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Ha én felnőtt volnék
The film presenting the adult world from the perspective of children sharply contrasts the black-and-white world of parents founded on prohibitions with the sparklingly colourful world of imagination. Péter Szoboszlay’s first short is an adaptation of one of the early child monologue books by Éva Janikovszky.
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All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
The best films of this genre always show a path and provide a takeaway for being a better person.
There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
