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If you don't like this, we can't be friends.

Excellent adaptation.

While it doesn't offer any answers, it both thrills and makes you think.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Having read the Inferno of Dante's works, it can become a bit stale with all of the adaptations and re-adaptations. The video game based on the works was okay but limited only to the horror/action genre that it had set itself up to be. I find this take on the classic to be NOT watered down, but a modern interpretation that a layman can view and perhaps be inspired to look more into it.All of the snobs that say that it's dumbed down apparently don't realize that very old classic literature--especially ones with heavy religious themes--don't click with everyone and can appear on the surface as holier-than-thou to a modern reader. With this film the basics of not only the horrors of Hell and Dante's enduring love for Beatrice (which would probably seem obsessive and maudlin for today's audience) are presented in a digestible way. I was already acquainted with the Circles of Hell even before watching this film, but making parallels and connections to what I knew and the "updated" version of it proved to be just as entertaining as if I came knowing little about the source material.

I just finished watching this on DVD and have to say it was an interesting experience. I have been a watcher of animation and a reader of classic books, but to see the two combined in such an unusual manner was well... refreshing. I love the fact that the movie was an updated telling of Inferno. I think that the retelling of the original would be lost to most moviegoers, heck unless you happen to be a historian specializing in the day and age of Dante, you would probably be scratching your head at obscure Italian politicos of the 13th century. That's why footnotes are lovely in books. The film seemed to carry the same spirit of the book, in that it was a rousing social and political poem. But it does carry a strong leftist theme that most conservatives would rather not endure. The look of the film is, to me, very fresh and amazing. The amount of work and care in the puppetry is spectacular. If you are open to a new experience of an old tale give it a try.

This demented left-wing wipe-out trivializes Dante's great work, distorts the genius of the author out of all recognition, inserts hateful ideology, incompetent satire and moronic political commentary in every imaginable place, and itself deserves a place in the Eighth Circle, Tenth Bolgia with the rest of the falsifiers. Sandow Birk has reserved himself a spot next to it.Stocking Hell with Republican political figures, Fox News helicopters and Christian conservatives is a work of literary sacrilege, to say nothing of extreme liberal bias. It is, however, unoriginal, tedious and trite. Nothing in Birk's unworthy and heretical revision is in the least relevant to the original text or is in any way entertaining, humorous or enlightening, despite his smug pretension to the contrary. I could have eaten a reel of video tape and PUKED a better movie. I regret the two hours of my life that I lost watching this insult to the very concept of poetry. Calliope will weep forever.

I had been flipping through the channels and I saw a preview for this movie and I thought it looked very interesting so I watched it and fell in love with it. I went out and bought the modern version of the book. I loved the art work in the book and being an artist myself I decided to draw a few pieces based on the art in the book. I latter went back to watch the movie again and found that almost all of the sets (backgrounds) were almost identical to the artwork in the book and the banter between Dante and Virgil was about the same also (although the movie is MUCH more humorous) I think it's a great modern spin on the old classic.