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Best movie of this year hands down!

A Masterpiece!

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

By the time the dramatic fireworks start popping off, each one feels earned.

Desiree (Claudia Jennings) lives in the swamp with her younger brother, sister, and a bad French accent applied to broken English. The law messes with her and she goes Rambette on them. Indeed, this appears to be a forerunner to "First Blood."I obtained the director's special cut. I will say the transfer was superb considering the quality of film transfers from this era. However my memory seems to recall nude scenes that were deleted from this director's edition, especially those involving co-star Janit Baldwin. If I had to do again, I would go with the VHS.Parental Guide: No f-bombs. rape, nudity (Janit Baldwin, Claudia Jennings)

Alligator poacher Desiree Thibodeau (Claudia Jennings) finds herself on the run after a deputy falsely accuses her of killing a man he accidentally shot. Sheriff Joe Bob Thomas puts together a posse to bring her in and relies on T.J. Bracken (Sam Gilen), the dead kid's pa, to guide them through the swamp. After the group rapes and kills Desiree's sister, she uses her bayou brains to get revenge on this group. Directed by Ferd (yes, Ferd) and Beverly Sebastian, 'GATOR BAIT is a pretty enjoyable hicksploitation entry. Of course, most of the enjoyment probably comes from Jennings. Not only does she appear to do all of her own stunts and boat driving, she wears one of the skimpiest outfits in the sub-genre's history. Now I know why my friend Marty recommended it! There is actually one scene about halfway through the flick that is really shocking as well. I won't spoil it for anyone, but it certainly comes out of left field and pushes the sleaze factor completely over the edge. There is also an amusing finale revelation. The Sebastians made GATOR BAIT II: CAJUN JUSTICE fourteen years after this one. I guess that is next on my schedule.

You know in reality this movie is *NOT* as patently offensive or disturbing as the naysayers may have you believe. It is tasteless, lunk-headed, vacuous and exploitational as they come, but THAT IS THE POINT OF THE FILM. To expect a movie called 'GATOR BAIT in a decorated box featuring a swamp slut bedecked in tattered flimsy Daisy Dukes to be anything other is like, stupid.So if you give 'GATOR BAIT a try and are dumb enough to be offended by it don't come crying to us -- What did you expect, SCHINDLER'S LIST or THE FRENCH LIEUTENANT'S WIFE? This is "Hickspoitation", a sadly missed sub-genre of 1970s/1980s exploitation cinema aimed squarely at the Drive-In sect where backwoods cracker trash and their inbred, uncivilized behavior is the main draw. The ultimate Hicksploitation film is still DELIVERANCE which escapes the label because it actually is in good taste, plausible, populated by credible character actors and made by professionals. 'GATOR BAIT is from the other polar end of the spectrum of Hicksploitation with more in common with films like BACKWOODS (aka GEEK) or the King of Hicksploitation Horror, Troma Films' MOTHER'S DAY. They are celebrations of poor taste and should only be viewed by audiences who are either immune to being offended, or are looking to be offended by something. Anything.I did not find 'GATOR BAIT to be offensive but I see how people could fall into the trap of being repulsed by it. There is a theme of misogynistic brutality running from beginning to end, hintings of incest, a couple of near rapes that end in over the top violence, and cracker trash humor that pokes fun at backwoods redneck Cajun misfits with a kind of gleeful abandon. My favorite moment of sleaze in the film is when three cracker brothers eye their buxom sister lustfully as she hangs up the washin' wearing nothing but an old slip, and one of them drawls out "Jolene, I likes the way you're slidin' around inside a' that." One of the other brothers snickers distastefully as he chomps on an apple & watches as his brother tackles Jolene in the slippery barnyard mud and tries to have his way with her. Hooo-wee!! That is until Pa comes over to give the boy a whuppin' with his bull whip, snarling "How many times do I have to tell you to leave your sister alone?" Pa is played by veteran cult actor Sam Gillman, still wearing the same dungarees and jeans jacket he wore in 1972's BLOOD SABBATH and would later also wear in EVERY WHICH WAY BUT LOOSE. He was a marvelous character actor who only required a role for him to inhabit with what he had, and he easily dominates the film as a resourceful, educated cracker who is evil for sure (he kills the county sheriff after a scuffle over some male dominance hierarchy issue) but still has a code of right & wrong that he insists everybody else live by as well. He is the best actor in the cast and brings a kind of authority to the film that is most welcomed.The other standout character in the film is easily Claudia Jennings' "Desiree", the bread winner of a family of Cajun crackers who make their living by poaching, live outside of the law, yet are "good" hicks compared to the dirt bag rednecks who come after them due to the lying cowardice of the sheriff's son, who frames Desiree for murder after accidentally shooting one of his foul minded buddies dead. After some setup distastefulness and minimal background story the film devolves into an extended hunt of Desiree through the Louisiana Bayous where she kills off the posse of crackers one by one -- or inspires them to murder each other. The acting is atrocious, the violence and sexual misogyny appropriately stomach churning, but that is exactly what the film called for and you can't blame it for delivering.One curious thing about this community of swamp rats: The guys all look like the toothless Mountain Man from DELIVERANCE but the women all look like Penthouse magazine models, slinking around in tattered, tight cutoff jeans or one-piece dresses designed to show off their pert breasts, to die for figures and doe-like "Say Yes" eyes. Why the rednecks would want to kill someone who looks like a Centerfold of the Year is perhaps best left unquestioned lest the answer point in the direction of the hog pen. In spite of it's outward stupidity and complete lack of good taste (including the musical score, which is like bad Ry Cooder on the cheap) the film is actually pretty well-made, with competent if uninspired cinematography that always seems to find room in the camera angles for a stunning view of Ms. Jennings' derrière as she stretches and strains against what's left of those tattered cutoff jeans. That the film inspired a sequel ('GATOR BAIT 2: CAJUN JUSTICE) is not surprising, and with any hope it will be at least as objectionable, thick-skulled and shamefully entertaining as this. One can only hope ...6/10: To be watched in the company of loud friends with plenty of beer.

