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This movie was so-so. It had it's moments, but wasn't the greatest.

This is an astonishing documentary that will wring your heart while it bends your mind

Worth seeing just to witness how winsome it is.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

Mavis (Liza Minnelli) was a chorus line dancer on Broadway. Just as she was on the verge of getting more prominent roles, she fell in love. Her full-of-himself boyfriend moved them to Buffalo, far from the theater scene. As a musician, he plays with a band in the local clubs, often with the very talented Mavis singing at his elbow. But, they are just two bit players, mostly because of his total lack of ambition. On the side, Mavis runs a dance studio for ordinary folks. In her classes, among others, are a lovely nurse, a librarian, a lady with an overbearing husband, a lady with an unemployed son, a bossy middle aged housewife (Julie Walters) and a lone, divorced, very shy male. The studio pianist is a strong-willed senior (Shelley Winters). One day, a woman who operates a more prominent dance school in Buffalo invites Mavis and her class to perform a number in a charity dance recital. Mavis accepts. But, as total amateurs, will Mavis' class look ridiculous in front of the other, younger groups? And, can Mavis weather a serious personal crisis, just as the class is working hard to get ready for the show? This is a wonderful film for several reasons. To begin, of course, the movie stars the very gifted Minnelli, who is a bonafide triple threat. She can sing, she can dance, and she can act, all in a glorious fashion. She makes Mavis a very memorable and wistful character. Next, the rest of the cast is outstanding, too, and not just Walters and Winters. Most of the dance class members are folks with no name recognition but who play their parts admirably. Then, too, the characters in the film are very human and sympathetic, making the audience cheer and weep for them as the events unfold. Also, the dance numbers are exciting, the costumes are very nice, and the setting in Buffalo quite charming, making for a fine looking film. If you love dancing and singing, this movie has the goods for you. But, even if you can't cut a rug, this film's story will warm your heart with its lovely, vibrant, and very touching tale.

This is a gentle feel good film. There are some great performances especially Julie Walters who manages to keep us laughing through the film, then when you least expect it pulls at our heart strings with a very moving scene talking about her daughter.Liza Minnelli is engaging in the lead role, though this is another one of those films that does not rely on the central performance. The late Shelly Winters is great as the grumpy piano player.The class provides each of the group with something that their lives are missing and the story of these people is handled well by the director. The final stage number is in the tradition of an old Hollywood musical, all glitz and glamour and it works well.I remember at the time the film was not well received, which is a shame. It will I am sure stand the test of time and rank as one of Liza Minnelli's better outings on film.

of course 'Cabaret' can do the same but anyway I really really liked this film a lot and it made me admire Liza because of its subversive message, its exhortation to the folks in the audience to get off of their arses and do something why don't you. Even though there is a big scene that goes to show that there is only one Liza - that amateurs will never replace professionals - yet the film demonstrates in an affecting way how amateur artists frequently bring something quite special to what they do - that sometimes at a most essential level the distinction between a "real" artist and someone just making art or trying to, if you want, is quite irrelevant. I haven't really seen any of the old "let's put on a show" movies. I once remember seeing part of "strike up the band" and thought it was rather dada and anyway it didn't appear to be about amateurism, it appeared to be totally about Judy and Mickey, period. "Stepping Out" is not 2 young virtuosos hopped up on amphetamines on parade!I just loved Liza's performance in this film, every little move she made, Liza, you touched me! Yes, she seemed very genuine I would characterize the performance as "wise". Mavis/Liza. Mavis!!? What of it!Reading other reviews I'm realizing I saw this film so long ago. Heck I'd forgotten about groovy gal Shelley Winters and the other performers. I only remembered that Bill Irwin was in it. Oh Liza, I think it's time for me to watch this one again. I could believe Davis Gest might have extorted sex from the bodyguard who is suing Liza only the bodyguard is probably so dumb he thought DG was Liza! As Gilda said, "Disaster to the wench!" but let's at least have him show his face in the newspapers. I really wonder, who's the victim here!?I'm glad some people gave this movie the maximum stars they could.

Every now and then, "Stepping Out" touches down on some heartfelt emotions that most viewers will relate to; whether it's Liza Minnelli's jerk of a boyfriend, her loyalty to her tap dance students or the anxieties within the group, the script is surprisingly evocative once it gets down to the heart of the matter (after cutting through the crap). There's a lot of dross filtering through here, too many stumble-bums and pratfalls that I assume are there to get laughs, but Liza is solid (as usual) and does a good job at keeping the picture on some form of realistic ground. The dancers are colorful and interesting, but Shelley Winters as the pianist on social security has a tough time portraying a ridiculous warhorse in silly hats. **1/2 from ****