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Kristin Lavransdatter
The daughter of a prominent medieval Norway landowner, Kristin grows up in total harmony with the ideals of the time: strong family ties, social pride and devout Christianity. As she accepts the fact that she has been arranged to marry the son of another landowner, Kristin's beauty, innocence and purity evokes violent emotions around her: envy, lust, murder, revenge. She seeks refuge in a convent, awaiting marriage. Here, the passion of her life strikes, the knight Erlend Nikulaussonn. However, their love cannot be private, and suddenly Kristin is the centre of a scandal.
Release : | 1995 |
Rating : | 4.5 |
Studio : | Lefwander Kapitalförvaltning, Norsk Film, Norsk Rikskringkasting (NRK), |
Crew : | Production Design, Director of Photography, |
Cast : | Lena Endre Gisken Armand Erland Josephson Lars-Erik Berenett Svein Erik Brodal |
Genre : | Drama Romance |
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Reviews
Thanks for the memories!
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
This movie feels like it was made purely to piss off people who want good shows
A beautifully directed, well acted, and consistently faithful adaptation of the first of Sigrid Undset's Nobel Prize-winning novels about her fourteenth-century fictitious heroine, Kristin Lavransdatter. The movie perfectly captures the genius of the novel(s), the external and internal drama of a young woman's struggle with pride and sin, her rebellion against the good and yet her longing for it. Kristin's religious milieu, sympathetically but not sentimentally portrayed in the movie, forms a powerful backdrop against which this drama plays out. My only regret is that they did not make sequels out of the second and third Lavransdatter novels to complete the trilogy, since, indeed, the ending of the movie and of the first novel leave you hungering for more.
I really like this film more each time I view it. One of the rare films I know which takes their time to tell the story ... NO MTV-cut-style-frantic-cutting but lovingly dwelling on faces, persons, landscape etc. Yes, maybe some of the costumes aren't 100% correct, maybe some parts of the soundtrack do irritate with their loudness, but that to me are minor flaws! I really think they captured the "big picture" of Kristin's early life and her getting to know Erlend Nikulausson perfectly - in tone at least, even if some smaller episodes of course are missing from the film. And even the odd additions here and there I think do make sense in the context of the film! I just hope there WILL someday be someone who with equal skill and pacing takes the other two novels to the silver screen too! In short: one of my favorite films right now!
I always wondered if anyone could do justice to Undset's great trilogy.Liv Uhlman brings us the flavor of medieval Norway, where Christianity still battles older forces and beliefs. She gives us a radiant but guilt-ridden Kristin not far off the mark from the character in Undset's books. The architectural details, costumes and various artifacts around the farm seem just right for the era. I felt disappointed when the film ended as I was eager to see the subsequent development of Kristin's character we see in the second and third volumes of Undset's trilogy. One can only hope that these, too, will come in time.
I don't speak Norwegian..not a single word...but I didn't read half the subtitles of this movie, I was so engrossed in the visuals. When I watched it again, I read the subtitles...and realized that I had understood the entire thing despite the lack of paying attention to language. That said...this movie was stunning. It was quite long, and there were a few bits that dragged a bit, but the good made up for the not-as-good ten times. The photography of the Norwegian landscape is astounding, and the acting is subtle and completely believable. The dialog is more sparse than most movies that I've seen, but adding a single word more would become verbose. This is the story of a young woman in medieval Europe who rebells against what she is expected to do and lives to get what she wants, and deals with the consequences which run deep. (The church-burning scene had me in tears)