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Touches You

Such a frustrating disappointment

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

A clunky actioner with a handful of cool moments.

I watched this movie in the early seventies, at my hometown in Mexico. I must have been 14 or 15 at the time. I liked the movie a lot not because of the acting, but because of the subject, which captivated me. The ethical and philosophical question of what constitutes humanity. Maybe the cinematographic quality of the film is not great, but having seen this movie only once and still remembering its impact on me after almost forty years is a tribute to its merits. I remember vividly the shock the climax scene caused in me, and the anger at the injustice done to the poor critters, and their unresolved fate, which undoubtedly would not be a good one if we go by the conventional wisdom of the time. I do believe this movie is much better conceptually than it is generally considered. I hope it will someday be released on DVD. I would certainly buy it.

Skullduggery is a strange, strange film based on the novel "Ye Shall Know Them" by Vercors. To unleash criticism at the film feels really unkind, since it is a movie that deals with earnest themes like humanity, and pleas for upright moral standards and tolerance. But in spite of its honourable intentions and its well-meaning tone, Skullduggery simply isn't a very good film. For me, the main problem is the terribly disjointed narrative which can't make its mind up how best to convey its message. The first half of the movie is like watching a standard jungle expedition flick of the Tarzan ilk; later it teeters into sci-fi fable; by the end it slips into courtroom melodramatics. The differences in tone between each section of the movie are too great, too jarring, to overlook. They stick out like a sore thumb and remind you constantly that you're watching a muddled, disorganised movie.An archaeological expedition into the jungles of New Guinea is led by adventurer Douglas Temple (Burt Reynolds). One of the main archaeologists involved in the excursion is attractive lady scientist Dr Sybil Greame (Susan Clark). After an arduous trek they stumble upon a tribe of strange ape-like creatures. These primitive, long-lost people are covered in hair and have survived for centuries without being in any way touched or influenced by the developments of modern man. There is some evidence that they may the ancestors of early man – the "missing link" in the evolution of apes into humans. Or perhaps a race of humans who simply look and behave differently from usual? Or even a race of animals that have begun to develop human characteristics? The archaeologists call the tribe "the Tropi" and are initially thrilled by the implications of their discovery. But things take a devastating turn when nasty opportunist Vancruysen (Paul Hubschmid) declares his intention to exploit the tribe and their idyll on behalf of developers. He questions whether the Tropi are truly "human" and takes his argument to the courts, where he hopes to be granted legal backing so that his own greedy ambitions can be continued.This was a very early film in Reynolds' career, and he actually unbalances this movie by acting like he's in a comedy while the rest of the cast take it all very seriously. Not that Reynolds can be blamed – he has an impossible role, asked to play a charming adventurer who really belongs in a Tarzan flick. His character and the film are not relevant to each other. Clark fares much better as the earnest lady archaeologist, and there are nice supporting roles for British actors Edward Fox, Alexander Knox and Wilfrid Hyde-White. A major shortcoming in Skullduggery is the lame and ineffective make-up used to give the Tropi their strange hairy appearance. Rather than making the actors look like believable hominoids, the stuck-on hair merely makes them look unintentionally comical…. and that's just not the right idea. We're meant to feel great sympathy for these creatures, but that's awfully hard when they look so unconvincing. Skullduggery is a failed attempt to tell a story that could have been poignant, philosophical and stimulating. The honourable intentions are there for all to see, but the end result doesn't do them justice. A worthy failure it might be but a failure nonetheless.

This was not a film about "action", nor was it "boring", unless you are the type that requires external stimulation as a substitute for actually thinking. This was a very poignant film about human rights and what, exactly, being human means. As another reviewer said, the climactic ending brought me to tears. This is not a film that should be viewed by a bunch of kids at a sleepover... it will be totally lost and wasted on them. This is a film that should be shown in every political science and philosophy class for discussion. Don't let the pathetic reviews scare you away if you can find this movie... it was the viewer that was lacking, not the film...

I must have unknowingly been in the test audience for the original version of this film at a local drive-in theater in 1970. I recently saw the current version on TV again, and was shocked at the mutilation of the original plot. The movie I remember was longer and the missing scenes and dialogue comprised a biting satire of race relations that still resonates in my memory today. The present version of the film has sadly had the best scenes and lines excised out, in the name of avoiding controversy in 1970.We have come a long way since then. This film was far more entertaining in it's original form, and deserves re-release in a Special Edition or Director's cut DVD!