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Simply A Masterpiece

A Masterpiece!

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Devil Monster (1946) 1/2 (out of 4) Robert (Barry Norton) is in love with Louise (Blanche Mehaffey) but she's in love with Jose (Jack Del Rio). The only problem is that he is lost at sea so Robert has to know whether or not he's alive so that Louise might pick him. Soon Robert is at sea battling a large monster (actually a manta ray).THE SEA FIEND is also known as DEVIL MONSTER but whatever you call it doesn't take away the fact that it has to be one of the laziest and cheapest films ever made. I didn't actually time everything out but this 63-minute movie is probably 90% stock footage. If you thought what Edward D. Wood, Jr. did in GLEN OR GLENDA? was cheap then you haven't seen anything yet.The amazing thing is that there's so little "new" footage shot. The majority of the film is narration as we get the story told by Robert who is usually just talking about the various stock footage that we're looking at. This stock footage has some pretty unique stuff including various sea life but at the same time you can't really give this film too much credit for that. There are some native women that are shown topless so this here might please some people but I doubt it.From what I've read, the 1946 version under the title DEVIL MONSTER is a different edit that the 1936 film under THE SEA FIEND. I hope to view that version at some point but this film is pretty pointless.

When you discover that two-thirds is stock footage, and the rest re-edited from an earlier 1936 picture entitled "The Sea Fiend", you know not to expect much. And yet still "Devil Monster" manages to over-promise and under-deliver. Essentially it's the tale of a young man (Norton) begged by the mother of a lost seaman to locate her son (Del Rio) on one of his father's regular tuna voyages; the woman he now loves also keen to discover the fate of her former lover - one in the same.There's a lot of stock footage in between of sea lions frolicking, birds feathering their nests, native girls dancing, and octopus being harangued in an aquarium by an eel and finally, a mass tuna haul. There's also a brief scene in which a manta ray is captured - apparently sufficient enough to warrant the dubious title. Check out the special effects too - the transparent manta ray struggle is my personal favourite.Some great corny dialogue to match some egregiously bad moments ensures your time is not entirely wasted ("there was an accident, and, he lost an arm"), but even at just sixty minutes, it's still too much to bear.

This amateurish, independent, shoestring "B" may be of interest to Barry Norton fans like me who were impressed by his interpretation of Juan Harker in the Spanish Dracula (1931). Alas, soon after a slow and sluggish start, we are forced to sit through at least twenty minutes of crudely interpolated, ancient stock footage before we get back to the main story. And then, after the not unpleasing island sequence (the whole idea of the shipwrecked sailor not wanting to be rescued is a reasonably appealing one), we have to put up with a mind-numbingly miscalculated twist in the plot when morose Jose suddenly reverses character and turns himself into a daringly enthusiastic Captain Ahab, battling a primitively superimposed stock shot of a giant manta ray. I'm amazed I put up with all this rubbish before reaching for the STOP button, but I kept hoping that Barry Norton would do something to justify his star billing. He doesn't! Not one single thing!Despite a delayed entrance of at least thirty minutes, the actual lead player is Jack Del Rio. He gets most of the running. And even Bill Lemuels as the native chief has a more colorful part than our Barry Norton, the film's nominal hero. And as for the heroine, lovely Blanche Mehaffey, she fares even worse. If she figures in more than two minutes of footage, I'd be very surprised. Maya Owalee gets far more attention, and even Mary Carr seems to have a bigger part. And it is the talented Miss Owalee who contributes the movie's one successfully pregnant moment when she collapses on the beach after Jose deserts her. All in all, however, despite Miss Owalee and the film's innate curiosity value, Devil Monster rates as a viewer's nightmare—an almost complete waste of talent and time.

"Plan 9" may be the best-known bad film of all time, but "Devil Monster" is an infinitely worse film. Much of the movie is clearly stock footage taken from a much earlier film. Ludicrous narration tries to tie it all together, but much of this grade-Z shlockfest makes no sense. The big finale fight scene, in which a sailor grapples with the Devil Monster, has the cheapest special effects you have ever seen. A man splashing around in water is superimposed over footage of manta ray. This movie is not for everybody, but lovers of trashy cinema may find it amusing.