Watch Take This Job and Shove It For Free

Not even bad in a good way

It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

Watch something else. There are very few redeeming qualities to this film.

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

While Hays has certainly done better films, during his heyday (no pun), this one stands at about a C+. Perhaps 'Airplane' was one of his top, better ones, but heck -every actor has the right to "step down" into a smaller venue. He still pulls his own here. Okay - so Hershey isn't standing firm in a strong, fem role this time. But she also holds her own. And she's allotted moments where her true talent as an actress, comes out. That's the beauty of loving Hershey. Even in a very supportive role, she still paves her own.For the most part - this film high-fives the typical, old-day blue-collar, Midwestern, parody; which for its time, was much appreciated. Just another example of the typical condescending, stuff-shirted Corp. puff attitudes. Here, David Keith (Harry) brilliantly portrays; alongside costar Thomerson (Ray), a feast-or-famine challenge. The game is on: workplace upgrades, threats of buy-out and the mgmt. changes - none of it for the better. Harry and Ray pull together, retaining the 'working man' dignity - and bravely shoot against the grain. Their portrayal is another example of the "worker" daring to confront the "big boys"; a common post blue-collared-ghetto movement of the time.In the end (very decently directed, and out-laid) Hays (Macklin) wises up, realizing he; and his commadarie, were nearly side-lined by the very honchos who pretended to have his back.

I watched this film because I love the song, because I knew it took place in Iowa (where I grew up) and because I have always enjoyed movies that were entertaining without being condescending. Other than the fact that almost all the main characters sound like they live in Texas instead of Dubuque, Iowa, it's pretty much a harmless, fun, little-guy-beats-big-guy film. Robert Hayes is appropriately handsome & earnest, Barbara Hershey is appropriately girl-next-door-cute and angry/supportive. Bonus points for the monster trucks. A harmless way to spend a couple of hours, especially if you love beer. Don't miss Lacy J. Dalton & friends singing "You Can Count on Beer".

This movie is much ado about nothing. But, then, what could you expect out of Dubuque, Iowa, where nothing ever happened except the filming of F.I.S.T.? The early 1980s was a big beer-drinking time, though, with everyone partying and being an urban cowboy. This movie is basically a chance to see an early version of Bob Chandler's Bigfoot (before he was such a monster) and hear some country music. It's kind of a lighthearted, fun, partying romp. In fact, the writer very well could have written this movie in a state of intoxication. There's a scene where Robert Hays's character is supposed to throw a beer can into a trash can. Duh! Iowa beverage cans had a 5 cent deposit on them. This must have been written by someone from out of state!

Witless film that doesn't live up to its title about tensions between labor and management. An embarrassing film for folks like Hershey, who went on to bigger and more respectable territory.