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Excellent but underrated film

It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

If you have ever watched any of Plympton's shorts you already know that his animation has a distinctive look (hand-painted, pencil-colored, with a predominance of soft and pastels hues), a constant presence of a witty philosophical look at the world, and a strong surreal and whimsical imprint.Cheatin' tells the story of a romance, from infatuation to real love, marriage, daily expressions of love, jealousy, cheating, and reconciliation with a great insight into the world of romantic love and the intricacies of human relationships, without the need of a word being uttered. Most people with a heart will relate to the way romantic emotions, positive and negative, are depicted in the film, and will like or at least be surprised at finding Plympton's whimsical surreal humorous elements presented in such an approachable and meaningful way.The film has a strong presence of Opera arias, the lyrics being intrinsically linked to what is being told in the story. So, in a way, this is a modern operetta that pays a homage to the reality of love, that starts as a fantasy and projection onto the other and evolves in ways of relating that aren't always functional or what one expected beforehand.Cheatin' is a great animated film on all fronts. Plympton's trademark animation and insightful eye are still there, but the narrative and story are very approachable for the general public. I loved the film, didn't find it boring at all.Yet, the movie would have been as good even if it had been 15-20 minutes shorter.The movie has explicit sex scenes, so not a film for children.

A few years ago, my oldest daughter invited me to go along with her to New York ComicCon....usually not the sort of place I'd choose to hang out for a few days, as I really hate crowds. Most of the comic book guests and video games didn't interest me very much and I was resigned to just walking about the convention center...bored to tears. That is, until I learned that Bill Plympton HIMSELF was going to be there! I have been a major Plympton fan...and I would now have a chance to meet him! I am sure it wasn't necessarily the highlight of Mr. Plympton's ComicCon experience, but it certainly was for me. I not only got a chance to talk with him but to get a couple nice drawings and autographs. A year later, my daughter met Mr. Plympton again...and this time she bought me one of his amazing books and even had him draw a picture of me inside! This is something I'll definitely treasure. Why am I telling you this? Well, I just wanted you to know that this is NOT an unbiased review. No, I have a very strong bias towards his wonderful and weird sense of humor and his one of a kind hand-drawn animation. After all, in this age of fancy CGI, you normally don't expect to see an entire cartoon animated with colored pencil drawings...but they work very well. And his bizarre sense of humor in shorts such as Guide Dog, Hot Dog as well as One of Those Days make his cartoons something you won't soon forget. Bill's latest is a full-length animated film called Cheatin'. It debuts on April 3rd in theaters and will be released on the internet through Vimeo on Demand on April 21st....and I strongly suggest you see it. However, it is very different from his hilarious short films. Instead, Cheatin' is an amazingly surreal and occasionally absurd sort of love story. To understand, you just have to see it to get the full effect. His characters never talk and it's amazing how much feeling they actually convey through grunts, sighs and moans. And, speaking of moans, this love story is NOT for kids...nope, definitely not. There is nudity, a decent amount of cartoon sex and a plot that isn't the best thing for younger audience members. However, it did work in the story and didn't seem gratuitous...most of the time. The bottom line is that even if you have seen the Plympton shorts, you may be taken totally by surprise by Cheatin'--I know I was. It's incredibly artistic, the music is AMAZING and the film very sentimental and, at times, touching and hilarious. It's a strange confection...but one I would like to see more of from the Plymptoons folks-- especially because it's so unlike what we would normally think of when we think of a cartoon. It's more...an experience.

Director/animator Bill Plympton became famous for his detailed, surreal colored pencil animations that became something of a trademark, but his feature-length films have bounced between different processes and styles, and have, at times, lost some of the impressionistic charm of his shorts and early work. For his last feature, Idiots & Angels, he combined pencil-drawn frames with digital coloring, and in so doing managed to preserve the beautiful sketchy style that he's best known for.Cheatin' continues Bill's tradition of experimentation and evolution, with some truly stunning results. While it seems to use a similar technical process to Idiots & Angels, it's about as far from that film's dingy noir as you can get. Every frame of Cheatin' is filled with vibrant colors, for a pastel watercolor look. Long, exaggerated shadows dance across scenes that always seem to take place at dawn or sunset. The character designs themselves are likewise a bit of a departure, with exaggerated anatomy that borders on grotesque. Whether by virtue of new technology, or just experience, this seems to be Bill's most fluid animation to date, as well. It certainly doesn't approach the liquid-smooth 24 frames per second of Disney animation, it's the closest Bill has ever come. Cheatin' also provides further evidence that Plympton has matured -- and yes, perhaps mellowed -- in recent years. While not without its surreal twists and turns, Cheatin' is more grounded in reality and has a stronger human component that any of Plympton's earlier films. We're introduced to Ella, a beautiful woman who has closed her heart, preferring the solitude of books to the company of others. When the muscular, handsome Jake rescues her from a perilous bumper car accident, she opens her heart at last and falls madly in love. The two marry and move in together, but others jealous of their love seek to tear them apart, beginning a spiral of self-destruction, infidelity, and revenge.This story is told visually, without any dialog, but it seems less concerned with the sight gags and slapstick violence that drive Bill's earlier works. The net result is a movie that seems more focused on its story, if perhaps not as laugh out loud funny. Some might see this as a toning down, but it's equally apparent that this is still not a movie for kids. There may not be as much blood and guts, but there's still plenty of sex and adult themes.It's great to see someone as established as Bill moving out of his comfort zone and exploring new territory, both artistically, thematically, and technically, and the result is one of his strongest works yet.

Jake and Ella cross paths in a fleeting movement when their bumper cars run into each other. Thus begins a romance that is totally bliss, but unfortunately because of Jake's insecurities he seeks refuge in the arms of other women. Ella loves Jake so much, that she takes a chance in a 'soul machine' and allows Jake to keep fooling around. An operatic tale, that blends love, passion, and a parade of 'hootchies' I saw this movie as part of the Atlanta Film Festival and the creator Bill Plympton shared how his inspiration was from a page from his life. Pympton met a women and knew she was the one, she moved in and it was a disaster. He utterly grew to hate her but still had the passion to want sex with her. The movie Cheatin' harps on the complexity of human relationships and how sometimes those cheating hearts are not so black and white. Cheatin' is told using the language of dance and song, no words are ever conveyed but the images flow the emotions of this fun and endearing tale. I saw it as part of the Atlanta film festival