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Excellent but underrated film

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

By the time the dramatic fireworks start popping off, each one feels earned.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Director: B. REEVES EASON. Screenplay: Gerald Geraghty. Story: Norman S. Hall, Paul Franklin. Photography: Jack Marta. Film editor: Lester Orlebeck. Music director: Raoul Kraushaar. Songs: "Blue Montana Skies" by Gene Autry, Fred Rose and Johnny Marvin; "I Just Want You" by Gene Autry, Fred Rose and Johnny Marvin; "Away Out Yonder" by Fred Rose; "Old Geezer"; "Rocking in the Saddle". Assistant director: Philip Ford. Production manager: Al Wilson. Associate producer: Harry Grey. Executive producer: Herbert J. Yates. Copyright 4 May 1939 by Republic Pictures Corp. No recorded New York opening. U.S. release: 4 May 1939. U.K. release through British Lion. No Australian theatrical release. 6 reels. 59 minutes. SYNOPSIS: Autry and Frog track down fur smugglers in the Canadian snow country. NOTES: Autry's 32nd of his 94 films.COMMENT: June Storey is an attractive little heroine and it's nice to see some of our favorite villains like Harry Woods, Glenn Strange, Eddie Cobb and Jack Ingram on deck. Al Bridge is in the cast too but this time firmly on the side of the law! There are some pleasant songs and now and again there is a brief spurt of action, but though the film is directed by the well-known 2nd unit action director B. Reeves Eason, surprisingly the action spots are rather tamely staged and never amount to much. Even the climax is disappointingly short. Mr Burnette's comedy routines are similarly lacking in sparkle, but at least their brevity is a blessing.

Nifty Autry programmer. After all, where else can you catch a dog-sled, racing horses, a cattle stampede, and old cars, all in the same 60-minutes. Getting those wintertime snow shots really lends the movie a different appeal. Plus, Gene looks like he can drive a dog team as well as ride a horse. Seems like the bad guys are using a business front to smuggle furs across the Canadian border. Gene gets really ticked off when they murder his old friend Steve (Marshall), and so is on their trail. Burnette has some funny bits without getting too goofy, while it's an all-star line-up of bad guys—Woods, Strange, and Ingraham. The masquerade party lends color and excitement to a good script and seamless direction (Eason). No doubt about it, Gene's best years were with Republic as this energetic programmer demonstrates.

Gene Autry was way ahead of his time in almost every way. If you watch enough of his movies and The Gene Autry show you will see many actors and actresses who went on to be stars in their own right. These include such giants as Clayton Moore (The Lone Ranger), Jimmy Durante, and, of course Gail Davis who went on to star in the Annie Oakley series.Also notice his relationship with women, which was way ahead of its time, as well as his treatment of "minorities", such as the Mexican young men, and others in his movies and TV show---way ahead of his time. Take, for example, his speech to the children in the school house about the Mexican boy being as American as the rest of the children.But far more important than the people who came up through Gene Autry, is the music that came from Gene Autry. The show on the top 40 rated Gene as one of the top 40 most important country/western singers/songwriters. Roy Rogers did not make that list, but his wife, Dale Evans, did with her song "Happy Trails to You until we meet again", which was rated the number one country/western song of all time, and rightly so. Gene's "Back in the Saddle Again", my favorite of all time, was also rated very high.The song "Blue Skies of Montana", which is early in the show, is, to me, a classic that I find myself humming a lot. Maybe that has something to do with the time we spend in Montana, but I really doubt that is the reason.Those that rank Gene Autry's movies low have no understanding of his pioneer role in movies. Gene was a star long before modern technology and acting provided the modern movies today, which are, arguably, better movies. To compare Gene's movies to those that followed him and built on his genius is absolutely wrong. That's like comparing an F16 to the Wright Bros. airplane.I would encourage voters to remember the times, place, and technology, as well as the type that Gene set, before giving him a low score.Gene Autry is the ONLY Hollywood star to ever get five stars on the Hollywood walk of fame. No one else will probably ever get that kind of recognition for their work in show business.

I've been a huge fan of Gene Autry's since I was a child seeing his films at the Saturday matinée in the 40s. Blue Montana Skies is one of my favorites, partially for the same reasons the previous reviewer gave--it's somewhat different, with the northern locale, dog sleds and snow instead of horses on the open prairie. Gene gets wounded, and actually behaves somewhat as though he is hurt, instead of immediately healing! Other pluses are a heroine who is not as fainting and screaming and silly as many other heroines in this genre (though she has her moments). June Storey's character of Dorothy actually displays some intelligence and courage. No wonder Gene decides to stay around! Another plus is that Smiley Burnette is a bit more subdued than usual. I normally enjoy Smiley to a point. But he can dominate a film, and has, when the supposed hero seems to have to play second banana instead of the other way around. The title song is great, as is the love song "I Just Want You." And Gene is in great voice. Throw in some good bad guys, and you have an enjoyable B western to while away an hour or so.