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I like the storyline of this show,it attract me so much

Fantastic!

Excellent adaptation.

Although it has its amusing moments, in eneral the plot does not convince.

This is a semi-sweet cartoon, with a parade cookies trying to choose their next king and queen. The story is cleverly done with nice animation and interesting-looking characters. The songs and music were so-so. The gingerbread man helping decorate the Cookie Girl was a sight reminiscent of that of Cinderella turning from rags to riches. And, clips of the kissing scene between the two cookies can be seen in promos of old Disney videos. Grade B-

Oh, this one is simply precious! I could not possibly think of any other word that so much describes my predominant feeling as I watched this confectionery Cinderella story! As a Silly Symphony, I think The Cookie Carnival has something of an advantage as a short. Most people love cute old-fashioned cartoons, and everyone loves candy! This short really can't lose because whoever watches it is bound to love one or the other. The only other thing that I've ever seen quite like it is in the Simpsons episode where Homer daydreams about the Land of Chocolate! Why does candy always look so good in cartoons? Dang! I love watching things that have that particular effect on the viewer, that make you hungry while you're watching them. My favourite sweet feature was the sweet roll red carpet. :Its flaws for me were that I found it, just maybe a little too sickly-sweet and almost childish, and some of the singing was on the lame side. I just mainly liked it for the visual candyland appeal. And, ahem, also, I didn't care too much for the obvious dirty joke with the éclair early on! :::2::: All of the characters in the Cookie Carnival are, well, cookies. Aww, poor sad cookie girl! I guess life's not easy anywhere... I love the bit where she undergoes her cakeover. Funny, the way she goes from being all flat with corners in her limbs to human-looking in one sugah powdered second. Apparently the human version was at the time considered Disney's first fully feminine character. And the artist went on to animate Snow White. I could see similarities between the two characters. The same lilting voice, same rosy cheeks. I love how the passion of the two lucky cookies melts the lollipop they hide behind to steal a kiss at the end. Sweetest love story ever... This cartoon is probably not to everyone's tastes, but for me the novel hook and sheer cuteness nevertheless make for one memorable incredible edible! If you begin to watch this expecting some great animated masterpiece, chances are you'll go home hungry. But if you watch it with an open mind and enjoy it for what it is, you'll have yourself a feast. Bon appetite!

This imaginative and absolutely delightful silly symphony indeed leaves you craving for cookies and sweets. The animation is beautiful, with stunning backgrounds and fine character animation. When I saw those cakes my mouth was watering, and I was literally like, "gimme, gimme!" There is also some wonderful music; almost the whole silly symphony is told in song, but you don't really care because this is just a sheer delight. The lead characters are great, the scene when the gingerbread boy transforms the girl was such a creative moment. The girl very sweet, and the gingerbread boy(voiced by the wonderful Pinto Colvig) is so likable, that I think he wholly deserved his award at the end of the short. Overall, just delightful! 10/10 Bethany Cox

A Walt Disney SILLY SYMPHONY Cartoon Short.A hobo gingerbread man helps a sweet young thing become queen of THE COOKIE CARNIVAL. Varied male desserts now vie for her attention, but who will she select to be her king?An excellent example of the wealth of imagination Disney was developing. Cookie & dessert motifs abound throughout this cartoon. That's Pinto Colvig, normally heard as Goofy, who voices the gingerbread man. And who wouldn't love to see more of Miss Jello?The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most interesting of series in the field of animation. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.