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I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Absolutely the worst movie.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

One of the most extraordinary films you will see this year. Take that as you want.

Love animation, it was a big part of my life as a child, particularly Disney, Looney Tunes and Tom and Jerry, and still love it whether it's film, television or cartoons.Also have much admiration for Tex Avery, an animation genius whose best cartoons are animated masterpieces and some of the best he ever did. 'Milk and Money' is considered by me not just one of Avery's best Porky Pig cartoons but also one of his best early cartoons in general. Sometimes during this period there was the sense that he had not yet found his feet, 'Milk and Money' is an example of an early cartoon of his where his distinctive style can be found all over.It is also a cartoon where the relative slightness of the story can be completely overlooked because of the hilarity and brilliant timing of the gags (especially with the horsefly and the horse racing), immaculate pacing and Avery's wild wackiness being apparent throughout and used to full advantage.'Milk and Money's' animation is characteristically great, crisp, detailed and fluid, the black and white holds up well. Carl Stalling once again provides an outstanding score, it is lush, energetic and characterful, with clever orchestration and a mastery of not just adding to the action but enhancing it as well (Stalling was a near-unequalled master at this).Porky is appealing and likable and the rest of the characters are fun.The only issue for me is Joe Dougherty's voice work as Porky, it's not just because Mel Blanc's more famous interpretation is more appealing to me but Dougherty doesn't sound anywhere near as natural or endearing, have always found that he overdid the stutter and that's true here too.Concluding, great. 9/10 Bethany Cox

This was really, really enjoyable, with tons of good stuff all wrapped up in eight minutes. You get over-the-top characters and story, good humor and great artwork. In other words: about everything you want in a cartoon.The characters are "Porky Pig," Porky's father, Porky's horse "Dobbin," "Hank Horsefly" and "Mr. Viper" (the snake). The latter is there to claim the mortgage on the pigs' house and farm if the old man doesn't fork over the cash by a certain time. This was a familiar theme in movies and cartoons - and a sad fact of life - in the 1930s. Anyway, you know things will turn out all right for Porky and his dad. It's HOW this happens this is funny. The material is outrageous, with a lot of things happening and Hank Horsefly plays the key role.This is done beautifully in black-and-white and restored nicely by the Warner Brothers folks who have presented us, so far, with five volumes of Golden Collection DVDs. I haven't seen the fourth volume but this Fifth volume features some of these older black-and-white cartoons and some of them are great.

I notice that the Looney Tunes/Merrie Melodies cartoons often made a point of portraying what was going on in the world when they were made. One example is Tex Avery's "Milk and Money". Porky Pig and his father own a farm, but their snakelike banker threatens to take it away from them if they don't pay. Of course, Porky has a few tricks up his sleeve...even if they happen by accident.I suspect that they didn't intend for this cartoon to be a "Grapes of Wrath"-style lesson about the Great Depression, but it does sort of come out like that, what with the sinister banker trying to take their farm, as happened to so many people during those miserable years.Overall, a worthwhile cartoon.

This is an early Tex Avery short that is not done quite in the style that would mark his later efforts. An early Porky Pig adventure, Avery more or less cut his teeth as a director helping to develop Porky, as well as playing a major role in the development of Bugs Bunny, Daffy Duck and Egghead/Elmer Fudd, before leaving Warner Brothers after a dispute with producer Leon Schlesinger and moving to MGM in 1942. Well worth looking for, it was originally in black ad white. Recommended.