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Admirable film.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

A made-for-cable supposedly science fiction bit of dreck starring the least talented of the Baldwin brothers. (Only one of which has any talent in the first place) We have bad acting, a terrible plot, cheap sets, hokey dialog, bad direction, bad photography, bad editing, well, everything was bad. Even the occasional topless scene could not rescue this clunker. Although some of the women were attractive, the scenes were poorly lit, poorly set up, poorly, well, you get the idea.The best of the bad lot was Barbara Alyn Woods, and I feel bad for her that this is the only thing I've seen her in. She has undoubtedly done better. Avoid this movie like the plague.

I simply cannot believe I sat through this whole thing. Talk about blind hope! Why did I think it would get better? I suppose I hoped that Stephen Baldwin would somehow rescue this mess. Not that I've ever seen him rescue any other lousy movie he's been in to date. I keep hoping he'll pick a winner. This is simply one of the worst movies I've ever seen. Lame, preposterous plot. Wooden acting. Lousy cinematography. I sure hope these actors got paid well for a potentially career ending fiasco.I hereby formally nominate it if you ever compile an updated "Worst Movies" list!

This movie drained the energy right out of me the moment it came on and never let up until it was over. I really should have just turned it off. Not that I had much anticipation of this movie being any good in the first place, but the possibility of some steamy T&A lured me in. How stupid was I. This has to be one of the lowest budget movies I've ever seen and will probably ever see. Low-budget doesn't necessarily dictate a bad movie, but Dead Weekend is one of the countless bombs people wonder how they got made in the first place. Although this movie is being sold as a sci-fi adventure all it really amounts to is a low-budget T&A romp through wasteland. The story and cast are horrible with Stephen Baldwin obviously taking this on as a quick paycheck. Believe me when I say everything about this movie is bad beyond belief. Perhaps the ugliest part is even the T&A can't save this mess of a film.

The people responsible for this masterpiece knew EXACTLY what they were doing! I can almost picture it: "What? No budget? Oh, well, let's have fun anyway!" It's as if the director used this flick as an opportunity to compile a resume' of styles (hence the random Homicide: Life on the Street camerawork in one scene), and the actors were just there for a good time. It's great.Set in the "not-too distant future", martial law has been declared in The City in leu of a looming earthquake. However, the earthquake is merely a ruse, a story fed to the public so the TWF (True World Forces) can capture an alien spotted over the city some few days earlier. A TWF agent runs into the alien (a *hottie* who can change her apperance, while always remaining - of course - a hottie), and the two go off and, um, compare their respective physiologies (yeah, that's it). Other things happen, too, but who pays attention to plot nowadays?The effects are poor, but it's the *little* things that really made this film. The chalk outlines. The phone book. The beautiful rooftop view of The City. The officer's club/strip joint/medicenter. These minute details were handled (fondled, even) with the utmost care, thus making this film the cinematic treasure it is. Don't be confused: this flick is BAD. But that's okay. It's as if the director & stars agreed to make as entertaining a film as they could with the $5.63 budget they had. I loved every minute of it!