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Sick Product of a Sick System

Although it has its amusing moments, in eneral the plot does not convince.

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

Photographed in black-and-white CinemaScope. Copyright 1958 by Metro-Goldwyn-Mayer. New York opening at Loew's State: 20 August 1958. U.K. release: 14 September 1958. Australian release: 23 October 1958. Sydney opening at the St James. 88 minutes.NOTES: This picture certainly had a considerable cult following from 1959 through 1962. It often figures on undergraduate lists of best movies for these years and was a frequent starter at university film society screenings.COMMENT: Metro here vitiates a very entertaining idea by its own indecision as to whether to go right out for droll laughs, or whether to go for battle-action heroics. The result is a disappointing compromise in which laughs get us too relaxed for many thrills, and "thrills" get us too screwed up for many laughs. Metro has gone all out publicizing the story about a sergeant who, to keep up morale among a few straggling American troops surrounded by Germans, puts on a dead general's uniform and begins masterminding more-or-less comically original counter-blows against the enemy.Glenn Ford, continuing in the dry, quiet comedy vein that suited him so wonderfully well in his previous two films, has less agreeable material to work with on this occasion, but he invests most of it with his customary pleasantly bumbling fun. His efforts to dodge one pretty nasty G.I. who would know his true identity, and to play-act a plausible top-brass manner for the benefit of officers who think he ranks above them, are developed amusingly — but by no means to their full potential.Unfortunately, Ford's comedy is inhibited from time to time by the script's demand that he make grave speeches about the great qualities of the dead general whom he supplants. Apparently the M-G- M brass feels that American sergeants could not possibly be more brilliant in generalship than generals generally are. Alas, it is by humorously pushing this squaring-off argument too far that the movie on several occasions fails to move and goes flat and soggy.Fortunately, Red Buttons shines brightly as a whimsical corporal "in the know", but the lovely Taina Elg seems somewhat colorless as the French girl whose shattered cottage is used as the general's headquarters.

Released at the tail end of the Korean war and based on a novel by William Chamberlain, "The Imitation General" is an early war comedy starring Glenn Ford as Sgt Murphy Savage, a US grunt torn straight out of the pages of early, pulpy war comics. Savage, a maverick with a machine gun, is forced to take drastic action when Brigadier General Charles Lane (Kent Smith) is killed in action. To assure the success of the General's mission, and to sustain morale within the ranks, Sgt. Savage poses as the deceased Lane. Much hilarity ensues.The film is brisk, funny and well directed, but is mostly interesting for the way it (unintentionally) captures how apt personality cults are at whipping up euphoria and funnelling violence.7.9/10 – Worth one viewing.

Frightfully dull, colorless comedy-drama about an Army sergeant in WWII France who hopes to preserve combat morale by impersonating the recently-killed General Officer. One-idea script is shot just like a play, with unimaginative camera set-ups and a stodgy, static direction. In the leading role, Glenn Ford is amiable as always--though, once again, hardly spectacular; supporting work from Dean Jones, Red Buttons and Taina Elg is underwhelming. A thankfully forgotten relic of 1950s cinema, and what exactly possessed these talented actors to take part in such banal material is a question which may never get answered. * from ****

This is Glenn Ford at his best. Serious, humorous and down right hilarious. As a veteran I can see this really happening.