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Absolutely Fantastic

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

The acting in this movie is really good.

By the time the dramatic fireworks start popping off, each one feels earned.

I love the Fleischer Superman cartoons. The animation is smooth and fluid with vivid colors. The distinct art-deco style, vintage science fiction imagery, and use of noirish shadows gave them a look unlike any other cartoons. The music and voice work is superb. They're fun, accessible, enduring animation classics.The ninth in the series (and last for Fleischer) is a very simple story about Lois and Clark on assignment covering a circus when things go haywire and a large gorilla named Gigantic escapes and begins to attack people. Clark takes his sweet time about it but eventually changes into Superman, where he battles the gorilla, as well as other animals, to restore order to the circus.I have mixed feelings on this one. There is a certain laziness about the story and, for a nine minute cartoon, it does seem to inexplicably have some padding. Still, the sequences with the animals are well-animated and exciting. It's entertaining, as the whole series is, but clearly something is missing. This would be the last Superman cartoon to be done by Fleischer Studios. Paramount would seize control of the studio, fire Dave and Max Fleischer, and rename it Famous Studios. Many of the same artists and animators would carry over, as would the voice talent. But the Fleischers would no longer be making Superman cartoons.

This is the ninth, and final, Superman cartoon made by Max and Dave Fleischer. While the rest of these initial series of animated shorts are virtually made by the same crew, the Fleischer brothers are nowhere near them since they would get ousted by Paramount due to financial and personal troubles between them. In this one, Lois and Clark are assigned to cover the circus which isn't one of their more exciting projects...until a gorilla is inadvertently let loose by a monkey and causes havoc to his surroundings. As always, Lois is the damsel in distress and it's up to Superman to rescue her...Quite exciting seeing all the animals reacting to the gorilla's presence and Superman struggling to keep the simian at bay though, as always, it all ends a bit too soon. Still, Terror on the Midway is well worth a look.

The band strikes up a march as playful kids wave pennants, Lois smiles and shifts her gaze lazily; clowns caper, elephants dance. It's a high moment of oblivion, humanity with its guard down. --The sort of scene Hitchcock laid out with such care, so that the mayhem, when it strikes suddenly, is fully felt. Outside, a tiny monkey playing with a bright metal ring starts at a shadow. Jumping away, he doesn't release the ring in time; this pulls the cord that it's attached to, which springs open the latch on a circus wagon. Brief transition, and we hear a low growl at the entrance of the main tent, over the music and sounds of the crowd. We track reactions in montage as every person freezes in place. Then, only after we have been allowed take in the ripeness of the delicious moment of growing terror, are we shown what has paralyzed everyone.The few minutes of this cartoon work exactly like prime early Hitchcock. It builds deliberately, lovingly toward a pivotal/revelatory brilliant set piece that is still exciting. Before every large budget film tried to encompass the destruction of planet earth and the end of space time within its plot thread, choice nuggets of time-- like the one in this simple little cartoon-- were what cinema was all about. You'd wait for a moment. The moment built slowly and deliberately. Everything wasn't yielded at once. The experience was cumulative, not all sensory avalanche from first shot to last. Ultimately, the overdone-gasm sort of film doesn't last. It is seen through; the novelty, which is all it has, exhausts itself after a few viewings. Claptrap-- even well-mounted, noisy, big, breathless claptrap-- is still only that.I see this great short as a wonderfully fresh, storyboard-like look at how feature films used to be put together. For that reason, I give it ten stars.

Lois Lane and Clark Kent are sent to cover a circus (for some reason). They separate to cover more ground. While Lois is watching a show in the Big Top a HUGE (and very fierce-looking) gorilla (or ape) is accidentally let loose.He proceeds to wreak havoc and, in the mayhem, other animals escape from their cages. Lois saves a little girl from the huge gorilla (or ape) but then it goes after her? Can Superman save her and the circus?Very strange Superman cartoon. For once he isn't battling mad scientists or creatures--just animals. Also it seems kind of strange that he has trouble beating a large gorilla (even though it IS huge). And he doesn't even show up until 6 minutes in (this is only 8 minutes long). Still, it's pretty good.