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best movie i've ever seen.

This movie was so-so. It had it's moments, but wasn't the greatest.

The film makes a home in your brain and the only cure is to see it again.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

All those reviewers who disliked this film are largely correct: this film is largely geared toward boys, it's unrealistic, the science isn't sound, the acting might be considered weak, some effects are weak, and so on. But I still love it. So what are all those reviewers missing? Well, it turns out there is a lot more to a film than just plot, acting, effects, soundtrack, and realism. Here's what negative reviewers are missing: This film accurately depicts a Utopian lifestyle of sorts, even in today's world. It fires the imagination. Imagine going on a round-the-world tour aboard a glass-ported submarine with elite scientists, an elite engineer, a beautiful blonde lady, being the first to explore new parts of the underwater world, playing chess (and winning!) against a state-of-the-art computer, going on a high-tech treasure hunt, working with state-of-the-art equipment, saving lives around the world due to your efforts, interacting with sea animals (via dolphin communication), and incidentally having adventures along the way. I can't think of *any* other underwater film, old or new, that realistically captures this feel of the ideal of living underwater as this film does. ("The Core" (2003) comes close to capturing the same cozy feeling of a state-of-the-art ship manned by elite scientists, but that was underground, not underwater.)Films like this offer a visionary ideal for living, especially in this modern age where some people really believe that hedonism and materialism are the ultimate good, and that intellectualism and science are to be ridiculed and avoided since being "cool" is antithetical to intellectualism. The film also has some decent humor, and a nice, realistic mix of sexism and promotion of women's equality.There are numerous other likable things in this film. The underwater scenery is beautiful, Shirley Eaton is beautiful, the equipment is cool, the inclusion of a chess game is terrific, the capturing of the daily submarine routine (planting sensors, playing chess) is great, and the constant presence of science provides an intellectual atmosphere.Also, each the characters is likable in his/her own way. I especially liked Hank Stahl, whose mature insights into the ugly side of human nature are standard nowadays, and he is about the only character who is not foolishly chasing after Maggie the entire time. Also, although I'll admit it's puerile, I loved the guinea pigs, even though they were probably included just for humor and for young viewers. I even bought some guinea pigs as pets for the first time in my life as a result of re-watching this film as an adult!There are a number of coincidences throughout that were probably accidental, but are either charming or humorous, depending on your taste in '60s movies and television: (1) a brief, repetitious, 2-note, Jaws-like musical theme in one underwater scene of the Hydronaut; (2) an UNCLE communicator-like 2-tone beeping from an alarm that goes off while David McCallum (Illya!) is in the scene; (3) a spherical sub streaming yellow dye, reminiscent of James Bond in the final underwater fight sequence in "Thunderball"; (4) a helicopter rescue of floating survivors at the end, reminiscent of the rescues at the end of "Thunderball" and "You Only Live Twice"; (5) entering into a briefing room where a monotone-voiced narrator is speaking, reminiscent of Number 1's briefing in "Thunderball."Some other delights for '60s fans are: (1) footage of the J. Neville McArthur Engineering Building at the University of Miami, with its charming, white waves facade; (2) Lloyd Bridges incessantly leaping into the water to try to be a hero at every opportunity, usually without enough air or without proper equipment, "Sea Hunt" style.The chess match alone deserves some comment. You could view the inclusion of chess in the film only as an appeal to young adolescent males, but then you would be overlooking the Conshelf II underwater habitat of 1966 as depicted in National Geographic magazine, which had one well-known photo of two men playing chess next to a porthole with fish swimming outside. That photo, in turn, probably inspired the scene from the EPCOT ride Horizons that had two men playing chess beside a porthole in a futuristic underwater habitat. And that's not to mention the HAL-Bowman chess game aboard the spaceship Discovery One in the film "2001: A Space Odyssey" (1968). There is something about chess that is a good match with futuristic living quarters. Maybe it's the heavy intellectual component in both the game and the design of any such habitat, or maybe it's the contrast of ancient with futuristic (or should we say "hypermodern"?). Also, inclusion of the computer chess program in the film was an interesting, realistic, and historically significant. Even today online chess players on Yahoo often get caught cheating when they resort to their home chess computers for suggested moves, which is against the rules, so that twist in the plot was ahead of its time. Also, it wasn't until the 1980s that chess programs became strong enough that they could reliably beat most human players, therefore when Hank Stahl won the chess match even when Dr. Volker used a computer against him, that was realistic and ahead of its time.The late '60s, despite its problems, was beginning to approach an ideal that was captured extremely well in this film. Everything from the pervasive white color of equipment (such as in the sub interior, ships, and helicopters) that gave a sense of cleanliness, to the orchestral score, to the constant scientific background (which was also prevalent throughout Disneyland in that era), to a simultaneous acknowledgment of women's strengths and weaknesses, gave a sense of progress, community, and balance of the physical, emotional, and intellectual. It shows us a paragon of human society that is realistically achievable. Acting skill or realism of the non-decompression scenes is irrelevant to this bigger vision.

