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The movie is surprisingly subdued in its pacing, its characterizations, and its go-for-broke sensibilities.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

The best films of this genre always show a path and provide a takeaway for being a better person.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Quiet! Pleeze (1941) *** (out of 4)Pappy is hungover but pretends to just be sick so that Popeye doesn't get mad. Popeye makes him go to bed and then struggles to keep everything on the outside quiet so that his father can rest.This here is basically a re-worked version of SOCK-A-BYE BABY but in that case it was a baby that Popeye was trying to keep asleep. This film isn't quite as good as that one but there are still plenty of good gags that keeps it entertaining and worth watching. The funniest moments happen early on when Popeye is checking out how sick his dad is and we get some wonderful visual jokes dealing with his fever. If you're a fan of the series then you should enjoy this one and especially the action towards the end of the film.

Quiet!Pleeze had an appropriate opening, of Popeye's cantankerous father, Poopdeck Pappy, suffering from wicked hangover, to mournful strains of "How Dry I Am", popular song mourning of inebriation and feeling blah. Indeed, Pappy WAS in such bad mood that when a cat padded along, as felines do, he barked "Quit that stamping around!"(There is a silly version of "How Dry I Am", about which I do not think.) Pappy would NOT ADMIT that he had been drinking too much, said he had hangover, checking himself to mean headache. He asked son Popeye to keep things quiet so he could rest. Some of the means used in Sock-a-Bye, Baby, filmed in 1934, were repeated in this cartoon, the punching of a building under construction, causing it to collapse, as punching the radio, which knocked out the singer. (A buddy of mine and I pretended to be punched when radio listeners smashed radios.) Popeye returned to the apartment, to find Pappy, after his nap, PARTYING AGAIN! Pappy told his son that he felt like a million, just needed rest and quiet, but had NOT really learned his lesson! The cartoon ended with Popeye HIMSELF in bed, no doubt because his father's unwillingness to co-operate made him sick. Surely, This was amusing variant of Sock-a-Bye, Baby, which showed what Poopdeck Pappy was like. As sidenote, Poopdeck Pappy did not appear much after 1941; after the Fleischer brothers were bounced in 1942, and the studio became Famous Studios, Poopdeck Pappy appeared only once or twice. (Eugene the Jeep was not in the 1942-57 Famous Studios cartoons at all, and J Wellington Wimpy was in only a handful.) At all events, I loved this cartoon as much as Sock-a-Bye, Baby, even if ALL the means that Popeye used to quiet things did not appear, like the music-school episode.

"Pappy" has a hangover ("er, headache," as he explains to his son Popeye) and just wants some peace and quiet as he sleeps it off. Popeye tries to oblige.Oh, boy, does Popeye try. The lengths he goes to please his pappy! Popeye first has to use his brains and he comes up with a clever way to stop a baby across the street from crying. (Popeye doesn't think of just shutting his window.) After that, it gets physical and Popeye battles noisy trucks, general traffic, factory whistles and then louder construction noise, including the demolition of a building.There is a good ending to this cartoon as Pappy is last seen dancing and scatting to the music at some dance.....apparently well-rested. Popeye, of course, is pooped.Pappy is a great character in these early 1940s cartoons. Jack Mercer does a super job with his voice, as both father and son.

The Fleischers, toward the end of the studio's existence, for whatever reason, chose to do one or two thematically similar shorts that copied (somewhat) earlier shorts in the Popeye series. Given that Famous Studios practically strip-mined the old Fleischers for ideas (and usually just pointed up how poor their shorts were in comparison), Max and Dave can be given some slack here. Particularly as this cartoon is perhaps slightly better, given that it has Jack Mercer and a funnier ending. The animation is superb, though the sight gags in the earlier short are more effective. Both are very good work. Well worth seeking out. Most recommended.