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Alison's Birthday
During a Ouija board session with her teenaged friends, 16-year-old Alison gets a message from beyond the grave not to go home for her birthday three years later.
Release : | 1981 |
Rating : | 5.8 |
Studio : | Australian Film Commission, David Hannay Productions, Seven Network, |
Crew : | Art Direction, Production Design, |
Cast : | Joanne Samuel John Bluthal Vincent Ball Julie Wilson Martin Vaughan |
Genre : | Horror |
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Reviews
A brilliant film that helped define a genre
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Alison (Samuel) is warned by her dead father to avoid her 19th Birthday. Her Aunt and Uncle are part of an ancient cult and as an offering; Alison is to be possessed by an old witch on her birthday. This boring Australian film fails to supply any chills, and worst yet any deaths. The filmmakers choose to make this a mystery and have the audience trying to figure out why this is all happening. It takes a ridiculously long time to unfold into a climax that isn't scary at all. The possession angle should have supplied some minor chills, but this film can't even muster that. The Direction and acting his very bland which matches this dull film.
I bought this one used. I don't reccomend this movie for people who believe in ouija boards. This movie was very boring, so boring that nothing could be done to make it better. The ending was very stupid as well as throughout the whole movie. I figured I wasted my cheap $10.00.
**** POSSIBLE PLOT SPOILERS ****Australian entry into the 1970's demonic/witchcraft horror cycle. Film starts with a prologue ( similar to 'Halloween' or 'Prom Night'), where 16-year old Alison is warned, whilst doing a Ouija Board, that she must get away before her 19th Birthday.Film moves forward a couple of years to find Alison invited to her Aunt and Uncle's to celebrate her birthday which is fast approaching. Film has similarities to 'Rosemary's Baby' with vulnerable young girl falling foul of a witchcraft cult, personified by much older, normally trustworthy characters. Her Aunt makes Alison drink her 'herbal chocolate', in the same way as Ruth Roman brought Mia Farrow concoctions in the Polanski classic.The film has basic production values and the acting is poor, but the storyline is well thought out and quite complex, remaining true to its horror roots. The middle section of the film concerns Alison's boyfriend (an annoying character who drives around in a feeble yellow buggy), trying to uncover what is going on and save Alison. He goes through old newspapers and searches hospital records, slowly piecing things together, as Gregory Peck did in 'The Omen'.If you're not mad about the genre 'Alison's Birthday' will be barely watchable, but for horror fans there is more than enough here to keep the interest from waning. The storyline is quite strong and manages to carry the film along. The ending seems a foregone conclusion - but in a final effort the film keeps the horror dark and provides a bleak, nightmarish finale.Great video cover with a naked girl lying on an altar before a horned demon.
And cheap is right! Just what I expected! Another movie that tries its darndest to be normal and serious, but it all ends up in the gutter when taken too cheaply. Here in ALISON'S BIRTHDAY, the word "cheap" is proven true. If you're still craving over more bad movies but haven't had the chance to see this title, then I'd say you've come to the right place! I only wished it wasn't THIS bad, as it is pretty much obscure for an Aussie import. It would even be so bizarre to find this kind of movie being made from the land down under! The story sounds campy, unfortunately, but I'll admit that ANY one soul can crack open a Bud and enjoy the bumpy ride. It starts off with three girls playing an Ouija-style game until Alison learns that a new fate awaits her when she turns nineteen. The rest of the story is up to you. Since this has to do with Satanic rituals and witchcraft, you may be wondering why no blood is present throughout the whole thing. In other words, this is extremely tame for a movie like this when you can compare to those notoriously gory British imports. Everything goes screwy with the plot, and what gives? You're expecting a "family" movie a lot more than any cult classic that would sustain a loyal fan base. The ending? Save it for the movie when you get a chance to see it! Although it's no worse than the worst I've seen out of bad moviedom, still try putting this title on your crowded shelf of huge clamshell boxes. How paranoid can you get?