I have fond memories of this film, and watching it now they come back as strong as ever. Not only does lovely Bond girl Shirley Eaton make an appearance, but the stars of many of my fave shows of the 60s are present and accounted for: Lloyd Bridges (Mike Nelson of Sea Hunt), Brian Kelly (dad to Flipper), Marshall Thompson (Daktari himself), and David McCallum (the ever-cool Illya Kuryakin of U.N.C.L.E.). Along with the superb Keenan Wynn these cast members make a good compliment of aquanauts traveling in a futuristic sub on a mission to plant earthquake detecting devices around the globe. There's a solid script, just enough tension, and assured performances that supply a fun and diverting story. What really shines are the excellent underwater sequences courtesy of the Tors unit that set the standard for underwater action sequences (such as their Bond film sequences). Photographer Lamar Boren and director Ricou Browning do some of their best work here. The sub here is a real one (I found it decades later lying by the side of the interstate highway in south Florida next to an amusement park). It was built in 1956 by Martine Diving Bells of San Diego. Another nice part of this film are the great special effects by Project Unlimited (TV's Outer Limits and the props from the original Star Trek). While all the film seems quite dated now, it was believable action in its day, the sort of thing that was a not-so-guilty pleasure for a kid like me back then, and still very enjoyable today. Note the excellent score by Harry Sukman, which was released as a soundtrack LP that is a rare find these days.

A familiar cast, colorful underwater photography and unintentional laughs help make this completely unrealistic adventure film palatable. Due to increased seismic activity around the globe, a team of experts is assigned to float around the oceans of the world in a tiny submarine, planting sensors that will help predict underwater earthquakes. Bridges and Kelly (who earned their fins on the TV shows "Sea Hunt" and "Flipper", respectively) head up the mission, each competing to see who can most often rip their shirt off at a moments notice in order to fix some problem. Other scientists on board are older, rather colorless Thompson, bespectacled McCallum, reluctant Wynn and curvy, brassy blonde Eaton who boards the sub in white heels and a dress with a slit up the side. They trot around the globe as if it's the size of The Gulf of Mexico, planting their sensors (which, ludicrously, must explode in order to be anchored to the ground!) and experiencing various inter-personal conflicts. Moments after the credits have ended, credibility has already been jettisoned. Kelly, in a diving bell, gets knocked by a whale and Bridges dives 150 feet down without benefit of air and leisurely peeks in the window and knocks on the door! Later, he swims down to Wynn's underwater lair and, when his tank runs out, Wynn somehow (by benefit of an unseen Bat Pole?) goes from casual street clothes to a skin tight diving suit within seconds to rescue him! Also, unbelievably, Thompson proposes marriage to Eaton, yet she's already shacked up with McCallum previous to the mission and now has her sights set on Kelly! Small world! She claims not to be leading any of the men on, yet continuously gives it the "look at my body" act, up to and including an Esther Williams-esque swim in which she swirls her blonde mane towards the sub window and extends her bikini-clad body to it's fullest extent! Term papers could be written about the many, many scientific implausibilities of the film, but it's more fun to just sit back and make fun of the hysterically bad plotting and direction. Watch as Eaton and Kelly stare longingly at each other JUST AS two fish swim by and seem to nuzzle each other before disappearing behind a rock to do God knows what. Then they share a Doris and Rock-style moment with them each in bed, back to back, aching for each other over a cigarette. Who cares if the world may explode any minute? They're hot for each other, darn it! There are two guinea pigs on board. Watch for the second time the sub pitches forward and one of them finds it's face buried squarely in the behind of the other. By the way, Thompson loses Eaton, but seems perfectly happy to have wound up with these two rodents as a consolation prize. If one decompresses his brain for two hours, the film does have some interesting imagery, creative situations and manages to have some degree of suspense wondering who, if anyone, will die. Viewers looking for logic, reality or even sense, will be highly disappointed.

The summary alone should tell you to rent this "god help us all if this is available to rent" ONLY if a) your an insomniac, b) masochist or c) a masochist who has trouble falling asleep. The 'acting' is sub par, the characters are one dimensional and the plot.... well, it just proves that one can indeed write a movie script inspired by a box of corn flakes. Wait, that's not fair, corn flakes would make a better movie. The plot of the movie is this team of 'experts' travels the oceans laying down seismographic monitors to detect underwater earthquakes. Near the end, surprise, they get into trouble and have to think of a clever way to escape. The viewer on the other hand, has a much easier way out, change the channel to the Home Shopping Network in search of better entertainment. As for the cast, the only way they could have pulled some of those actors is by making this a contractual obligation or maybe blackmail.