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Minnie the Moocher
Betty Boop and Bimbo run away from home, but that night they are scared by a chorus of ghosts singing the title song.
Release : | 1932 |
Rating : | 7.3 |
Studio : | Fleischer Studios, |
Crew : | Director, Producer, |
Cast : | Cab Calloway Mae Questel Billy Murray |
Genre : | Fantasy Animation Horror Comedy Music |
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Reviews
Great Film overall
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
The acting in this movie is really good.
One of the most extraordinary films you will see this year. Take that as you want.
"Minnie the Moocher" is definitely among the most famous Betty Boop cartoons. I probably don't need to say it, but these are black-and-white sound cartoons and this one here runs for 8 minutes, slightly longer than they usually do. Betty is also as always not the only main character here. Bimbo is of course also on board once again and so are many skeletons and other creepy creatures. I am probably a bit biased here as I have never been a big Betty Boop fan, but for me it says a lot if this really mediocre little film is considered one of the best of the series. I cannot say I was entertained. As usual, with Betty it is all about the weirdness and awkwardness and maybe a bit about the music too. I myself wasn't impressed though. Have to give it a thumbs down and I do not recommend the watch.
This is a Betty Boop cartoon, though it starts with a bit of footage of Cab Calloway and his orchestra. Calloway's song "Minnie the Moocher" is set to life using Betty, her friend Bimbo and an odd assortment of ghosts, though I really would have much preferred to actually just watch and listen to Calloway sing this song live--since it is very easy to like and quite funny (and a bit radical with its reference to cocaine). However, as a cartoon, it's a very strange thing indeed as I really don't know who the audience for this Pre-Code nightmare would be! After all, it is really scary and so younger kids would be terrified by it and the drug references, if the parents noticed, would really turn them off as well, as it's NOT good child fare! Interesting, well animated but too bizarre, this one is great for adults who want to see just how subversive Betty could be in her wild Pre-Code days.
The title is a song made famous by Cab Calloway, and we immediately see him making like Michael Jackson smoothly dancing as she leads his orchestra in the song. Calloway was definitely a very cool cat, and ahead of his time.After that short performance comes the cartoon story, in which we see Betty being blasted by her father at the dinner table. She's in tears, can't eat and walks away singing the blues, ready to leave home. She writes a note: "Dear Ma and Pa, I'm leaving home because you're not so sweet to me. I won't ever be home again. Betty."She calls Bimbo and the two leave together. They get scared when it gets dark and hide in a cave, where a giant walrus (Calloway) materializes and sings them the "Minnie The Moocher" song. Bizarre?? Yeah! During the song we see skeletons, jailbirds singing on electric chairs, spooks, ghosts, all kinds of very strange sights. After witnessing these strange sights, Betty changes her mind about never going back home. Home, all of a sudden, looks pretty good.Not hilarious, but a very entertaining cartoon. I love it when Betty and Cab get together.
The first part of the film shows us a younger Betty Boop than we're used to seeing in the Fleischer Brothers cartoons.Betty is a girl in her early/mid teens, being nagged to tears by her immigrant parents. Betty sings the 1911 Von Tilzer number "They Always Pick On Me". Notice how the animator attends to such details as the bouncing of Betty's breasts on the staircase-- such details would soon be suppressed in USA animation by the Hayes Code.This is the first of 3 Fleischer cartoons with Cab Calloway featured on the soundtrack. They proved popular-- and Calloway used them as advertising, having the cartoons shown in theaters of towns the week before his travelling band would arrive."Minnie The Moocher" is good, as is the last of the series "The Old Man of the Mountain", but Betty Boop's "Snow White" is the best of all.