The cover of ‘Gator Bait makes it look like a ridiculous, mindless film with few redeeming qualities other than an abundance of inexplicable nudity. While there is nudity in the film (and unnecessary nudity, at that), it is a relatively low quantity of it, and there are even a few elements of the film that were well done – even if extremely few.The acting on all parts was just awful, but some performances were less idiotic than others. While it's true that the line `Boys will be boys' was uttered in response to an attempted rape, and one of the men attempting to capture Desiree actually SHOOK HIS FIST at her in one scene, it's not entirely the actors' faults that this movie was impossible to take seriously. Nope, even if ineffectively, all of the actors delivered honest performances – it's the SCREENWRITER that should be drug out into the street and shot. And the cinematographer was no genius either. The day-for-night photography was some of the worst I've ever seen – even worse than that seen in Dr. No, which was filmed 14 years earlier than ‘Gator Bait. Also, there is so much ridiculous dialogue in this movie that it becomes a form of comic relief in itself (`Leroy, you pick that boy up or I'm gonna blow yer head off!'). And I better not even get started on Desiree's laughable lines. It's no secret that ‘Gator Bait is cheese. Everything about the film is ugly – especially those damn actors. Some of these guys are so ugly that sometimes it's hard to believe that they're real people. But despite this, they make for an effective team of angry (and excessively horny) rednecks, and the way that they get picked off one by one by this country girl not only provides an ironic bit of an interesting story, but also illustrates the extent of their collective stupidity. In the final shot of the film, with Pa standing in the swamp, the camera tilts slowly down to his reflection on the water, providing an unexpected hint toward meaningful direction. But for the most part, this is garbage. You just can't take something like this seriously at all. Let me put it in the immortal words of the great Sam Gerard, `Who's the ugliest, dumbest, most inbred country son of a bitch out here?' Well, whoever that person is, he or she is sure to get a kick out of ‘Gator Bait.