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Dreadfully Boring

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

This film is so real. It treats its characters with so much care and sensitivity.

Maybe the most misleading title of all time!Not your average romantic comedy. This movie has something serious on it's mind yet remaining swift and entertaining throughout. Siddharth Kapoor is amazing in the movie.But there are some missteps.I was unable buy Parineeti Chopra's character at all. The ending is disappointingly clichéd. The musical numbers are roadblocks. The music score is patronizingly used. Not all of the humor works.A good movie to pass your time though.

I will review thing in this film in paragraphsActing: Parineeti's performance in this film is top-notch and the best in all her films so far. Siddarth's performance was great, but he was better in Student Of The Year.Direction: Vinil Matthew is a TV-ad-director-to-film-director with splendid direction in Hasee Toh Phasee.The film it self: With a deluxe second half, the film smashes all the successful film critera. You will 100% laugh in most scene, because some are romantic.So,in summary, Hasee Toh Phasee is a clean,funny family movie with amazing acting (especially Parineeti's),superb direction and story and give Hasee Toh Phasee 9.2/10. So in complete sumary,BUY THE DVD OR BLU- RAY AND WATCH IT!!!!!! or if you can't find it ,I found it on YouTube (if you can't found it, here:https://www.youtube.com/watch?v=ANo0Su92YIw) copy the address into another tab.(Watch hasee toh phasee now!

The movie has a few flaws. Thing that irritates me the most is when something change suddenly without any reason. Like Parineeti was acting all weird at the start of her character but for no apparent reason all of a sudden starts acting somewhat normal, without any apparent reason, makes you ask why? how come?? Was it because she was in love ??? I give up.That aside, the movie on it's own is watchable and somewhat different. It will definitely appeal to the masses and might just get some attention from the critics. Siddharth in my opinion is a good future prospect. Parineeti has done a good job. The senior actors paid their parts nicely. The surprise package for me was Anil Mange, I think he was brilliant, hats off to him. Songs are appropriate and a few of them will become very popular with the masses. You can watch and enjoy this movie with your family, it may not be the best movie you have seen but will not make you regret watching it either.

The news of Karan Johar teaming up with Anurag Kashyap camp obviously gave everyone a reason to expect something exceptionally good, novel and out of the routine with such a young & energetic cast. But the product this joint venture brings in for us as HASEE TOH PHASEE is sadly far away of being anything original, great or fresh. On the contrary it can easily be called as a pure business venture planned to make some quick bucks cashing the current craze around its two leading stars and nothing else.As far as the storyline is concerned, it is not exactly based on AAINA (1993) as was being speculated before its release. Yes, the basic premise of two sisters falling for the same guy is somewhat similar but to say the truth AAINA was a much better movie than this by all means. In one line, the film can easily be described as the reverse gender version of MERE BROTHER KI DULHAN (2011), which becomes MERI SISTER KA DULHA in simple words. So the story becomes anybody's guess and that is the reason it turns out to be boringly predictable right from the word go, offering you nothing fresh in terms of content or script. Putting it straight, the debut director Vinil Mathew plays it pretty safe by not trying anything hugely innovative and delivers a quite routine, all seen before kind of love drama, close to the Valentine's Day like a perfectly placed marketing product, made for its well-known producers.Having said that, the only thing which actually makes the film bearable for at least once, is the splendid act of Parineeti Chopra once again in her fourth film, like a back to back century made by a relatively new player in the cricket ground. In fact she needs to be called the actual HERO of the project, leading confidently along with her young co-stars Siddharth & Adah Sharma. As the lover boy Siddarth plays it well like a mature actor and so does Adah Sharma in her fine portrayal of the elder sister. But without any doubt, Parineeti remains the only one always in your mind while watching the film right till the end.However the other fact remains that the girl is just on the verge of getting typecast in all similar kind of roles and desperately needs to come out of this "Image Trap" in her next film positively by making some conscious efforts. In the supporting cast, Sameer Kakkar, Anil Mange and Neena Kulkarni are fine but Sharat Saxena & Manoj Joshishine in their respective fatherly acts in the second half.Talking about its writing part, which is done pretty casually (using everything seen before), I was really surprised watching few weak or rather silly sequences like the ones around a scientific discovery (in China), the whole drama around the necklace theft and then an awfully easy computer hacking in its second half, despite such experienced names in its producer line-up available for their expert guidance. But then, to save it from becoming a complete disaster, HASEE TOH PHASEE does have two worth mentioning scenes too like the father's emotional outburst towards the end and a particular sequence when Parineeti is locked in the room without any attached washroom. And believe me, the girl truly shows her guts agreeing to such a difficult, bold scene, never enacted by a Hindi Film heroine ever in the past.Musically it has some good tracks (Punjabi Wedding Song & Zah-e-Naseeb) which sound fine while watching the film in the theater, but once again we don't have anything as a complete soundtrack to be bought from the market as usual. The cinematography & background score do contribute a lot in giving a catchy, polished look to the film in totality. Yet it's the same old repetitive content which actually plays the spoilsport here, taking the charm away right from its first typical entry scene to say it all.Summing up, HASEE TO PHASEE has nothing fresh in the name of subject or story progression, other than Parineeti acting as a strange, paranoid girl making all those weird faces. The film doesn't have many entertaining sequences due to its clichéd, overused theme, so should only be watched in the theater if you are a big fan of Parineeti and don't wish to miss her any film irrespective of the content. But for all other friends, wishing to see something exceptional from this well-known producer's joint venture, you should ideally wait for its DVD release or the channel telecast, sure going to be there in the next few months.On a lighter note, though it is just another romantic comedy to be forgotten after its first week but may be an objection from any "Women NGO" against its funny title degrading the women's character and dignity, can do the trick by providing the much needed instant publicity & public attention.