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Overtime
Jody (Lauren Young) is the sole breadwinner of her family. She works for a large pharmaceutical company that’s just been accused of illegal human testing. Jody has been tasked with putting a major press conference where the company will deny these claims. Stressed out, she decides to blow off some steam by finally meeting up with a guy she’s been chatting with online. She and Dom (Richard Gutierrez) hit it off, and decide to spend the night together at a hotel. Jody wakes up drugged, however, with a bomb strapped to her torso. Dom tells Jody to set off the bomb at the press conference, or harm will come to her family.
| Release : | 2014 |
| Rating : | 6.8 |
| Studio : | GMA Pictures, |
| Crew : | Director, Director, |
| Cast : | Lauren Young Richard Gutierrez Mitch Valdez Roi Vinzon Renz Valerio |
| Genre : | Comedy Thriller |
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Touches You
Please don't spend money on this.
Brilliant and touching
Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
There are a lot of things going for Overtime — Wincy Aquino Ong's 'big pharma is bad'-commentary slapstick-actioner — although a lot of things also aren't.Firstly, it is genre-bending; rarely is it that we see an awkward tech-whiz (whom we meet no earlier than halfway through the film) not only get to emerge as hero, but also get the Final Girl. Bearwin Meily — who ably portrays the role of the unlikely hero (and apparently avid Greenhills shopper) — is a pivotal element to the eccentric conceits of the film. But to weigh in crank in the film is a moot task, given Ong's previous effort San Lazaro, a film about fanaticism and the occult, can only handle so much cray from the respective roles of Bianca King and Ramon Bautista.With this, we are left with a social commentary that does not engross beyond its extremest potential and principal characters that are essentially underwritten cut-outs: from a dumbed-down graveyard-shift worker (Lauren Young) to a handsome neurotic (Richard Gutierrez, turning in a performance reminiscent to Aga Muhlach in Rory B. Quintos' Sa Aking Mga Kamay).Ultimately, it is Ong's pursuit to bring mainstream leagues something fresh that elevates his film; and what he has arrived here with — at best — is a fine, admission-worthy consumable pulp.
