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I don't have all the words right now but this film is a work of art.

Absolutely the worst movie.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Plenty of action here as Charlie gets drawn into a nefarious insurance scam plot hatched by a boat's owner. The owner's also determined, however, to keep Charlie away from daughter Edna. Thank goodness all ends well but not after a LOT of high sea hi-jinks! Someone else commented on the dance routine Charlie does in the galley - yes, he could'a been a ballerina! But I too noticed the backwards shuffle that I'd seen before in Modern Times - I saw the later movie first, but here was its first appearance (first that I'm aware of).Lotsa fun; was hard to follow for me a few times but I chalk that up to a so-so video quality or I'd have rated it higher. Plus a couple of Charlie & Edna's kissing scenes got interrupted so I took a few points off for that, too! lol Anyway, I hope to get this on a good DVD copy, the best I can find, because this one IS a "keeper"!

While the Keystone pictures made Charlie Chaplin a star, the Essanays made him world famous. With such success comes great confidence. Shanghaied is a real confidence picture.If you look at the first series of real gags, when Charlie is hitting his soon-to-be crewmates over the head one after the other, the whole thing is done in a single shot. And it is essentially just the same gag repeated several times. The comedy actually lies in the fact that we know exactly what is going to happen, we just don't know exactly when it will happen and how each man will react. For the final mallet blow, the moment leading up to it is stretched out as long as possible for maximum funniness. To be able to pull off a sequence like this, you need to have faith in your own ability to make people laugh, and this is something Chaplin now had.Aiding and abetting Charlie are the usual rogues' gallery of supporting players. Among the notables here are Leo White, appearing without his usual "Frenchman" get-up, but still very funny, and John Rand as the ship's cook. This was Rand's second picture with Chaplin, and the way he brilliantly plays off the tramp without stealing the scene would earn him a long-term placement in the comic's stock company.In fact throughout this picture, it is the other performers who actually do the most, while Charlie appears as a fairly insignificant figure amongst it all. And yet he always remains centre of attention. For example in the scene where he directs the crane which has inadvertently hooked the rest of the crew, he is orchestrating the chaos. To be able to pull this off again requires not only skill but overriding confidence in that skill.And so, we come to the all important statistic – Number of kicks up the arse: 17(!) (3 for, 9 against and 5 other)

This is another early Chaplin film made for the Essanay Studio, and while it has its moments it certainly isn't one of Chaplin's best. It's difficult to sympathise with his plight when he finds himself shanghaied into service on a boat because he was responsible for most of his equally reluctant shipmates being there as well. More important than this though, is the fact that it just isn't that funny, with too many gags running for far too long and therefore outliving the laughs they originally generate. There's also a curious lapse in spatial awareness when Chaplin is seen to exit left from one room then enter left into the next room. Given Chaplin's reputation for perfection, this might be down to the print I saw being made up of two prints spliced together with one unintentionally reversed. Or maybe I just imagined the whole thing – it was a couple of weeks ago

This is a pretty enjoyable Chaplin short from 1915. While certainly not among his best, it is worth seeing and is far from a bad film. In fact, up until the rocking ship segment of the film, it was probably a good bit better than average. Charlie was offered a job helping some sleazy ship's captain from kidnapping a crew for his boat--which the owner already intended to blow up for the insurance money (this is DEFINITELY not a ship you'd want to work). In the end, he, too, is conked on the head and becomes an unwilling crewman.However, despite a good beginning, soon Chaplin chooses to incorporate a rocking boat sequence into the film while he worked as a dishwasher. I've seen rocking boat scenes in two other Chaplin films already before this (including A PERFECT DAY and one other that doesn't immediately come to mind). I really hated this because although Chaplin was known for his attention to detail, these scenes by him were always handled very sloppily. Once again, the boat rocked way too fast and way too quickly--while the ocean appeared very calm. It just looked stupid and didn't make me laugh. A rolling boat COULD have been very funny--but not one that looks like that! Well, after this lousy part of the film, the short got better and involved Charlie saving the boat and the lives of everyone. At least it ended well.