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South Sea Woman
Marine Sergeant James O'Hearn is being tried at the San Diego Marine base for desertion, theft, scandalous conduct and destruction of property in time of war. He refuses to testify or plead guilty or not guilty to the charges. Showgirl Ginger Martin takes the stand against his protest. She testifies O'Hearn won't talk because he is protecting the name of his pal, Marine Private Davey White. Ginger tells how she, broke and stranded, met the two marines in Shanghai two weeks before Pearl Harbor.
Release : | 1953 |
Rating : | 6.2 |
Studio : | Warner Bros. Pictures, |
Crew : | Director, Adaptation, |
Cast : | Burt Lancaster Virginia Mayo Chuck Connors Arthur Shields Barry Kelley |
Genre : | Adventure Comedy Romance War |
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Best movie of this year hands down!
This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
By the time the dramatic fireworks start popping off, each one feels earned.
It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
In 1944 U.S. Marine Master Gunnery Sergeant James O'Hearn is facing a court martial for desertion, theft, scandalous conduct and destruction of property, charges which in time of war carry the death penalty. ("Scandalous conduct" in this context means sex outside marriage; if that were to be regarded as a capital offence under military law I suspect that the fighting strength of most of the world's armies would be drastically reduced overnight). The above might suggest that this is a serious courtroom drama along the lines of "The Caine Mutiny". Admittedly, the film starts off in serious vein, but as soon as Ginger Martin (she with whom O'Hearn allegedly conducted himself scandalously) takes the stand seriousness goes out of the window and it descends into ridiculous comedy.Ginger is presumably the "South Sea Woman" of the title, but she is actually a white American rather than a Polynesian and only finds herself in the South Seas by chance. When O'Hearn first meets her she is working as a showgirl at a nightclub in Shanghai, where his regiment is stationed, and is the girlfriend of his friend Private Davy White. An attempt by White to slip away to marry Ginger leads to the three finding themselves adrift at sea on a small motor boat. In a series of increasingly farcical misadventures, in the course of which they inadvertently commit the acts which will form the basis of the charges against O'Hearn, they are rescued by a Chinese junk and eventually cast away on the French-ruled island of Namou. As the Governor of Namou is pro-Vichy, and as the attack on Pearl Harbor has now brought America into the war, the two Marines have to pretend to be deserters in order to avoid being interned. White and Ginger attempt to marry several times, but are always frustrated. It is at this point that the film changes direction again, largely abandoning comedy and turning into a patriotic wartime adventure as O'Hearn and White discover a fiendish Nazi plot and decide to take action to thwart it, to seize a boat and to rejoin the Marines who are fighting the Japanese at Guadalcanal. Mixing genres in this way is often a risky business, the risk being that the resulting film can end up as neither fish nor flesh nor fowl nor good red herring, or in this case neither drama nor comedy nor action. I don't think there was ever any possibility of this film being a sort of "Caine Mutiny Court Martial", but it could certainly have been made either as a comedy about the adventures of a pair of bungling Marines and a girl or as a standard gung-ho action war film about two heroic Marines with a sub-plot about their love-interest. The attempt to make the film as a combination of these two approaches simply results in a misbegotten dog's breakfast, a film which is not very amusing when it tries to be a comedy and not very exciting when it tries to be a wartime adventure. About all one can say for it is that Virginia Mayo looks lovely, as she normally did. This is not quite Burt Lancaster's worst movie; he normally saved his worst for those occasions, mostly in the sixties and seventies, when he allowed his political judgement to overcome his artistic judgement and ended up playing a villainous right-wing fanatic in turgid, paranoid left-wing thrillers like "Executive Action" or "The Cassandra Crossing". It is not, however, one of his better ones, and is one that is probably best forgotten by all but the most obsessive Lancaster fans. 4/10
The least significant entry in Warners' 5-Disc "Burt Lancaster Signature Collection" is this obscure but harmless WWII action comedy that is sufficiently enjoyable without being remotely memorable. The film starts out with Lancaster refusing to defend himself in the court-martial he is facing and the events unfold in flashback as the various witnesses give their testimony: Lancaster is a U.S. marine who (together with his pal Chuck Connors and the latter's fiancée Virginia Mayo) 'deserts' to a tropical island on the eve of the Pearl Harbor sneak attack where they proceed to live it up over there for a while, in the company of local madame (Veola Vonn), her three nieces and assorted beachcombers (including Arthur Shields). However, when a Dutch captain visits the island on his yacht, Lancaster and Co. steal it to go "have a crack at those Japs" – to borrow Errol Flynn's famous last words in Raoul Walsh's DESPERATE JOURNEY (1942); this leads to a rousing action climax in which the renegade band of islanders take on the Japanese fleet and manage to sink one of their ships – with Connors sacrificing his life in the process and leaving the way open for the budding romance between Lancaster and Mayo (reunited here three years after their joint participation in Jacques Tourner's colorful adventure, THE FLAME AND THE ARROW) to bloom. Two final things worthy of note: a young Strother Martin is clearly recognizable sitting next to Mayo in the courtroom and the eventual fate of the seaside dive might well have inspired a similar incident in, of all things, PORKY'S (1982)!!
