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The Karnival Kid
Mickey Mouse is working as a hot dog vendor at a carnival when he meets and quickly falls for Minnie the "Shimmy Dancer". That night, Mickey and a pair of alley cats serenade her by performing the song "Sweet Adeline", much to the dismay of Kat Nipp, who is trying to sleep. The short marks Mickey's first speaking appearance.
Release : | 1929 |
Rating : | 6.3 |
Studio : | Walt Disney Productions, |
Crew : | Director, Director, |
Cast : | Walt Disney Carl W. Stalling |
Genre : | Animation |
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Reviews
I wanted to but couldn't!
Good story, Not enough for a whole film
A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
Another of the classic Iwerks/Disney collaborations from Walt Disney productions is this short that, unlike some of the other cartoons that the duo put out in 28/29, actually takes places in two time periods. Sure, it may just be day and night, but that's a small leap forward in the storytelling for Disney, who would usually just make things set in "real" time, far as the continuity went. This is set at a carnival where Mickey Mouse is selling hot dogs - we hear his voice, not sounding really like the Mouse we'd know later, perhaps Disney wasn't sure yet how to do it, like the early Homer Simpson voice work - and Minnie Mouse wants one.The hot dogs, of course, have legs, and little arms, and can bite and be spanked when they're bad (!) so that's really the highlight here. The second half has Mickey trying to win Minnie over by having two cats "serenade" (really badly, of course) while he strums his guitar. The cat stuff goes on a bit too long - I might've liked actually full story with just the hot dogs, do they rebel, how can they eat the little cartoon hot dogs, oh, no wait, they're cartoons too, guess it makes sense - but it's still magical comedic stuff, genuine and just dumb-silly stuff.
Disney has always been a big part of my childhood, and while The Karnival Kid is a cartoon I don't adore it is a very interesting cartoon signifying the first time you hear Mickey talk. The story doesn't hit any new ground with a rather abrupt ending, and I personally did find Mickey's rather gruff-sounding voice odd here, almost as though he hasn't found his voice yet and considering the cartoon's significance I'm not surprised. However the animation is great, with the backgrounds smooth, the character designs appealing and the visual gags inventive. The music is just as effective, characterful and full of vitality, enhancing the action rather than just an excuse to lump song and dance numbers together. The gags are fun, with the first sequence having sheer kinetic energy, the hot dog scene is cute and the cats in the somewhat quieter and simpler second half of the cartoon are hilarious. All the characters are very likable also. In conclusion, not one of my favourites but important and a good cartoon anyway. 8/10 Bethany Cox
From the very first shot of this animated short we know we're in Cartoon Dream World: the setting is a rowdy carnival in full swing, but our view of the festivities is blocked by swirling helium balloons. When the balloons drift away it's revealed that a cow is dangling from them, levitating over the crowd, grinning happily and blowing on a noise-maker that uncoils like a snake and emits a "Bronx cheer." Floating above a peanut vendor (who happens to be a pig), the cow razzes him with this device and scares him so badly that the pig leaps out of his clothes. Now clad in underwear, the angry porcine peanut vendor uses a sling-shot to burst the cow's balloons. The cow plummets to the ground but is cheerfully unaffected by the experience, which she demonstrates by turning to the camera and defiantly blowing a raspberry right in our faces. And that's just the first shot!It looks very much like something produced by the Fleischer Studio, and we expect to see Koko the Clown and Betty Boop pop up any second, but in fact this is a Disney cartoon dating from the earliest days of Mickey Mouse. The atmosphere sure is different from what we might expect, based on familiarity with Mickey's later, buttoned-down adventures in suburbia; this cartoon has a low-down attitude quite unlike Disney's later output. Here, Minnie Mouse is a midway dancer who makes like Little Egypt, while a monkey beats out a tattoo rhythm on bongos and the barker promises "she'll put you in a trance/with her hoochy-coochy dance." Mickey is a hot dog vendor who sasses the barker and tries to make time with Minnie. The Karnival Kid marked the first occasion when the Disney animators gave the Mouse dialog to speak, but it was made before Walt himself began supplying the voice. It's not the familiar innocent squeak, either; as befits the setting, Mickey's voice is a bit raspy, as you'd expect from a carny worker.There's a startling scene where Mickey sells Minnie a frankfurter, a scene that is far more suggestive what the Disney folks would tend to do later on. To pay for her purchase, Minnie reaches into her stocking for her money supply—which makes Mickey blush—but when she attempts to bite into the hot dog the thing suddenly comes to life, and attempts to escape. Mickey catches it, pulls down its "pants" and gives it a good spanking. (I'm not making this up!) The frankfurter pulls its pants back up, weeps with shame, then bites Mickey's finger and escapes again. And then, having no place else to go, our story culminates in a midnight serenade. Outside Minnie's trailer, under the moon, Mickey strums his guitar while two disreputable-looking cats yowl "Sweet Adeline" in weird, nasal tones. After this extended musical number the film wraps up with an anticlimactic gag, something quite unlike the neat resolutions we find in the Disney studio's mature work, and when the show is over you still feel like you've just watched a Fleischer cartoon.This short is historically significant because it's Mickey Mouse's first real "talkie," but in a larger sense it signifies the road not taken for its production house. If you ever wondered what Disney cartoons might have looked like if the animators had been more loony and naughty, more like the gang at the Fleischer Studio or WB's Termite Terrace, then take a look at The Karnival Kid. I don't believe the guys at Disney ever again designed such a seamy setting for a Mickey cartoon, but perhaps that's just as well.
Yes, Mickey speaks all right in this milestone cartoon. In the cartoon, Mickey is a hot dog vendor at a carnival and says his first words, "Hot Dogs!" Mickey's voice was much different than it is today. He had a much more squeaky voice in this and in several shorts to come. I recommend this short for all fans of the Disney animated shorts.