men ride into a trap. They think that they are about to collide head on with another car when in fact all that is happening is they are driving toward a huge mirror. This is rather ingenious. The Governor's car tumbles down the side of a mountain.Meantime, Roy suspects that they have trapped the saboteur when Frog and he take over the mind-reading act. Maurice catches Roy using the receiver. When he is about to shoot Roy, Mason threatens to expose them all. Instead of Roy, Maurice shoots Dave in the back. Maurice frames Roy for Dave's murder. During his stay is in jail, Roy learns that the Governor isn't expected to survive the car crash. He summons Frog, who appears in a disguise masquerading as Roy's grandfather, and tells him to tell Judy about Maurice's treachery. Judy and Ruby arrange for Roy to escape from jail and returns to the carnival. Kraley passes along information during the Maurice act. Maurice tries to intervene, and Roy guns down Kraley. Roy and the Sons of the Pioneers hightail it on horseback to prevent the saboteurs from dynamiting a metal bridge that a train will cross. Roy climbs the bridge and defuses the dynamite. While he is climbing on the bridge, Maurice's henchmen keep him busy dodging their lead and firing back at them."King of the Cowboys" is a predictable but entertaining, lightweight espionage western that is easy to follow. Director Joe Kane keeps the action constantly moving headlong so this B-movie doesn't wear out its welcome during its 56-minute running length.

King of the Cowboys (1943) *** (out of 4) Once America entered WWII Hollywood starting throwing everything into a variety of war pictures. The biggest stars were cast in war movies and even fictional characters like Boston Blackie and Sherlock Holmes were placed into war pictures. Roy Rogers had the same fate and this thriller turned out to be one of his best pictures. Rogers is hired by the government to go undercover and try to locate some saboteurs who are blowing up warehouses throughout America. He finally tracks down the bad guy and must get involved in his fair to try and put a stop to him. The title pretty much tells you where Rogers was at during this portion of his career and seeing a cowboy in a WWII film might make you think it wouldn't work but the end result is very effective. Yes, the film still has that low-budget feel but for the most part the film contained a nice story, some fine performances and some great action. In regards to the action I'd say this probably contains more than any other film I've seen from the legend. We get a really exciting fight sequence where Rogers is in the back of a car when two men jump him. There's also an excellent sequence towards the end that I won't ruin but the gunfight is a lot of fun. There's also some fine laughs with a fake clairvoyant. As you'd expect, Rogers has no problem playing the good guy and the American, flag-waving is something is does with ease. The supporting cast includes Smiley Burnette adding great comic relief and Peggy Moran is good as the love interest. KING OF THE COWBOYS is a film that I think even those who hate "B" Westerns would enjoy. There's certainly a lot going on and yes there's some nice songs too.