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It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

I steaming pile of bad movie making. Don't watch it

Fun offbeat 80s puck rock comedy/drama about two New York punks, Jon Cryer and Daniel Roebuck, who travel out west and run afoul various rednecks, bikers, and lawmen in a southwest desert community on their way to LA. "Dudes" was directed by Penelope Spheeris, who made the seminal punk rock documentary "Decline of the Western Civilization," but this film isn't as much a document of punk culture as it is an oddball 1980s counterculture time capsule. Despite the two lead actors being decidedly un-punk rock, the film does feature legitimate musicians Lee Ving (FEAR) as a biker, John Densmore (The Doors) as a cop, Flea (The Red Hot Chili Peppers, FEAR) as a punk buddy of the two leads, and also an appearance by The Vandals during the film's opening. Ving is a particular standout as a nasty loudmouth biker. Seeing him this film really made me want to see him in more, although his filmography is sadly pretty short and primarily supporting roles (though I really do want to find a copy of his appearance on "Who's the Boss"). "Dudes" also gets time capsule value with the casting of Catherine Mary Stewart ("Night of the Comet" and "The Last Starfighter") as a local wrecking service owner who helps the dudes when their Volkswagen Beetle needs fixed. Also of note is that this was the fourth feature film shot by cinematography by Robert Richardson, who'd later go on to be the regular director of photography for the likes of Oliver Stone, Martin Scorsese, and Quentin Tarantino. Overall, "Dudes" is not as gritty as Spheeris' "Suburbia" nor is it as entertaining of a counter culture comedy/drama as "Something Wild," but the end result is an interesting time capsule that held my interest. There's also a decent soundtrack that features everything from Jane's Addiction to Carl Perkins.

Director Penelope Spheeris has produced mixed results when it comes to directing feature films. She's done some good movies ("Wayne's World", "The Boys Next Door"), but also some duds ("The Beverly Hillbillies", "Black Sheep"). "Dudes" is not one of her better efforts. Part of the problem is with the screenplay, which doesn't flesh out the protagonists enough, or explore their minds when they make the transition from punkers to gun-wielding vigilantes. It's even worse with the bad guys, who aren't fleshed out at all! Spheeris should have sent the screenplay back for a rewrite, but she shares some of the blame for making a tired feeling to everything, such as (yes) staging the climatic battle in an abandoned warehouse. There's some good scenery and photography, and the music isn't bad, but that's all that's good about this movie. Instead of watching it, track down the soundtrack instead.

This is not a serious film. It tries to be in a couple of places but doesnt make it. Some of the dream sequences are just a tad laboured but only a tad. Apart from this small points it is full of good humour and I certainly enjoyed it. I do not watch films for messages, for me that just escapes the point. Film is escapism, that is why it exists, to take us out of ourselves, to make us laugh,cry and smile. This is what DUDES does. We follow 3 punks cross country and their encounters with different people. They are products of the multi-cultural mix that is New York, the scene of all three bored in the VW driving thru the desert is truly hilarious. The second half of this film is bit more bleaker with dream sequences et al but still this is remains a joy. I was left with a good feeling after the end of this film and do so every time I revisit it.