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Escapade in Japan
A plane is forced to land at sea just off the Japanese coast. A young American boy is later befriended by a fisherman's son, with the two setting off on an unintended journey across the country.
Release : | 1957 |
Rating : | 5.9 |
Studio : | Arthur Lubin Productions, |
Crew : | Art Direction, Art Direction, |
Cast : | Teresa Wright Cameron Mitchell Jon Provost Philip Ober Kuniko Miyake |
Genre : | Adventure Family |
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Reviews
Yawn. Poorly Filmed Snooze Fest.
Pretty Good
Fresh and Exciting
I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
Interesting travelogue, sort of like Cinerama travelogues of the time, with a storyline. The recent showing on TCM was in wide-screen Technirama, probably the only film produced by RKO made in this process. Universal acquired the film for distribution after RKO closed. The titles indicate the film was shot entirely in Japan and for the first time at Japanese cultural and religious shrines which look great in wide-screen. The exteriors look similar to Sayonara (also 1957) during a period when Japan/American relationships were on the mend. Everyone is really nice to one another. Good, colorful family movie, good production values, some spectacular scenery and great print.
This movie is a great family movie and a trip through history when Japan was occupied by US Forces. No bad words, very little violence just two boys running away from the unknown in Post War Japan. Having grownup in Japan as Army brat during the 50's and 60's the movie rekindles memories of living in Japan while they were building their economy and maintaining their distinct culture and Identity. Its a warm hearted story of a foreign boy lost in totally different culture and country from what he knows yet accepts the friendship and assistance of a local boy as he is guided around Japan. He learns and sees things that would not have been possible had he not been crashed landed off the Japanese coast. I have watched and rewatched this movie with pleasure each time.
This film has a soft spot in me - the film was one of the first movies I ever attended in a movie house. Probably my parents took me to see it because Jon Provost was in it, and I was a fan of the series LASSIE. However it was on a double bill, and I believe it was with PETER PAN (the first Disney cartoon I saw in a movie house). I know I enjoyed it.A boy of three or four can barely remember details, but this film was very colorfully shot. It was one of a series of films of all types (SAYONARA, THE BRIDGE ON THE RIVER KWAI, A MAJORITY OF ONE) where Hollywood was trying to make amends to the Japanese for the caricatures of their military and leaders that were shown in the 1940s. The plot was that Provost gets separated from his parents in an accident off Japan, and ends up with a Japanese family. Soon he is paling around with that family's son, and they are unaware of the efforts by the U.S. and Provost's family to find him. Instead, when the police seem to be trying to catch him, Provost and his friend jump to the conclusion that they've done something criminal, and they run away. The film follows their constantly just escaping the police, until the conclusion (reminiscent of the conclusion in THE RUSSIANS ARE COMING) where everyone has to rescue the boys from a roof. It was a very exciting conclusion (and the music in those last moments helped really build up the suspense). It was a good film, and a welcome introduction for the younger version of me to the pleasures of watching movies.
I agree with other reviewers of this film. It is quite good. You can watch it just to see what Japan looked like in the 1950's. You can watch it to see Jon Provost's first role; we remember him from "Lassie". You can enjoy the chase. Pretty cinematography too; filmed in very nice color. Worth watching if you ever see it on cable or dish. Nice movie.