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The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Back when stars like Sylvester Stallone or Arnold Schwarzenegger were blowing the entire world to smithereens in big-budget productions, Richard Harrison was trying to find his place on the other end of the spectrum. I mean, just compare the names. Schwarzenegger versus Richard Harrison, that's an uneven battle even if you've never heard of either actor. Harrison was actually quite a respected character actor back in the 60s and appeared in various prestigious Italian productions, he was even briefly considered for the lead in Sergio Leone's "A Fistful Of Dollars" (the breakthrough role for Clint Eastwood). Sadly the 80s were harsh on him and he got stuck doing Z-grade action flicks shot in the director's back yard. He was particularly popular in The Philippines, where production companies liked to use him as an off-brand Charles Bronson.Unsurprisingly, the movie looks a lot like something Bronson could have made if he lowered his (financial) standards. Harrison is clearly a master in the ancient martial art of punching guys in the face and falling on conveniently placed beds, but the plot is so repetitive that it's hard to keep your attention. The bad guy keeps sending guys to kill him, one by one, and they all die in some location that's cheap and easy to shoot (a motel room, for example). Thankfully they get sick of that before the final act so in the end you at least get a pretty entertaining "Rambo" knock-off. The hilariously bad dubbing, awkward action scenes and desperate attempts to be typically American also certainly work in the favor of "Fireback", but I'd say 1985's "Blood Debts" is actually a better pick. It has the exact same cast, crew and plot, but has a bit more "so bad it's good"-moments. "Fireback" is a fun blast from the past though, somehow I'm glad movies like these are still around.

Jack Kaplan (Harrison) was a weapons specialist in Vietnam who invented the most awesome gun ever - a gigantic combination grenade launcher/bazooka/missile launcher that's loaded with other surprises and goodies. One day he's showing off his prize possession, and the next he is imprisoned in a P.O.W. camp. When he is released, he finds his beloved wife Diane (Milhench) has been kidnapped. For the remainder of the film's running time, Jack runs around from place to place beating people up, and avoiding grievous bodily harm by many baddies, while trying to find the whereabouts of his wife. Additionally, the police are after him, and Jack must avoid them as well. The Police Chief (Monty) - (that's his credited name in the film) is spearheading that operation. Will Jack find his wife, and while being shot at every day, will he...FIRE BACK? A Teddy Page movie shot in the Philippines, starring Richard Harrison and Mike Monty...if you rent or buy FIREBACK, you know what you're in for: exploding huts and guard towers, oceans of mindless shooting, hilariously hilarious dubbing, and a ton of absurdity. This time around, the exploding hut scenario is married to a revenge plot, so that was a cool twist. Ann Milhench, who plays Jack's wife, was in the horrendous Sloane, as well as Nine Deaths of the Ninja (1985). Who knew? As far as Jack's super-gun, displayed prominently on the box art, it's like one of those toys you might have had as a kid - that combination of guns that they would never make today. But at least it's actually in the movie, however brief. Also as part of Jack's revenge, he makes a souped-up car version of his old weapon (if that makes any sense). And watch out for the bad guy with the golden claw, as well as Harrison dressing up as a ninja for no explainable reason. I guess he can't get enough of doing that. But the relative immaturity of Fireback is one of its more endearing qualities.The many flashbacks and the "lost love" scenario, among other off-kilter elements, give Fireback a somewhat Italian feel, although no Italians were involved. The score is so booming and loud, it gets grating at times, and the dubbing, while entertaining in its own right, contains those voices you've heard many times before. Also, after the climax, there is a very stupid and unnecessary on-screen addendum telling us what happened to Jack Kaplan. Why they thought to add this, no one can say. Although Jack's post-Fireback adventures are still a mystery to us all, so it didn't even really help.If you can't get enough Philippino insanity, Fireback will fit the bill.For more action insanity, please visit: comeuppancereviews.com

Richard Harrison stars in one of the worst films I've seen this year.He plays an army weapons expert sent to Viet Nam to show off a new multi barrel gun. The Viet Cong attack and he's taken prisoner. Back home some unknown man makes advances on his wife. Harrison is eventually rescued and goes home to find his wife has gone missing and that he's being set up for a variety of crimes as things get compounded ad he hunts for the reason behind the disappearance of his wife and he breaks heads and other body parts. Even allowing for some of the worst dubbing I've ever seen this is a collection of stupid ideas, bad performances and wildly uneven action scenes. I sat staring at the screen waiting for the next terrible thing to show up. Its horrible, and not really in a good way. I mean sure as a bad film lover I was enjoying myself for a while but after a while things just became too much and I had to struggle to make to the end.In a weird way I was rewarded by making to the very end since the film ends with a freeze frame over which there is a statement as to what ultimately happened to Harrison's character. A loud WTF was followed by hysterical laughter. In no way recommended, even for the laughter factor.

Fireback reigns supreme among the delirious no-budget trash cranked out by the Filipino Silver Star Film Company and is arguably the greatest moment in the "career" of company poster boy Teddy Page. There is nothing in this film that could have possibly been made any worse. From the atrocious dubbing, completely nonsensical plot, music that could normally only be heard inside the head of a paranoid schizophrenic...to the catatonic "acting", Fireback has it all and more. Richard Harrison walks through the film looking bored and disgusted and is supported by the usual Silver Star All Stars cast, such as the ever-present Mike Monty, James Gaines and Ronnie Patterson. Bruce Baron is on hand as the main baddie...the worst was still to come for him in the shape of the Godfrey Ho Ninja films.Browsing the IMDb, you'll come across the term "worst film EVER!!!!" used to describe basically anything from Fried Green Tomatoes to Clockwork Orange. This film is one of the very few genuinely deserving of such honor. Avoid at all costs or do anything you can to find a copy.