Sergeant James O'Hearn is standing on trial for a number of serious misdemeanours, refusing to testify or even state his defence, the outlook is very bleak. Much against his wishes, good time girl Ginger Martin takes to the stand and the whole case against O'Hearn is going to be seen in a very different light. A tale of loves, friendships, rivalry's, bad luck, but most of all, heroism in the line of duty.The genre police have tagged this picture as an action/comedy/romance set just prior to the Pacific hostilities in WWII. That it's a multi genre piece is a given, that it's also an odd bit of cinema is also very much understandable. That's the only real complaint with South Sea Woman, it's so jaunty and full of fun that when we get to the wonderful, bold and tough last quarter, you are not exactly sure how to feel. It's like entering a fancy dress party and winning first prize but then suddenly being told the prize is for worst costume of the night!Anyway, the cast seem to be having a right laugh with it, Burt Lancaster (0'Hearn) and Chuck Connors (Davey White) are constantly at loggerheads about their participation in the conflict, and the direction they should be taking (humouressly so), because right in between them is Virginia Mayo (Ginger), sparklingly pretty she's all set to marry White, but O'Hearn is doing his hardest to ensure that that doesn't happen. This is the mainstay of the film, we (they) lurch from one fight to another, from one daft encounter to the next, bad luck and sheer bravado constantly zipping around with our protagonists, and then the shift to full blown drama. It ties up all the loose ends, and it in no way is a cop out ending, in fact far from it, but it does take some getting used to and even some time after the credits have rolled I personally was a bit bemused.It's a recommended film, if only for the sparky cast it is worth it, but just go into it expecting a whisk in the blender and you will be OK. 6/10
In 1942, Burt Lancaster, as Marine Sgt. James O'Hearn, is being court-marshaled for various offenses, including desertion and sinking a saloon. He stand firmly mute while various witnesses testify in such a way that he looks bad. Finally, when his friend's honor (Chuck Connors) is called into question, he decides to speak for himself at the trial."Foist," he explains, "we busted into that stinkin' Portagee dungeon and let them Free Frenchies go." The story is that he and his buddy, Connors, were left behind with Ginger, a saloon girl, (Virginia Mayo), when the Marines evacuated Shanghai. (I thought that was in 1939, not 1941, but let it go.) By a curious juxtaposition of events the trio wind up on a small, studio-bound South Sea Island called Namur, run by the Fascist-friendly Vichy French. They claim to be deserters in order to stay out of prison, and they are housed in the "hotel" run by a French woman and her "three lovely nieces." All of whom Lancaster seduces, while Connors is glued to Virginia Mayo, making goo-goo eyes at her and planning for a revolting event called "marriage." Lots of comedy as Lancaster and Connors -- in real life, both Irish athletes from New York City -- bop and deceive one another. Virginia Mayo's growing attraction to Lancaster only intensifies the rivalry.But that's nothing compared to the fight they initiate against the "Krauts" and the "Japs". They manage to sink a fleet of Japanese barges on their way to Guadalcanal, and even a Japanese destroyer, at the cost of Connors' life.Not much sense in going on about the plot. It's mostly comedic. The two tough Marines have to dress in frilly nighties while their uniforms are being pressed, for instance. As a comedy, this is pretty basic, and the absence of subtlety is notable but not necessarily regretted. There's plenty of action too, which I won't bother to spell out.Lancaster grins and shows off his mouthful of chicklets. Connors seems made of some iron alloy. (The two men couldn't be more different in their political attitudes off the screen.) Virginia Mayo is stuck in the role of a perambulating floozy, and yet it may be her most animated performance on screen. One can imagine the director yelling at her, "More, MORE!" And she delivers.It was made by the Warner Brothers. It could have been made by the Warner Brothers in 1939 instead of 1951, with Jimmy Cagney in the Lancaster role and some nobody in Connors' role. Man -- it moves FAST.What a lot of fun.