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The Wednesday Child
History sometimes repeats itself. As a nine-year-old, Maja was abandoned by her mother and placed in an orphanage. Now it’s ten years later and she keeps returning to the institution – to visit her own four-year-old son. Will she be able to take control of her life despite the unfavorable circumstances and her own self-destructive tendencies?
Release : | 2015 |
Rating : | 6.7 |
Studio : | |
Crew : | Director of Photography, Director, |
Cast : | Thuróczy Szabolcs Andor Lukáts |
Genre : | Drama |
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Reviews
Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
A courageous but susceptible young woman is anxious to get her slow-witted son out of an orphanage, but realizes that she will get no help from her common-law husband, who is a low-level criminal and only is nice to her when he needs something. He also has no interest in the son. So she tries to embark on a career as a laundress and is befriended by the coordinator of the collective sponsoring her. It isn't easy. She's embittered about her own childhood, she loves a selfish jerk and her friends aren't so great either. She makes all sorts of mistakes, but survives because her love for her son is authentic and drives her. There is a compelling simplicity about the story-telling and the acting. No special effects or obtrusive directing, with a lovely lyric soundtrack. An anti-blockbuster sort of film; wonderfully moving and refreshing. Should appeal to anyone who roots for the underdog.