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Pretty good movie overall. First half was nothing special but it got better as it went along.

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Exactly the movie you think it is, but not the movie you want it to be.

I usually am a great fan of political movies. They can be hysterically funny like The Dark Horse or truly serious like State Of The Union. A really good one came out a few years after The Year Of The Yahoo when Robert Redford did The Candidate. I can think of a whole lot of others as well.But The Year Of The Yahoo will never be one of them. It's as bad as bad can get. I'm not saying it had potential which sadly it did. But it should have been in the hands of a competent director and cast.Whoever told country singer Claude King he could act should have gotten the neophyte thespian a good director as well. But King was saddled with an equally untalented and misdirected cast. King plays a country singer more along the lines of Merle Haggard who some sharp politicos including a corrupt governor decide would make a fine US Senator. That's not as far fetched as you think and after the last election it showed anyone can get elected anything in the right year. Pappy O'Daniel in Texas, Jimmy Davis in Louisiana, and Glen H. Taylor of Idaho all had country entertainer backgrounds and all got elected governor and/or senator from their states. A biographical film of any one of them would be a good project.But this one, a satirical film that just isn't funny and has no real wit to it.

I have seen a bazillion bad films, as I love watching and laughing at incompetent films. Horrible directors like Ed Wood, Ray Dennis Steckler, Ted Mikels and Al Adamson are personal favorites. However, the director of this film, Hershell Gordon Lewis, is an enigma. Sure, he's made some of the worst films ever, such as MONSTER A GO-GO, THIS STUFF'LL KILL YA and BLOOD FEAST, but he also made a couple films that despite rotten production values are quite original and entertaining, such as TWO THOUSAND MANIACS and YEAR OF THE YAHOO. YEAR came bundled with THIS STUFF'LL and the contrast between the two films is amazing.While I would not go so far as to say that the direction is competent or the acting is uniformly acceptable, Jeffrey Allen's acting is 10000 times better than it was in THIS STUFF'LL KILL YA and some of the other actors weren't bad for amateurs. However, the most notable positive about this film is the writing--it DIDN'T suck!! In fact, despite lacking polish, the story idea was excellent and showed a lot of imagination. Sadly, Allen Kahn only made one other film before this one and none since.Claude King stars as a country musician who has been convinced to run for the US Senate. The governor (Jeffrey Allen) is at first on board with the hotshots who want to run King but after a while, he is sick of the way these outsiders treat him. In fact, this election team is very slick but totally cynical and evil--treating everyone like dirt and turning King into a total phony. In some ways, this is like A FACE IN THE CROWD or BRUBAKER, but there is plenty of stuff to enjoy. I loved the way that the "unscripted" appearances and "live broadcasts" were so scripted that the handlers didn't even care what King's opinions were about the issues. And, King, so interested in getting elected, says nothing and goes along with this phony campaign.There's a lot more to it, but I liked the film despite its many shortcomings. It earns a 5--mostly for writing. With just a modest budget and competent acting and direction, it would have earned much more. Clever and surprisingly interesting.Also note that this film has perhaps the most gratuitous nude scene I've seen in a long time. It came out of nowhere and did nothing to further the plot.

It's been a lot of years, but I was an extra in this movie as Sharron Morton. This was filmed in San Antonio Texas. I've often wondered over the years about the movie. I've never seen the finished product! I've told my friends and family about the movie but have never been able to prove until now that it actually exist! At the time the movie was filmed my three children were toddlers, they wouldn't remember. I've lost contact with the one other person I knew in the movie. Colonel Andy Jackson was a major disc jockey for KBUC radio in San Antonio. I started looking for the info on the internet this afternoon and ended up having to call San Antonio to get your info. However, the site is great and I've found my movie! Thanks,Sharron Perdue

This was Herschell Gordon Lewis' penultimate effort before getting out of the film-making racket and getting into mail order, and it was made either right before or possibly even during THE GORE GORE GIRLS. Allen Kahn's script is a serious political satire about a country and western singer, played by Claude King (he of "Wolverton Mountain") who runs for State Senator. King also runs into conflict with his political handlers, who are headed by an exceptionally slimy Roger Ailes-like character played by Ray Sager. Although it still looks like it was shot in two or three days, Lewis puts more into this film in terms of shots and cuts than in any other work I've seen from him. There is some padding, but at least most of it relates to the plot - there are no long tracking shots following the guy getting out of the car and up the walk to the front door. There is one softcore sex scene, and it's positively revolting. If you like seeing simulated sex between two actors who obviously don't give a damn about one another, this is for you; I took advantage of it to answer the call of nature.The acting is above average for a Herschell Gordon Lewis film, and overall I felt YEAR OF THE YAHOO! was very well done. Back in 1972 the public was barely aware that politicians used handlers to help shape their public image, and that's essentially what the film is about. Of course, today those same handlers are not only "out of the closet", but successful ones enjoy a celebrity status that is nearly equal to the candidates they handle. In 1972 the political handler was a relatively new phenomenon, at least one that worked like a hired hand who was likewise uninterested in the ideology of the candidate or campaign. Lewis' film is a valuable political document of that trend in a much more innocent time than ours.That's not to say that YEAR OF THE YAHOO! is perfect. Kahn's script is kind of flat at times and is also so vaguely stated here and there that it is incomprehensible. It is like Kahn didn't know the political lingo that he needed, so he made up his own, which only he could truly make sense out of. It made me long for the crackling wit of the writing of Lewis' usual screenwriter Alison Louise Downe, whose work contributes so much to making GRUESOME TWOSOME such a "pointed" (sorry, I couldn't resist) satire. The situation isn't helped by the fact that in the one surviving print of the YEAR OF THE YAHOO! that the soundtrack is badly damaged during the first reel, making a dialogue scene that was hard to follow in the first place doubly tough to comprehend. Claude King's vocals when he is singing are miked poorly, so at times I can't follow him either, even though the setting is in a television studio where the sound should be spot on perfect. These aren't minor quibbles, and this is not Lewis' best film. But it is about as close as he came to making a "straight" film, and I think he did his best by the project on his limited means. This is a movie that if you took the totally unnecessary sex scene out you could show it to a film class or use it in the context of formal festival type screening. That is certainly not something that I can say about most other Herschell Gordon Lewis films!