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Edges of the Lord

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Edges of the Lord

A 12-year-old Jewish boy hides with a family of Catholic peasant farmers to escape the Nazis.

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Release : 2001
Rating : 6.7
Studio : Braun Entertainment Group, 
Crew : Art Direction,  Art Direction, 
Cast : Haley Joel Osment Willem Dafoe Olaf Lubaszenko Wojciech Smolarz Andrzej Grabowski
Genre : Drama Comedy Romance

Cast List

Reviews

Hellen
2021/05/13

I like the storyline of this show,it attract me so much

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Dotbankey
2018/08/30

A lot of fun.

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Merolliv
2018/08/30

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

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Brainsbell
2018/08/30

The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.

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2014/04/14

This film's story could be compared to the classic resistance story 'Le Silence De La Mere' by Paul Vercors. It depicts actions taken by Polish people in their ordinary lives to counter the predations of the occupying Nazis. Actions which could have cost them their lives. It is not, however, a flagwaving tub thumper that rewrites history to make the Poles out to all be innocent angels. There were collaborators and Nazi sympathisers in every one of the allied nations, and this film shows that Poland was no different. Contrary to remarks by other reviewers, not all of the actors were employing fake accents, and not all of the fake accents were inaccurate (I speak as someone who knows people from that region of Poland). The reason for the use of actors from different nations would be that the production was made with money from more than one country, and also because a film with actors from different nations would have wider appeal. The accent issue does not detract from one's ability to watch the film, although I would argue that this is not a film that is there to entertain. It is there to give people pause for thought, and is therefore especially useful in these dark times when the far-right is on the rise across the UK, Europe, and much of the rest of the world.

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modline
2007/12/20

It is amazing that this film did not receive a theatrical release - surely someone in Hollywood has their head up their ass. This movie could have been a major Oscar contender. It is a beautiful story, told to near perfection. Haley Joel Osment continues to prove he's one of the greatest child actors of all-time, and Liam Hess makes an amazing impression as Tolo. Both performances are Oscar worthy, as are the script, direction, cinematography, and picture.Without revealing too much of the film focuses on the story of a young boy torn from his parents and Jewish upbringing and forced into a Catholic peasant community during the War. The horrors of the War are shown full, and the children of the community become heavily involved with the church as a means to escape the horrors, especially the impressionable, younger Tolo.This is definitely one of the best movies to ever deal with the horrors of World War II, and certainly the best since "Schindler's List."

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Jockish
2007/01/21

This is not made of real situations but it has happened. Because I'm sure that is was a few boys and girls who get away from home, just like Haley Joel. I think that this movie is important for other people as well. You know, when we, who lives in the 21th century, doesn't live anymore, people in 100 years can see the movie and think "Oh, that war WAS no good". But we who has grown up with the story a quite familiar with it, or aren't we?Haley Joel Osment is awesome. Think, that a 13 year-old boy, who don't know the past really, just go out there and act that good. Some say he's just a actor, but i say that he's a genius. There hasn't been any better actor/actress ever. There is just one single question: When do Haley Joel Osment win his first Acadmy Award for best male actor?

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Danusha_Goska Save Send Delete
2006/08/14

"Edges of the Lord" is a beautifully shot film. The interior of peasant homes and the Polish countryside glow."Edges" includes some unforgettable performances. Willem Dafoe is stunning as nobody's ideal -- and yet very loving -- priest. Haley Joel Osment reveals, yet again, that he has more heart and talent in his pinkie than many bigger stars have in their whole bodies.Liam Hess, as Tolo, an eight year old peasant child with a Messiah complex, is reason enough alone to see the movie. I've never seen anything like his performance. He is mesmerizing. Had this film received a theatrical release, Hess' performance would be legendary by now.HJO plays Romek, a Jewish boy who, during the Holocaust, is sent to live with a Polish peasant family. During his time there he has fights, and makes friends, with Polish peasant children. An older girl, teenage Maria, tries to introduce him to love.This coming of age tale occurs with the Holocaust in the background. Trains of Jews pass through the village; villagers rob escaping Jews. Three Polish peasant characters are shot to death for defying Nazi orders. A pall of menace hangs over every word and deed.Tolo, who looks younger than eight, takes it upon himself to sacrifice for the suffering humanity he sees around him. He asks to be crucified. He attempts to perform a miracle. Upon learning that Jesus was Jewish, Tolo claims to be Jewish -- to a Nazi. In the end, Tolo does perform a sacrifice, one the viewer did not expect.Viewers can't fully understand this movie without understanding the background of Polish Jewish relations. Both Polish Catholics and Jews suffered under the Nazis. Nazis, though, targeted Jews for complete elimination, and came dreadfully close to carrying out that evil end.In recent years, loud voices have claimed that Poles did not do enough to rescue Jews, or that Poles celebrated, or participated in, the Holocaust that occurred, largely, on Polish soil. Poles, less well organized, have tried to present a more complicated picture -- one in which any Pole who helped any Jew in any way risked death not just for himself, the helper, but for his entire family. Poles also point out that there are more Poles honored among the righteous at Yad Vashem than any others.Too, Poles point out, World War Two was just the latest catastrophe, for Poles, in a two century long history of catastrophes, including domination by hostile Russia, Prussia, and Austria. Poles suffered horribly under the Nazis. There were Poles in Auschwitz, on mass transport trains, and in gas chambers.Needless to say, this short review can't honor all the competing narratives that serve as backdrop to this movie.As a viewer, I can say that this film was not a complete success for me aesthetically. Watching films about genocide is hard. If I am going to invest time in such an endeavor, I want to feel that the investment was worthwhile -- that I learned something, or grew as a person, from the experience. Genocide films that have worked for me have included "The Pianist" and "Hotel Rwanda." Both films focused on a single strand narrative that followed one character I deeply cared about."Edges of the Lord" does not follow a single strand narrative focused on one charismatic character. Though I liked many, I never became intimately involved with any of the characters. The film's focus is too diffuse, switching from narrative strand to narrative strand.And then there are the political issues. I can understand the desire to make a film that communicates that World War Two was a tortuous, chaotic prison for all Poles. The Bad Poles here -- the ones who rob escaping Jews -- are bad Poles, period. They also betray their own Polish Catholic neighbors to the Nazis. One, the script makes clear, has performed unnatural acts with sheep. And he rapes a beloved female character.At one point, a priest confronts a Polish criminal with his crime. The criminal says, "Who are you going to report me to?" World-War-Two-era Poland was a land without justice. The good Poles did was erased, often, by their murder at the hands of Nazis. Bad Poles faced no court of justice; rather, they profited from others' misfortunes.That this film communicates that understanding is a good thing.There are political issues in a film in which Tolo, a Polish Catholic boy, a child of the "Christ of Nations," volunteers to be crucified, symbolically, and, ultimately, in a real way, as a gesture of solidarity with suffering Jews. This is an issue that deserves discussion. But, unfortunately, this film was all but buried. It received no theatrical release, and little press. That is a shame.I do have mixed feelings about this film as an aesthetic product and a political statement, but I also must recommend it for anyone who would like to see an unforgettable performance by a child actor, and for persons interested in seeing the Holocaust from an alternative point of view.

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