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Wonderful character development!

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Exactly the movie you think it is, but not the movie you want it to be.

. . . for Bugs Bunny in LUMBER JACK-RABBIT. Though Bugs gets a brief glimpse from a distance of a gigantic Paul Bunyan, he interacts exclusively with Mr. Bunyan's equally massive dog, the 4,600-ton Smidgen. Since this hound must eat at least 50 tons of meat daily to maintain even a starvation diet, Bugs represents a drop in his bucket. (This was NOT the case with my own dogs, two of whom died when little rabbit bones became intestinal obstructions.) Bugs mystifies Smidgen by setting up a "carrot mine" in the Bunyan Garden of Gargantuan Veggies. Smidgen wonders where Bugs has gotten miles of steel railroad tracks on which to push cars full of carrot ore tailings onto a slag heap. Why bother, Smidgen wonders. Is Bugs planning on filling an Olympic-sized swimming pool with carrot juice? Does the Wascally Rabbit have an Everest-sized mold for carrot jello? Does he plan on setting a Guinness World Record for the largest carrot cake ever? Bugs is so busy getting under Smidgen's skin, he never has time to provide the mountainous mutt with any answers. Too bad.

So I understand that "Lumber Jack-Rabbit" was the only Looney Tunes cartoon filmed in 3-D. Why didn't they film "Duck Dodgers in the 24 1/2 Century" like that? But no matter what got filmed like that, the format unfortunately doesn't show up on TV. I guess that you just can't try to transpose anything from one format to another! No matter, I still thought that this was a funny cartoon, as Bugs Bunny stumbles onto Paul Bunyan's farm and has to contend with Bunyan's over-sized dog Smidgen. As always, despite being a tiny fraction of the size, Bugs somehow always has the upper hand.So, this is far from the best cartoon that they ever produced. After "Duck Amuck" and "What's Opera, Doc?", I really expect a lot from Chuck Jones. But this one's OK in a pinch.

Chuck Jones truly put the characters into the shape and form they are today... I will say that it was a group effort with the animators at WB but the things he did and the characterisation he gave was flawless.If only there was another Chuck Jones in todays animation studios, to revitalise the wb characters past the shells we see today.

"Lumber Jack Rabbit" is the only Warner Brothers cartoon filmed in 3-D. It's also further proof that Chuck Jones is the most overrated figure in the history of animation. Jones utterly fails to take advantage of the possibilities of 3-D, and this movie falls flat in every sense."Lumber Jack Rabbit" begins promisingly. In the opening credits (which are now cut out when this cartoon is shown on television), we see the familiar Warner Brothers logo surging towards the camera, as in so many Looney Toons. But this time, the logo passes its usual stopping-place and it keeps on coming, until it's nearly in our laps.Viewed in the 3-D process, this is unexpected and truly impressive. It's also the LAST time this cartoon will impress us.A dull narrator briefly recaps the legend of Paul Bunyan, the giant lumberjack. (By the way, there are no authentic folktales about Paul Bunyan: he was actually created in the 20th century as part of an advertising campaign for a timber company.) We see gigantic Bunyan (from the chest downwards) striding across his land, on which everything is many times normal size ... including Bunyan's giant dog Smidgen. (Is this name meant to be funny?) Chuck Jones brings nothing new to Smidgen; except for his gigantic size, Smidgen is drawn and animated to look exactly like every Chuck Jones dog in every Chuck Jones cartoon, including Jones's boring canine character Charlie Dog.Into this valley of the giants comes a normal-sized Bugs Bunny, who must have taken a wrong turn at Albuquerque. From Bugs's perspective, Paul Bunyan's giant carrots look like redwood trees. Bugs immediately starts harvesting the giant carrots, only to run afoul of Smidgen the giant dog. Nothing funny happens. More critically, NOTHING happens to take advantage of the 3-D aspects of this cartoon.Carl Stalling does his usual excellent work with the musical soundtrack. Throughout this cartoon, Bugs Bunny sings "Blue Tail Fly", a folksong made popular by Burl Ives. Most people don't realise that "Blue Tail Fly" is actually a song about a black slave who murders his master and then fools the coroner's jury into returning a verdict of accidental death. I can't help wondering if Jones (or scriptwriter Michael Maltese) knew how truly subversive this song is. Stalling provides a jazzy syncopated flute line in counterpoint to Bugs's vocals. Very nice!"Lumber Jack Rabbit" was originally shown in cinemas in 3-D format, with parallel filmstrips and those goofy cardboard glasses. It's now shown on TV in conventional "flat" format, which is no loss as the 3-D effects are negligible. By 1954, when this cartoon was made, all of Warners' best animators (Avery, Clampett, Tashlin) had already gone elsewhere, so this prestige project went to Chuck Jones by default. I wish that the opportunity to make a Bugs Bunny cartoon in 3-D had been given to Friz Freleng or Robert McKimson instead. McKimson's contributions to animation have been sorely underestimated, just as Chuck Jones's have been severely overestimated. Robert McKimson's cartoons were always funny and pleasing to the eye, and he could have done much better work with "Lumber Jack Rabbit" than Chuck Jones has done here.