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Where the Spies Are
A local doctor is recruited as a cold war spy to fulfill a very important secret mission in the Middle East, only to experience that his mission is complicated by a sexy female double agent.
Release : | 1966 |
Rating : | 5.6 |
Studio : | Metro-Goldwyn-Mayer British Studios, |
Crew : | Art Direction, Director of Photography, |
Cast : | David Niven Françoise Dorléac John Le Mesurier Cyril Cusack Eric Pohlmann |
Genre : | Comedy |
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To me, this movie is perfection.
Such a frustrating disappointment
Blistering performances.
The film never slows down or bores, plunging from one harrowing sequence to the next.
When one of their agents is killed the British intelligence agency known as MI6 is suddenly confronted with a huge manpower shortage in Lebanon. This results in their contacting a person who served with them during World War 2 as a combat physician by the name of "Dr. Jason Love" (David Niven). But in order to recruit him for this special assignment they have to offer him something that is very rare—a 1937 Chrysler LeBaron. He eagerly accepts and heads off to Rome where he meets an attractive secret agent at the airport by the name of "Vikki" (Françoise Dorléac). Wanting to spend a little time with her he reschedules his flight to Beirut. He then watches in horror as the flight he was supposed to be on explodes in mid-air and realizes that this assignment may not be as simple as he was led to believe. At any rate, rather than reveal any more of the film and risk spoiling it for those who haven't seen it I will just say that this was a fairly good spy movie for the most part. Although it slightly resembled a "James Bond" film it was a bit more light-hearted in comparison and wasn't quite as polished. Even so it was still somewhat enjoyable and having an actress as beautiful as the aforementioned Francoise Dorléac certainly didn't hurt in any way. Slightly above average.
Despite Niven's presence do not expect this to be a comedy. There's nothing Pink Pantherish or Casino Royaleish here. It's a moderately engaging spy thriller but it hasn't aged well, the pace in particular meanders from leisurely to static.Niven looks like he's parachuted in from a film made ten years earlier. It's difficult to work out why he was cast, or who the target audience was. In different hands it could have been a cousin of Johnson's Bulldog Drummond or Coburn's Flint, but misses both by a mile.Dorleac smolders very effectively as the crumpet with brains. Although every performance of hers is given lustre and added depth, and distracting but unavoidable pathos, by the viewer's knowledge that she had less than two years to live.
A good, Bond like thriller, far removed from the standard 60s spy spoofs. Far more serious than even The Ipcress File, this features some very realistic deaths and torture sequences, and a climactic 'tricking the KGB plane' bit that is really nasty indeed. Niven plays it totally straight, with none of the comedy mannerisms that you feel familiar with from films like Casino Royale. A true gem. Bears comparison with The Spy who Came in From the cold.Niven's character is a doctor who once spied during the war. The British Secret Service are desperate for someone who could justifiably visit Beirut to check on one of their spies who's gone missing (he's been shot) and there happens to be a medical conference there. Niven is a car fanatic, and is bribed with the promise of a very rare Cord Le Baron, which is his dream car. The Cord he drives, incidentally, is very similar to Bond's Bentley Continental, which is probably deliberate.The plane he is due to get from Italy to Beirut blows up, and from then on he's really up against it. A very, very well written, well shot and performed movie, with terrific performances all round.
An amusing, tongue-in-cheek, British satire on the spy genre with David Niven at his debonair best. The comedy is dry and subtle, taking aim at the British and Russian spy-film caricatures. Niven plays the bumbling amateur who makes good but was recruited because all the other spies have been unfortunately lost - that's MI5. John Le Mesurier plays the part of the harassed, penny-pinching, civil servant with aplomb. His use of understatement in suggesting that the purpose of the visit was just to find Rosser and nothing more and his reference to the radio in a biscuit tin, exemplifies the absurdity that underpins the satire. Françoise Dorléac plays the sexy double agent with a light touch. A good support cast with Nigel Davenport excelling as the hard-drinking expatriate Brit. and Ronald Radd suitably menacing as the Russian spy master. In the 1960's the Lebanon was considered an exotic location, essential for this kind of film. As in the Bond films, the travelogue element with a "holiday" romance was an important part of the overall attraction.