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It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

To all those who have watched it: I hope you enjoyed it as much as I do.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

I couldn't get into this one. A cavalry patrol recaptures a stolen Gatling Gun, and must escort it (and the gun thieves) back to a safe location through hostile Apache territory. I noted the anti nuclear weapons subliminal message discussed early on in the movie's dialog. One scene I found baffling involved a pacifist preacher, who knew the hostile Apache chief, Two Knifes, coming out of a homestead while being restrained by the homestead family and the Cavalry patrol commander, yelling for Two Knives that his friend the preacher was in the homestead. Out of nowhere arrows hit the pacifist preacher, yet for some reason do not hit the cavalry commander and the other combatants....lack of realism. There are corny old school cinematic (what you see in black and white films) romantic subplots...I do not understand how one of the females who was part of this cavalry / civilian group, and involved in the corny romance sub plots, was able to untie one of the gun thieves being escorted in order to have their corny face touching moments...no one was watching the prisoner? Why didn't these people steal one of the horses and run, especially if the gun thief knew he was probably going to be executed anyway? I could not watch this film any longer, I had to end it there. It took a lot for me to give it a 3. Brian Ghilliotti

A familiar cast of western regulars make up the players in The Gatling Gun. Sad to say that a badly written and/or a badly edited story fill this plot with more holes than a Gatling Gun could give a wooden wall.A couple of troopers plus Reverend John Carradine and his seductive stepchild Barbara Luna steal a Gatling Gun from the army to give to the Apaches. One of the troopers is killed, but the other, Robert Fuller, is captured along with Carradine and Luna and Captain Guy Stockwell is assigned to bring The Gatling Gun and his prisoners back.But the Apache chief Carlos Rivas still wants that weapon and the rest of the film is concerned with his efforts to get it even though he doesn't know that it doesn't have a firing pin.The players here speak their lines truly without conviction. They all know that when the film is done it will grace their Thanksgiving table that year.

"The Gatling Gun" emerges as a pretentious, predictable, and pedestrian Cavalry versus the Apaches western about the eponymous weapon. Westerns about Gatling Guns had been made before this one. The most notable was the Gregory Peck cavalry movie "Only the Valiant" from 1951. "It Came from Beneath the Sea" director Robert Gordon and scenarists Mark Hanna of "Slaughter" and Joseph Van Winkle have penned a plodding adventure about a Cavalry patrol that retrieves a Gatling Gun which a misguided preacher had stolen to prevent wholesale violence between the Cavalry and the Apaches. Of course, one of these activists has ulterior motives that involve selling the weapon to a bloodthirsty Apache. Although this western was lensed in the early 1970s, the filmmakers portray the Indians as a sadistic bunch of savages. These redskins are neither downtrodden nor exploited by corrupt white officials on the reservation. Indeed, one white character does speak up in their defense, but "The Gatling Gun" amounts to a traditional John Ford western where every good Indian is a dead Indian. Mind you, nothing approaching subtlety ever hoists its sophisticated head in this 93-minute melodrama. Anything of thematic significance in the narrative is laid on as thick as a trowel by a loquacious lot of characters. The cast consists of several familiar names stuck in lackluster roles. Guy Stockwell is cast as a grim but insipid Cavalry commander. Most of the characters are stereotypes or just plain shallow. Patrick Wayne, Robert Fuller, and Barbara Luna are squandered in this military sagebrusher that takes place strictly in the desert. You never see a Cavalry stockade or an Indian reservation. Basically, "The Gatling Gun" concerns a number of whites banded together who wander through the wilderness while the Indians attack them intermittently. The only suspense that Gordon and his scribes develop is when will the Cavalry succeed in repairing the titular weapon so they can administer staggering blows to the opposition. Most of the time characters are working their jawbones rather than the levers on their repeating rifles. Anybody who remembers the CBS-TV sitcom "Green Acres" will chuckle at the only source of humor in this tedious oater: amiable Pat Buttram who cracks the closest thing that comes to jokes. Legendary horror actor John Carradine shows up momentarily during the early minutes before he takes an arrow in the chest. The most brutal depiction of death occurs when a cavalry trooper is strung up in a tree and the Apaches set him afire. It takes several moments for the enormity of the man's predicament to sink in before the officer puts him out of his misery.Once Lieutenant Wayne Malcolm (Guy Stockwell of "Tobruk") and his troops, including his black scout Runner (Woody Strode of "The Professionals"), recover the Gatling Gun, they learn that the firing pin is missing. They arrest Private Sneed (Robert Fuller of "Laramie") and keep him tied up by a wagon as they trundle the gun by wagon back to the fort. Malcolm has arrests Reverend Harper (John Carradine of "Billy the Kid Vs. Dracula") and his Apache stepdaughter Leona (Barbara Luna), too. Nevertheless, Leona and Sneed are allowed to move about without a guard with them. Meanwhile, the Native Americans led by Two Rivers (Carlos Rivas of "Topaz") keep tabs on the patrol. Of course, Two Rivers is not allowed to kill the horses which would effectively prevent our heroes from accomplishing their mission. Malcolm and his men encounter some civilians, Luke Boland (Phil Harris of "The Jungle Book") and his family, including his son Jim (Patrick Wayne of "The Alamo") and his rifle-toting daughter Martha Boland (Judy Jordan of "The Boatniks"), who are holed up in a house. The Bolands join up with Malcolm's patrol. One of Luke's friends, Tin Pot (Pat Buttram of "Green Acres")fiddles with the Gatling Gun and later devises a replacement for the firing pin. Just with Two Rivers thinks that he has Malcolm and his men cornered, he sends in his braves, only to watch as they are cut down by the Gatling Gun. Earlier, Sneed escaped but Two Rivers captured. Sneed told him that the gun didn't work, and Two Rivers sacrificed the lives of many warriors. When Two Rivers strikes for the last time, he watches in horror as the gun mows down his army and he surrenders."The Gatling Gun" is for die-hard western fans only. Most of the action is filmed in master shots, meaning that once a scene starts, there are few instances of closer shots. The script is so predictable that you can figure out who is going to die. The problem with "The Gatling Gun" is that the characters lack charisma because you never felt sympathetic toward their plight, even after they stumble onto Phil Harris and his family. The Timeless Media Group DVD whittles down cinematographer Jacques Marquette's widescreen compositions.

Low-budget, by-the-numbers western, routine in every department: writing, direction, acting, you name it. The plot is nothing special: a ragtag detachment of soldiers must protect a new Gatling gun from falling into the hands of rampaging Indians. A somewhat decent cast gives this picture a bit more than just a passing interest, but not much more. Phil Harris looks out of place, John Carradine was at a point in his career where he took just about anything and everything that was offered to him--which explains why he's in this--Guy Stockwell looks tired, and the only even remotely energetic performance is given by veteran western actor and John Ford favorite Woody Strode. Listlessly directed and sloppily written, this cheap-looking film has a burst of action near the end that breaks the monotony, but not enough to make it worth sitting through. Skip it.