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I love this movie so much

Wow! Such a good movie.

Excellent, Without a doubt!!

Beautiful, moving film.

In A Lesson in Love, Ingmar Bergman seems to be trying to turn Eva Dahlbeck into Carole Lombard. She certainly has Lombard's blond glamour, and she makes a surprising go at knockabout comedy. But where Lombard had the light touch of a Howard Hawks or an Ernst Lubitsch to guide her in her best work, Dahlbeck is in the hands of Bergman, whose touch no one has ever called light. A year later, the Bergman- Dahlbeck collaboration would make a better impression with Smiles of a Summer Night, but A Lesson in Love sometimes verges on smirkiness in its treatment of the marriage of Marianne (Dahlbeck) and David Erneman (Gunnar Björnstrand). They are on the verge of divorce and she is about to marry her old flame Carl-Adam (Åke Grönberg), a sculptor for whom she once posed. David is a gynecologist who has had a series of flings with other women, including Susanne (Yvonne Lombard), with whom he is trying to break up. But Marianne has not exactly been faithful to their vows either. Meanwhile, we also get to know their children, Nix (Harriet Andersson) and her bratty little brother, Pelle (Göran Lundquist), and David's parents (Olof Winnerstrand and Renée Björling), who in sharp contrast to Marianne and David are celebrating 50 years of marriage. While Bergman sharply delineates all of these characters - - especially 15-year-old Nix, who hates being a girl so much that she asks her father if he can perform sex-change operations -- the semi-farcical situation he puts them has a kind of aimless quality to it. I appreciated Andersson's performance the more for having seen her as the dying Agnes in Cries and Whispers the night before, but in this film the role makes no clear thematic sense.

I suppose the right category for this movie would be romantic-comedy, but it's done so well by Ingmar Bergman and has so many nice touches, that it seems to be more than that. The premise is that after a gynecologist strays and has an affair with a young patient, his wife to go back to her old lover, and he wants her back.Eva Dahlbeck is great as the wife, and delivers empowering lines like "A woman wants to feel she's a woman – not a wife", and "A man can be immoral and he's only a 'he-man', but a woman who satisfies her instincts is a strumpet." Yvonne Lombard is very sexy as his mistress, and Andersson, who starred the previous year in the title role of 'Summer with Monika' as well as a bombshell in 'Sawdust and Tinsel', displays great range in playing his tomboy daughter who wants an operation to become a man so that she's not "dependent on a man". Gunnar Björnstrand is the gynecologist, and reminded me of Edward Norton, while Åke Grönberg plays their boisterous old friend who she goes back to.The story is cleverly told out of sequence in flashbacks, including Bergman taking his time in the middle of the movie to reveal to us that the woman he's met in a train car is actually his wife. The movie is light and has great dialogue, but at the same time has the touches characteristic of Bergman, and asks some deeper questions. Is 'the marital bed is the death of love', as the man says? Is to 'wallow in physical love to be like baboons', and do affairs burn out, eventually, into boredom? And lastly, as the teenage daughter talks to her grandfather in a nice scene, does God exist, and what does it mean to die? This movie has it all – a beautiful and talented cast, effortless direction, and a great script. Definitely recommended.

This would be fine as an Italian farce. It is basically the story of a dull man who is full of testosterone (interesting because he's a gynecologist). Through various affairs and indiscretions, he has lost his connection to his wife. They are a match for one another and fight and spar through the whole thing. There is a little Taming of the Shrew action. First he steals her from his best friend; then he offers her back; then he wants her again. It is clever enough, I guess, but I expect more profundity from Bergman. Some of the banter is clever but ultimately, it's that old story of a man and wife, playing at a game, pretending not to be married and then setting up an encounter.

Bergman and comedy don't quite go together. Some of his comedies are so naff you almost wince. This film has the odd naff moment - the last 30 seconds being the nadir, but on the whole this is a charming (rather than funny) piece, enjoyable throughout. Bergman casts several of his usual suspects who perform well. There is a great scene on the train between David, Marianne and an uncouth salesman which will stick in the memory. Some of the marriage material is typical, cynical Bergman, but this is Bergman in a light rather than dark mood.This film has its moments and is worth the 90-odd minutes. Not one of his classics and not the place to start if you want to fall for Bergman.