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So much average

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

By the time the dramatic fireworks start popping off, each one feels earned.

I guess I'm midway between the few people who liked the film and the multitude who hated it. With a bit of astute editing, it could be rendered mildly amusing in a bizarre sort of way. But as it is, it way out- stays its welcome. The plot starts off with a reasonably amusing situation, but just gets so utterly bizarre and so sillier and sillier the more it progresses that you feel like leaving the theater. But you hang on to see to what depths it can plummet when the even more dopey characters join the cast. It would seem that the director exercised no control over his players at all, but just let them do whatever they liked. And we all know what actors like to do. No matter how large or small, significant or insignificant, important or unimportant their roles, every single one of them will strive to attract the greatest attention to their characterizations - and nuts to everyone else in the scene! But directors should be a wake-up to the aspirations of bit players. So in this case, put the blame for this debacle on the director first and the players a long way second.

Oliver is a man in desperate need of money so he decides to have his rich wife killed off. To this end, he hires a man to assassinate her only to later have a change of heart. It turns out, though, that the murder has been sub-contracted downwards via a chain of men, with the price getting cheaper and cheaper. Oliver, therefore, amasses an ever increasing gang of oddballs and eccentrics in his mission to stop the murder he instigated.This silly screwball comedy stars a man with an impressively silly name, the (surely) one and only Bob Dishy. This is possibly the actual funniest aspect connected to this film though, as despite being a relentless farce, it isn't especially amusing. Its plot ensures that it is quite episodic in nature and this means that it's fairly fast paced which certainly helps a bit. While it isn't exactly a successful comedy, it is strange enough to be worth a viewing. It's sort of like a poor man's Mel Brooks, even if some of Mel Brooks' actual films sometimes seem like poor man's Mel Brooks films themselves. But the sheer daftness on display here is sort of endearing to a certain extent and, on the whole, I sort of didn't mind it all that much.

The mystery is how it could be so bad. The cast is a great collection of comic character actors of the 1970's. The writer has a top-notch resume filled with wonderful comic scripts, including his collaborations with Woody Allen (the early movies, when Woody Allen movies were funny), and the director isn't incompetent. There are even some good lines in the script. (One attempt on Joanna Barnes' life is introduced by a shot of a shark in a swimming pool, with a sign by the pool reading, "Acme Shark Rentals." Bob Dishy's psychiatrist is confined to a straight-jacket; Dishy asks him why, and the psychiatrist replies, "We can't all be fashion-plates.") But the result is a mess. The actors and the director seem to have responded to what they knew was a failing movie with desperation -- "maybe if we play this broader, louder, quirkier, more over-the-top, we can make it funny." They can't, and they don't.So what went wrong? The temptation, this having been a product of Hollywood in the 1970's, is to wonder who was on what drugs. If that isn't the explanation, I'd love to hear what was.

This movie needs to be on the #100 worst movie list.I watched it at the ages 12-13, and not even then could I like it.Low budget, low quality acting job. Stay as far away as possible from this one!